Brancy began the 2019/2020 season with his San Francisco Opera debut, where he was featured as Donald in Britten’s Billy Budd. His season continues with a residency at The Banff Centre, as the soloist in Deutsches Requiem with Opera National de Bordeaux, a recital with the New York Festival of Song, and Handel’s Messiah for the US Naval Academy and The Florida Orchestra. In the new year, he will return to the role of Steward in Dove’s Flight in a production with Pacific Opera Victoria, Puccini’s Messa de Gloria with the Rundfunkchor of Berlin in Milan and Stuttgart and a new work by Michael Gandolfi with the Boston Symphony which will see performances at Jordan Hall and Tanglewood which will mark Brancy’s debut at the festival. Brancy will also make his company debut with Des Moines Metro Opera performing the role of Momus in Rameau’s Platee. Of particular note, last season Brancy debuted with the LA Philharmonic in a new production of Meredith Monk’s ATLAS, directed by MacArthur Genius grant recipient, Yuval Sharon. Of the performance, Alex Ross of the New Yorker said “Brancy infused Magnussen with a frothing intensity”. An artist of wide-ranging musical curiosity, Brancy’s recent activities include an eclectic mix of styles, platforms and periods. He made a return to Oper Frankfurt for a new production of Olga Neuwirth’s Lost Highway directed again by Yuval Sharon and conducted by Karsten Januschke.