Praised for her “nuance and sensitivity” (Boston Music Intelligencer), soprano Kendra Comstock, is a Boston-based performer and teacher. Kendra performs a wide variety of Classical and Contemporary repertoire, but is especially passionate about singing early music. Kendra’s recent engagements include performances with the Cambridge Chamber Ensemble, the Boston Camerata, Piccola Opera, the Concordia Consort, Ensemble 44, the Society for Historically Informed Performance (SoHIP), and the BEMF Fringe Series. 

Kendra was a founding member of the Oklahoma City University Early Music Ensemble. Kendra has performed at the Amherst, Madison, and Boston Early Music Festivals, and the International Baroque Institute at Longy. She has also studied with Early Music specialists, including Pamela Dellal, Charles Weaver, and Paul O’Dette. In 2018, Kendra produced and performed her first solo recital series of early music throughout New England, benefiting Hartland Community Arts, in her hometown of Hartland, Vermont. Recently, Kendra became a co-founder of the Pandora Consort, an early music ensemble focused on creating innovative performances of early music. 

Kendra holds a bachelor's degree in Voice from Oklahoma City University and a Master of Music in Historical Performance at the Longy School of Music of Bard College. In addition to performing, Kendra maintains a private voice studio and teaches voice, piano, and guitar at the North End Music and Performing Arts Center (NEMPAC).