Brittany Olivia
Logan

Soprano

Brittany Olivia Logan

Soprano

New York City, NY

She/Her

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"Genius Child" by Ricky Ian Gordon

(She/Her) Louisiana-born soprano Brittany Olivia Logan returns to the Met for her second year in the Lindemann Young Artist Development Program. During the 2022–23 season, she will make her company debut as the Priestess in Aida and sing Clotilde in Norma. She made her European debut last summer at Welsh National Opera in the premiere of Will Todd’s Migrations, where she sang the roles of Bridget and Emelda.

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Career Highlights/Education

Welsh National Opera

Bridget/Emelda , MIgrations , 2022

The Richard Tucker Music Foundation

Sarah Tucker Study Grant , NA, Present

Currently Performing

Faust

Marguerite

Wolf Trap Opera

July 21, 2023 to 3 more

July 21, 2023
July 23, 2023
July 27, 2023
July 29, 2023

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Schedule

Recent Highlights

Norma

Clotilde

The Metropolitan Opera

Faust

Marguerite

Wolf Trap Opera

Migrations

Bridget/Emelda

Welsh National Opera

Aida

High Priestess

The Metropolitan Opera

Eric and Dominique Laffont Competition

National Finalist

The Metropolitan Opera Laffont Competition

L'Amant Anonyme

Jeanette (cover)

Wolf Trap Opera

Cendrillon

Maguelonne (cover)

Wolf Trap Opera

La Rondine

Madga

University of Cincinnati-CCM

Concert of Arias

Finalist

Houston Grand Opera

Porgy and Bess

Strawberry Woman (cover)

The Metropolitan Opera

Metropolitan Opera National Council Auditions

Semifinalist

MONC

Eugene Onegin

Tatyana (cover)

Wolf Trap Opera

La Boheme

Musetta (cover)

Wolf Trap Opera

Porgy and Bess

Strawberry Woman

Cincinnati Opera

The Bartered Bride

Marenka

University of Cincinnati-CCM

Le Nozze di Figaro

Countess (cover)

Cincinnati Opera

Biography

Louisiana-born soprano Brittany Olivia Logan returns to the Met for her second year in the Lindemann Young Artist Development Program. During the 2022–23 season, she will make her company debut as the Priestess in Aida and sing Clotilde in Norma. She made her European debut last summer at Welsh National Opera in the premiere of Will Todd’s Migrations, where she sang the roles of Bridget and Emelda. During the 2021–22 season, she covered Strawberry Woman in the Gershwins’ Porgy and Bess at the Met and performed in the premiere of Rashaad Newsome’s interdisciplinary work Assembly at the Park Avenue Armory. In 2021, she was a Studio Artist at Wolf Trap Opera, where she covered Maguelonne in Viardot’s Cendrillon and Jeanette in Bologne’s L’Amant Anonyme. She also sang in the chorus for both productions, as well as in Sondheim’s Sweeney Todd. That same year, she won the Audience Choice Award at Houston Grand Opera’s Eleanor McCollum Competition and was a Grand Finals winner in the Met’s Laffont Competition, where she also received the Judith Raskin Award. She has since received the Sara Tucker Study Grant from the Richard Tucker Foundation and placed fifth in the Giulio Gari International Vocal Competition. She holds degrees from the Bob Cole Conservatory of Music at California State University, Long Beach, and the University of Cincinnati College-Conservatory of Music.

Press Quotes

"With regal bearing, channeling a diva from the golden age of opera, California native Brittany Olivia Logan took the stage and immediately owned it, bringing her rich soprano to “Io son L’umile ancella” from Francesco Cilea’s “Adriana Lecouvreur.”"

— Vero News

"In “Flight, Death or Fog,” the cast exhibited robust musicality. The dramatically shrewd and vocally effusive bass-baritone Aubrey Allicock and Lindemann Young Artist soprano Brittany Olivia Logan—two highly proficient singers well on their way to stardom—sang the title roles of the enslaved Pero Jones and his wife, Bridget. "

— OperaWire

"With strong presence, Aubrey Allicock as Pero and Brittany Olivia Logan as his wife, Bridget, emerged as the most striking vocal personalities of the evening."

— The Guardian

"During Bridget’s glorious Part 2 aria, she sat modestly on the stage and sang simply like only someone with exceptional technique and a heart of gold can do. It was reminiscent of Gershwin’s “Porgy and Bess,” as the music and Logan’s warm singing were rapturous yet not indulgent, self-restrained yet emotively candid."

— OperaWire

"The soprano Brittany Logan was a standout, as was the moment when the choir sang the theme song to the PBS educational television show “Reading Rainbow”"

— The New York Times

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