Composer/librettist Rachel J. Peters (she/her, b. 1977) writes all manner of works for the stage. Her operas include Lesson Plan (On Site Opera), Companionship (Virginia Arts Festival, Fort Worth Opera), Rootabaga Country (Sarasota Opera), Sketchbook for Ollie (Lyric Opera of Kansas City)The Wild Beast of the Bungalow with Royce Vavrek (Oberlin Conservatory); No Ladies in the Lady’s Book (Utah Opera; published by E.C. Schirmer), Staggerwing (Opera Kansas), and Men I’m Not Married To (Cleveland Opera Theater) with Lisa DeSpain; Steve (Boston Opera Collaborative), Everything Comes to a Head with Margi Preus and Jean Sramek (Lyric Opera of the North/Decameron Opera Coalition), Pie, Pith, and Palette with Marvin J. Carlton (The Atlanta Opera). She has the distinct honor of writing the only opera score containing a barfing cat ever performed (so far, at least) at Caramoor. In progress is Welcome to the Madness (complete with live horse) with Leanna Kirchoff for Opera Steamboat, among many others.

Rachel’s musicals include Only Children with Michael R. Jackson (NYU Tisch, Lincoln Center Directors Lab), Tiny Feats of Cowardice with Susan Bernfield (NYC Fringe Festival), Write Left with John Walch (Playwrights Horizons Theatre School), Tomato Red (UC Irvine), and Octopus Heart (NYU Steinhardt). Her score for Danielle Durchslag’s film musical, Good Shabbos, is currently in development. Scores for plays include the critically acclaimed Stretch (a fantasia) (New Georges) and Tania in the Getaway Van (Flea Theater) by Susan Bernfield, Transatlantic by John Walch (Arkansas Rep), The Bacchae (Asolo Rep Conservatory), and several works by Stan Richardson. 

Her concert mini-monodrama, Ethel Smyth Plays Golf in Limbo, written for Albatross Duo, was performed at Semperoper Dresden and continues to enjoy performances all over the US. Other concert works include If You Can Prove That I Should Set You Free (Albany Symphony’s Dogs of Desire), Jack's Vocabulary (Hartt SPASM), I Live Here (Galapagos Art Space), Canon I (Two Sides Sounding), And Then (BayPath College), and Fronds: The Wisdom of Fanny Fern (Walt Whitman Project). Rachel’s extensive catalogue of art songs and cabaret songs has been performed at Lincoln Center, Second Stage, National Opera Center, Symphony Space, National Sawdust, Ars Nova, Joe's Pub, and cabarets and theatres nationwide. Rachel is a contributor to the new generation of The AIDS Quilt Songbook and to Michael R. Jackson’s Dirty Laundry and Zachary James’s CALL OUT albums.

Rachel has held residencies as composer and/or librettist at Kimmel Harding Nelson Center for the Arts, Yaddo, Brush Creek Arts, Millay Arts, and Soaring Gardens Artists Retreat. She has received Anna Sosenko Assist Trust and multiple ASCAPlus awards. OPERA America awarded her a Female Composers Discovery Grant to write Manor of Speaking with Kevin Thomas Townley, Jr., the first wholly original work for Stephanie Blythe’s alter ego, Blythely Oratonio; other such grants were awarded to Sarasota Opera for Rootabaga Country and to Rachel’s collaborator Leanna Kirchoff for their opera Friday After Friday. Rachel is a proud alumna of New Dramatists Composer-Librettist Studio, The American Opera Project’s Composers and the Voice, and the John Duffy Institute for New Opera. She holds a double B.A. summa cum laude from Brandeis University and an MFA from New York University’s Graduate Musical Theatre Writing Program. She serves on the Opera Committee of the Dramatists Guild and is a member of the inaugural Jewish Composers Working Group under the auspices of The Neighborhood: An Urban Center for Jewish Life.

Rachel originally hails from St. Louis and has settled in Brooklyn, a borough with an exceptionally high concentration of opera composers.

For professional inquiries, contact Mark Orsini at Bret Adams Ltd: morsini@bretadamsltd.net