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Jessica Sandidge

Soprano
Current Position
50 Connections | 51 Followers
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Career Highlights/Education
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New York City Opera
Galatea (Pigmalione), 2018
The Metropolitan Opera
Cover Artist, 2016-2019
Contact

This artist is accepting inquiries via Email.

Biography

(She/Her) Jessica Sandidge’s soprano first joined the Metropolitan Opera roster in 2016 and covered roles in Jenufa (Jano), The Merry Widow (Sylvianne), and Marnie (Dawn). Highlight performances include NY City Opera in Pigmalione (Galatea), Sarasota Opera in Fille du Régiment (Marie), La Bohème (Mimì), and La Wally (Walter), St Petersburg Opera in La Traviata (Violetta), Musica Viva in The Merry Widow (title role), and Pittsburgh Festival Opera in La Bohème (Mimì). She has debuted as a soloist at Carnegie Hall and Licoln Center. 
 
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Experience

Sarasota Opera

2020 - 2022
Sarasota, FL

Artist

2022 - 2022
I performed the role of Marie (La Fille du régiment) in Sarasota Opera's winter season of 2022.

Artists

2020 - 2020
I sang in Sarasota Opera's Winter 2020 season of "La Bohème" (Musetta) and "La Wally" (Walter).

Angels Vocal Art

2021 - 2021
Arcadia, CA

Artist

2021 - 2021
I sang Elle in "La Voix humaine" in a live and green screen movie version of Poulenc's one woman opera.

The American Opera Project (AOP)

2020 - 2022
New York, NY

Artist

2020 - 2022
I performed as Woman 2 in the world premiere of "Letters that you will not get: Women's voices from The Great War" via recording in 2020 and live performance in 2022.

Pacific Opera Project

2020 - 2020
Los Angeles, CA

Artist

2020 - 2020
I sang in the Gluck double bill of "La Corona" and "Il parnaso confuso" as Atalanta and Apollo in POP's outdoor Drive-In opera during the pandemic.

Long Island Lyric Opera

2019 - 2019
Rockville Centre, NY, USA

Artist

2019 - 2019
I sang the role of Cio-Cio San in Long Island Lyric Opera's production of Madama Butterfly in the Fall of 2019.

Musica Viva (Hong Kong)

2019 - 2019
Hong Kong

Artist

2019 - 2019
I sang Hannah Glawari in Musica Viva HK's production of The Merry Widow in December of 2019.

Projects and Media

Video
Depuis le jour
Louise/Charpentier
Video
Vilia
The Merry Widow
Video
Ain't it a Pretty Night
Susannah/Carlisle Floyd
Video
Senza mamma
Suor Angelica/Puccini
Video
There’ve been times
Prince of Players/Floyd
Video
Il tuo sangue
Tosca's Act 3 aria excerpt
Video
In quelle trine morbide
Manon Lescaut
2022 2021 2020

Schedule

Recent Highlights

La Fille du Régiment
Marie
Sarasota Opera
February to March, 2022
February to March, 2022
Info
Event Information
La Fille du Régiment
February 01, 2022 - March 31, 2022
Contributors
Jessica Sandidge

Jessica Sandidge

Marie

Feb 01, 2022
Dates
1
Feb, 22
Elizabeth Novella

Elizabeth Novella

Marie (cover)

Mar 01, 2022
Dates
1
Mar, 22
Abigail Raiford

Abigail Raiford

The Duchess of Krakenthorp (Cover)

Feb 12, 2022
Dates
12
Feb, 22
23
Mar, 22
Jake Stamatis

Jake Stamatis

Donizetti

Feb 19, 2022
Dates
19
Feb, 22
JoAnna Pope

JoAnna Pope

La Marquise de Berkenfield (cover)

Jan 01, 2022
Dates
1
Jan, 22
Jessé Martins

Jessé Martins

Conductor

Feb 18, 2022
Dates
18
Feb, 22
Letters You Will Not Get
Woman 2/Volness
The American Opera Project (AOP)
July 29, 2022 to 1 more
July 29, 2022
August 07, 2022
Info
Event Information
Letters You Will Not Get
July 29, 2022 - August 07, 2022
Description

Letters is a Chamber Opera composed by Kirsten Volness for six female voices and string quintet. Co-librettists Susan Werbe and Kate Holland wove together a moving libretto from letters written by wives, mothers, nurses, and artists during WWI. 

Contributors
Jessica Sandidge

Jessica Sandidge

Woman 2/Volness

Jul 29, 2022 - Aug 07, 2022
Dates
29
Jul, 22
7
Aug, 22
Caitlin McKechney

Caitlin McKechney

Woman 4, Associate Producer

Jul 29, 2022
Dates
29
Jul, 22
Kate Bergstrom

Kate Bergstrom

Performer

Jul 01, 2022
Dates
1
Jul, 22

Biography

Headshot Resume Artistic Statement

Jessica Sandidge

Jessica Sandidge’s soprano voice has been described as “plush” by The New York Times and as a "voice of both power and beauty" by Opera Wire. She first joined the Metropolitan Opera in their 2016/17 season as Jano(c) in Janácek's Jenufa. In 2017 she returned as Sylvainne(c) in The Merry Widow, and again in the 2018/19 season as Dawn(c) in the premiere of Nico Muhly's Marnie. Of her recent performance as Musetta with Sarasota Opera, Your Observer described her as "appropriately seductive and tempestuous as Musetta, singing her waltz song with great aplomb." This same season, she also debuted the trouser role Walter in La Wally. In 2020 she also made role and company debuts with Pacific Opera Project singing in a Gluck double bill of La Corona (Atalanta) and Il Parnaso Confuso (Apollo), of which Broadway World wrote: “…soprano Jessica Sandidge offered silvery high notes, decorated runs, and a dramatic middle range that made her characters come to life.” Upcoming performances this season include the one act one woman opera La Voix Humaine by Poulenc with Angels Vocal Arts. In the 2019-2020 season, Ms. Sandidge debuted the role of Cio-Cio San (Madama Butterfly) with Long Island Lyric in New York, then reprised the role of Hanna Glawari (The Merry Widow) in Hong Kong with Musica Viva. In the 2018-2019 season she made her company debut with New York City Opera in their production of Donizetti's Il Pigmalione, of which The New York Times wrote: "Jessica Sandidge's belated entrance as Galatea came as something of a relief, all the more so for the loveliness of her singing."

Press Quotes

Gallery

Press

Industry and Specialty

Opera