Rolfe Dauz

Baritone
Opera singer
Artist
Vocalist
Current Position

Biography

(He/Him) Filipino-American baritone Rolfe Dauz is quickly becoming recognized for his beautiful voice, sensitive artistry, and compelling stage presence and has garnered international acclaim for his "focused baritone, perfect diction, and dramatic acting” (Calgary Herald) and “warm, flexible singing made for rewarding listening” (Classical Voice North America).
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Experience

Detroit Opera

2023 - 2024
Detroit, MI

Jan (Cover)

2024 - 2024
Breaking the Waves by Missy Mazzoli

Soloist

2024 - 2024
Europas: 3 & 4 by John Cage Soloist

Soloist

2023 - 2023
Arias and Overtures: Detroit Opera in Concert

Prince Yamadori and The Imperial Commissioner

2023 - 2023
Madama Butterfly by G. Puccini
Lenox, MA

Vocal Fellow

2023 - 2023
J.S. Bach BWV 20 and 133 Soloist; Friederich Cerha's Eine Art Chanson; Tebogo Monnakgotla's Un Clin d'oeil Festival of Contemporary Music; George Butterworth's A Shropshire Lad

Chautauqua Opera

2022 - 2022
Chautauqua, NY

Festival Artist

2022 - 2022
THUMBPRINT Music by Kamala Sankaram Libretto by Susan Yankowitz Stage Director: Omer Ben Seadia Conductor: Kristin Roach Faiz; THE MOTHER of US ALL Libretto by Gertrude Stein Stage Director: Keturah Stickann Conductor: Steven Osgood Brother of Indian Elliot

Biography

Rolfe Dauz

Rolfe's summer 2023 highlights included concerts and recitals curated by internationally acclaimed soprano Dawn Upshaw at the renowned Tanglewood Music Center as a Vocal Fellow, after which, he became a member of Detroit Opera’s 2023/24 Resident Artist Program under the leadership of Christine Goerke and Nathalie Doucet.  His roles for the season with Detroit Opera House included his company debut as Prince Yamadori in Puccini's Madama Butterfly, Jan (Cover) in Missy Mazzoli's Breaking The Waves, and Europas: 3 & 4 by John Cage.

In the summer of 2022, Mr. Dauz joined the Chautauqua Opera Company as a Festival Artist, performing roles in Virgil Thomson The Mother Of Us All and a contemporary opera by Kamala Sankaram entitled Thumbprint. During the 2021-22 season, Mr. Dauz performed the role of Wotan/Hingaan Jann in Indonesian composer Yadi Nursalim Anugerah’s new opera, Ine Aya’, at the renowned Holland Festival and  reprised this role in a Holland Festival touring production through Indonesia. His vocal-piano duo with Lithuanian pianist Gabrielė Žemaitytė, was awarded 2nd prize at the 2021 International Copenhagen Lied-Duo Competition, and he also performed a livestream recital in the Muziekgebouw aan ‘t IJ under the auspices of the Grote Zangers Recital Series.

During the 2020-21 season, Mr. Dauz toured with Opera2Day’s production of Philip Glass’s The Fall of the House of Usher as the Medic and understudy of William, performed as a soloist with the Bach Collegium ‘s-Hertogenbosch, and covered Leporello in Mozart’s Don Giovanni with the Orchestra of the 18th Century under the baton of Kenneth Montgomery. Mr. Dauz’s additional recent performances include Don Alfonso in Mozart’s Così fan tutte, Leporello and Masetto in Mozart’s Don Giovanni, Figaro and Il Conte in Mozart’s Le nozze di Figaro, Achilla in Handel’s Giulio Cesare, Claudio in Handel’s Agrippina, Farasmane in Handel’s Radamisto and Dulcamara in Donizetti’s L’elisir d’amore. In 2016, he was invited to the Banff Centre’s Open Space: Opera in the 21st Century to perform the role of Junius in a production of Britten’s The Rape of Lucretia directed by Paul Curran. 

A native of San Francisco, Mr. Dauz is a graduate of the Dutch National Opera Academy, which he attended as a recipient of the Holland Scholarship and the AHK Talent Grant. He received his Master’s Degree from the Graduate Vocal Arts Program at the Bard College- Conservatory of Music under the tutelage of Sanford Sylvan and Dawn Upshaw. At Bard, Mr. Dauz performed the role of the Sprecher in Mozart’s Die Zauberflöte and was a soloist in Handel’s Messiah. During his studies at Bard, he also performed as a soloist with the Albany Symphony in Handel's Alexander's FeastDettingen Te Deum, Ode for Queen Anne and Bach’s Cantata BWV 78.

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