(She/Her)
Angelica recently debuted the roles of Gretel and Pamina with Lark Opera (a grassroots company she founded in response to the plague). She sings with the Eugene Opera Chorus and is a frequent performer with Classical Revolution PDX. Other recent credits include First Lady in Die Zauberflöte (Luke Housner workshop); Lucy in The Telephone by Gian Carlo Menotti (Portland State University); First Spirit in Die Zauberflöte (Miami Music Festival); and La Bourgeouise in La Chûte de Phaëton (Aquilon Music Festival). Angelica studies with Richard Zeller.
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Angelica recently debuted the roles of Gretel and Pamina with Lark Opera (a grassroots company she founded in response to the plague). She sings with the Eugene Opera Chorus and is a frequent performer with Classical Revolution PDX. Other recent credits include First Lady in Die Zauberflöte (Luke Housner workshop); Lucy in The Telephone by Gian Carlo Menotti (Portland State University); First Spirit in Die Zauberflöte (Miami Music Festival); and La Bourgeouise in La Chûte de Phaëton (Aquilon Music Festival). Angelica studies with Richard Zeller.
Angelica Hesse
(She/Her)
Angelica recently debuted the roles of Gretel and Pamina with Lark Opera (a grassroots company she founded in response to the plague). She sings with the Eugene Opera Chorus and is a frequent performer with Classical Revolution PDX. Other recent credits include First Lady in Die Zauberflöte (Luke Housner workshop); Lucy in The Telephone by Gian Carlo Menotti (Portland State University); First Spirit in Die Zauberflöte (Miami Music Festival); and La Bourgeouise in La Chûte de Phaëton (Aquilon Music Festival). Angelica studies with Richard Zeller.
You are viewing Angelica Hesse’s public profile. To message Angelica, view contact information, professional endorsements, activity, and more, join Stagetime.
She recently founded Lark Opera and sang Pamina in the company’s inaugural performance of The Magic Flute, followed by Gretel in Hansel & Gretel. Angelica sings with the Eugene Opera Chorus and is a frequent performer with Classical Revolution PDX.
As a student at Portland State University, she sang in opera productions and Thorn Choir concerts, including collaborations with the Oregon Symphony.
Other recent credits include First Lady, and Papagena in Die Zauberflöte (Luke Housner’s LAH-SOW workshop); an operatic scene on Classical Revolution’s "Flair and Flamboyance" concert; Lucy in The Telephone by Gian Carlo Menotti (PSU); First Spirit in Die Zauberflöte (Miami Music Festival); and La Bourgeouise in the Lully parody opera, La Chûte de Phaëton (Aquilon Music Festival). Angelica also appeared in HMS Pinafore (Eugene Opera), Poulenc’s The Breasts of Tiresias (PSU), and Pirates of Penzance (Phoenix Chorale Union). During the holidays, she sings around town with The Fireside Carolers. Angelica looks forward to the return of big concerts and singing the premier of The African American Requiem, by Damien Geter.
She studies with Richard Zeller.
When not singing, Angelica runs Yellow Pants Studio (yellowpantsstudio.com), providing design and marketing support to small artists, non-profits, and small businesses.
Angelica recently debuted the roles of Gretel and Pamina with Lark Opera (a grassroots company she founded in response to the plague). She sings with the Eugene Opera Chorus and is a frequent performer with Classical Revolution PDX. Other recent credits include First Lady in Die Zauberflöte (Luke Housner workshop); Lucy in The Telephone by Gian Carlo Menotti (Portland State University); First Spirit in Die Zauberflöte (Miami Music Festival); and La Bourgeouise in La Chûte de Phaëton (Aquilon Music Festival). Angelica studies with Richard Zeller.
(She/Her)
Angelica recently debuted the roles of Gretel and Pamina with Lark Opera (a grassroots company she founded in response to the plague). She sings with the Eugene Opera Chorus and is a frequent performer with Classical Revolution PDX. Other recent credits include First Lady in Die Zauberflöte (Luke Housner workshop); Lucy in The Telephone by Gian Carlo Menotti (Portland State University); First Spirit in Die Zauberflöte (Miami Music Festival); and La Bourgeouise in La Chûte de Phaëton (Aquilon Music Festival). Angelica studies with Richard Zeller.
She recently founded Lark Opera and sang Pamina in the company’s inaugural performance of The Magic Flute, followed by Gretel in Hansel & Gretel. Angelica sings with the Eugene Opera Chorus and is a frequent performer with Classical Revolution PDX.
As a student at Portland State University, she sang in opera productions and Thorn Choir concerts, including collaborations with the Oregon Symphony.
Other recent credits include First Lady, and Papagena in Die Zauberflöte (Luke Housner’s LAH-SOW workshop); an operatic scene on Classical Revolution’s "Flair and Flamboyance" concert; Lucy in The Telephone by Gian Carlo Menotti (PSU); First Spirit in Die Zauberflöte (Miami Music Festival); and La Bourgeouise in the Lully parody opera, La Chûte de Phaëton (Aquilon Music Festival). Angelica also appeared in HMS Pinafore (Eugene Opera), Poulenc’s The Breasts of Tiresias (PSU), and Pirates of Penzance (Phoenix Chorale Union). During the holidays, she sings around town with The Fireside Carolers. Angelica looks forward to the return of big concerts and singing the premier of The African American Requiem, by Damien Geter.
She studies with Richard Zeller.
When not singing, Angelica runs Yellow Pants Studio (yellowpantsstudio.com), providing design and marketing support to small artists, non-profits, and small businesses.
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