Alyssa Bartholomew is a versatile soprano currently based in Toronto, ON. With a strong background in musical theatre, popular music, and classical music, she is an artist making waves across multiple genres. She is going into her second year at The Glenn Gould School at the Royal Conservatory in its prestigious Artist Diploma Program, where she studies under Stephanie Bogle and David Eliakis. This fall, she will perform the role of Lucy in Menotti's comedic two-person opera The Telephone, as part of the Glenn Gould School Chamber Opera. The production will be featured on a double bill alongside Canadian composer Dean Burry’s Baby Kintyre. 

​The 2024/2025 season brought exciting performances and notable debuts for Alyssa. She made her Toronto Operetta Theatre debut as Casilda in Gilbert & Sullivan’s The Gondoliers, performed Le Feu and Le Rossignol in Ravel’s L’enfant et les Sortilèges and covered the role of Königin der Nacht in Die Zauberflöte at The Glenn Gould School. She also presented her first-year Artist Diploma recital which featured a diverse program with a large focus on 21st century Canadian composers. She also participated in masterclasses with renowned Canadian soprano and conductor Barbara Hannigan, as well as soprano and pianist Rachel Fenlon.

​​Alyssa earned her Bachelor of Music from Western University, studying under Dr. Margie Bernal. During her time there, she performed the role of Gretel in Hansel and Gretel under the baton of Simone Luti and took on partial role studies of Barbarina in Le Nozze di Figaro and Madame Cortese in Il Viaggio a Reims. Other notable roles in her repertoire include Flora in The Turn of the Screw (Grand River Opera) and Sister Constance in Dialogues of the Carmelites (Summer Opera Lyric Theatre). In 2023, Alyssa made her concert debut as the soprano soloist in G.F. Handel’s Messiah with the Stratford Concert Choir. She frequently performs oratorio and sacred music as the soprano section lead and soloist at Glenview Presbyterian Church.

Earlier accolades include second prize at the NATS Great Lakes Region Competition and first prize, as well as the Most Promising Undergraduate award, at the Ontario level of NATS. In 2019, she was recognized by the City of Barrie at the Barrie Arts Awards and received the Most Promising Youth award for her contributions to the local arts scene and her potential for a successful career. That same year, she was generously supported by The Art Song Foundation, which helped fund her participation in Songfest in San Francisco. She has also trained at acclaimed programs such as the Canadian Opera Company’s Summer Opera Intensive, COSA Canada’s Professional Development Program, and Stratford Summer Music’s Vocal Academy.

Beyond opera, Alyssa is an avid singer-songwriter who regularly performs at markets, private events, and local venues across Ontario, showcasing her original music. In 2020, she remotely recorded and released her first single, Hold On, along with a music video during the COVID-19 pandemic. Selected theatre credits include two premieres with Theatre by the Bay playing Tracy in The Ghost Watchers and Harvey Irwin in The Cenotaph Project. 

A passionate advocate for safe and inclusive spaces in the arts, Alyssa was part of STOMPBOX, a queer, women-led music and arts collective in London, ON. The collective organizes community events, collaborates with other local organizations, and supports emerging artists, all with the goal of fostering a vibrant, inclusive arts scene.