American Soprano Alicia Gianni, whose performances have been described as “charming, impressive” and “powerfully real”, has enjoyed success on both the operatic and concert stages, including nominations for Houston’s Best Jazz Vocalist by the Houston Press Music Awards. Such nominations have followed concerts in Las Vegas for T-Mobile, Magic Johnson, and The Late Late Show’s Craig Ferguson. This season offered a major role debut as Rosalba FLORENCIA EN EL AMAZONAS with Houston Grand Opera (HGO) of which she will be featured on the commercial recording, currently in production. Hannah Che of the Houstonia Magazine wrote, “Soprano Alicia Gianni played Rosalba with an earnestness and warmth, with pearly clarity and sweetness in her voice…” The 2016-17 season began with a role debut as Giannetta L’ELISIR D’AMORE (HGO) and was followed by a successful debut as Adina L’ELISIR D’AMORE with Opera Birmingham. Ms. Gianni also debuted with Musical Bridges in San Antonio as a featured soloist in their Mozart concert and will perform at several private parties this season including various musical theater repertoire and jazz standards. She performed a triple soprano role for the workshop of HGO’s World Premiere of THE HOUSE WITHOUT A CHRISTMAS TREE by Ricky Ian Gordon and Royce Vavrek, that premiered in the 2017-18 season. Audiences found Ms. Gianni’s performances as Papagena for HGO’s production of THE MAGIC FLUTE both memorable and comedic at The Wortham Center, The Miller Outdoor Theater, and The Cynthia Mitchell Pavilion. She ended the 2015-16 season as the official cover for Margaret Hughes in the World Premiere of Carlisle Floyd’s THE PRINCE OF PLAYERS, commissioned by HGO, and with Christmas Cabarets at Opera Birmingham and Arizona Opera. Ms. Gianni then returned to HGO for their First’s New Year’s Eve Broadway Concert as a featured soloist. In her performance and role debut as Petra in HGO’S A LITTLE NIGHT MUSIC, critics acclaimed, “with her thrilling rendition of “The Miller’s Son”, Alicia Gianni as Petra stole the highpoint of the second act…celebrating lustiness, experience, and adventure, and Gianni finished her emphatic phrases with long, non-vibrato belting. She was absolutely thrilling in every respect” (Theodore Bale, Culture Map). Others hailed, “Gianni inhabits the earthy, saucy serving girl Petra; she scores a knockout with her dynamic rendition of her provocative “The Miller’s Son”, (Everett Evans, Houston Chronicle), and “Gianni enlivens the strange role of Petra, a kind of lady-in-waiting, with a sublimely earthy, world-weary nobility, especially in her Act II number about the course of any marriage” (John DeMers, Houston Arts Week). Performances of both Fortuna and Giunone IL RITORNO D’ULISSE IN PATRIA followed shortly after, concluding the season with Portuguese songs by Villa Lobos in a collaborative recital entitled The Pursuit of Love with Steven Blier. She sang the role of Beryl and covered Elizabeth Futral in the role of Laura Jesson during the World Premiere of André Previn’s BRIEF ENCOUNTER with HGO. She sang the role of Laura during the original workshop, performing for Mr. Previn, librettist/director John Caird, and conductor Patrick Summers. Ms. Gianni can be heard on the recording of this premiere, released by Deutsche Grammophon in 2011. In her debut with the HGO, Ms. Gianni sang Gretel HANSEL AND GRETEL, followed by her appearance as the Rooster/Jay THE CUNNING LITTLE VIXEN. She also made her debut with the Houston Symphony Orchestra, where she was featured in a New Year’s Eve performance with conductor Randall Craig Fleischer, followed by performances of Kapilow’s Green Eggs and Ham as part of the Houston Symphony’s Children’s Series. Ms. Gianni was heard in Die Zauberflöte as an “aurally wonderful evil hag who turns into a lively Papagena” (Houston Chronicle), covering Pamina in the same production. In addition, she was heard as Musetta LA BOHÈME. As a studio member, she covered Ana Maria Martinez as Donna Elvira DON GIOVANNI, was showcased in scenes as Mimi LA BOHEME, Stella A STREET CAR NAMED DESIRE, 2nd Niece PETER GRIMES, and Héro BÉATRICE ET BÉNÉDICT, and sang recitals in both the Rienzi and Taste This series in Houston, directed by Kathleen Kelly. While a member of Florida Grand Opera’s Young Artist Program, Ms. Gianni made her debut as the Countess Ceprano RIGOLETTO. She was featured in scenes as Nedda PAGLIACCI, Zerlina DON GIOVANNI, and Tatiana EUGENE ONEGIN, performed in recitals with pianist Scott Gilmore, and sang for master classes given by Evelyn Lear, Thomas Stewart, and Ms. Virgina Zeani. In performances as Fiordiligi COSÌ FAN TUTTE with conductor Mischa Santora, she was hailed as “a standout…delivering ‘Come scoglio’ with convincing defiance”, and “traversed a range of emotions with impressive coloratura” (Cincinnati Enquirer). The Cincinnati Post raved, “Gianni displayed a remarkable voice…warm and strong at both ends…’Fra gli amplessi’ was the single most beautiful moment in the opera”. During the summer festival in Torre del Lago, Italy, Ms. Gianni was heard as the title-role in a concert performance of SUOR ANGELICA, and during the study of her Artist Diploma at the College Conservatory of Music, University of Cincinnati, she performed Micaëla CARMEN, Ms. Poe THE VOYAGE OF EDGAR ALLAN POE, Infantin Klara DER ZWERG, and Zillergut THE GOOD SOLDIER SCHWEIK. Concert work includes the Brahms Requiem, Mozart’s C Minor Mass with the Hickory, NC Choral Society and Orchestra, and the Mozart Requiem with the Palm Beach Symphony Orchestra. She has performed with the Cincinnati Chamber Orchestra and Florida West Coast Symphony. Musical theater credits include Dolly Levi HELLO DOLLY!, Polly Baker CRAZY FOR YOU, scenes from SHOW BOAT (Magnolia and Julie), THE SOUND OF MUSIC, GUYS AND DOLLS, OKLAHOMA!, ANNIE, CINEMAGIC and 100 YEARS OF BROADWAY. Ms. Gianni was the winner of the Advanced Division of the Seattle District NATS competition, received 1st place in CCM’s Corbett Scholarship Competition, and 3rd place the following year. She respectively earned both 2nd Place and Audience Choice titles in the Houston Grand Opera Eleanor McCollum Competition, was a regional finalist in the Metropolitan National Council Auditions, and a Sara Tucker Grant nominee.