Brittany Olivia
Logan

Soprano

Brittany Olivia Logan

Soprano

New York City, NY

She/Her

Brittany returns to the Met for her third year with the Lindemann Young Artist Development Program. During the Met’s 2023–24 season, she will sing Anna in Nabucco and cover Bianca in La Rondine. This spring, she will appear as Gerhilde in a concert production of Die Walküre with the Rotterdam Philharmonic under the baton of Maestro Yannick Nézet-Séguin. Recent engagements at the Met include her company debut as the Priestess in Aida and Clotilde in Norma. She returned to Wolf Trap Opera where she sang Marguerite in Faust to critical acclaim.

Media

Video

My People

"Genius Child" by Ricky Ian Gordon

(She/Her) Brittany returns to the Met for her third year with the Lindemann Young Artist Development Program. During the Met’s 2023–24 season, she will sing Anna in Nabucco and cover Bianca in La Rondine. This spring, she will appear as Gerhilde in a concert production of Die Walküre with the Rotterdam Philharmonic under the baton of Maestro Yannick Nézet-Séguin. Recent engagements at the Met include her company debut as the Priestess in Aida and Clotilde in Norma. She returned to Wolf Trap Opera where she sang Marguerite in Faust to critical acclaim.

60 Connections | 63 Followers

To view Brittany Olivia Logan's connections,

join Stagetime.

Career Highlights/Education

Welsh National Opera

Bridget/Emelda , MIgrations , 2022

The Richard Tucker Music Foundation

Sarah Tucker Study Grant , NA, Present

Currently Performing

Nabucco

Anna

The Metropolitan Opera

Social

You are viewing Brittany Olivia Logan’s public profile. To message Brittany Olivia, view contact information, professional endorsements, activity, and more, join Stagetime.

Join to Connect

Schedule

Upcoming Engagements

Nabucco

Anna

The Metropolitan Opera

La Rondine

Bianca (cover)

The Metropolitan Opera

Die Walküre

Gerhilde

Rotterdam Philharmonic Orchestra

Recent Highlights

Norma

Clotilde

The Metropolitan Opera

Faust

Marguerite

Wolf Trap Opera

Migrations

Bridget/Emelda

Welsh National Opera

Aida

High Priestess

The Metropolitan Opera

Eric and Dominique Laffont Competition

National Finalist

The Metropolitan Opera Laffont Competition

L'Amant Anonyme

Jeanette (cover)

Wolf Trap Opera

Cendrillon

Maguelonne (cover)

Wolf Trap Opera

La Rondine

Madga

University of Cincinnati-CCM

Concert of Arias

Finalist

Houston Grand Opera

Porgy and Bess

Strawberry Woman (cover)

The Metropolitan Opera

Metropolitan Opera National Council Auditions

Semifinalist

MONC

Eugene Onegin

Tatyana (cover)

Wolf Trap Opera

La Boheme

Musetta (cover)

Wolf Trap Opera

Porgy and Bess

Strawberry Woman

Cincinnati Opera

The Bartered Bride

Marenka

University of Cincinnati-CCM

Le Nozze di Figaro

Countess (cover)

Cincinnati Opera

Biography

Originally from California, soprano Brittany Olivia Logan returns to the Met for her third year with the Lindemann Young Artist Development Program. During the Met’s 2023–24 season, she will sing Anna in Nabucco and cover Bianca in La Rondine. This spring, she will appear as Gerhilde in a concert production of Die Walküre with the Rotterdam Philharmonic under the baton of Maestro Yannick Nézet-Séguin. Recent engagements at the Met include her company debut as the Priestess in Aida and Clotilde in Norma. She recently returned to Wolf Trap Opera as a Filene Artist where she sang Marguerite in Faust to much critical acclaim. In addition to her repertory experience, she has performed in the premieres of several new works including Rashaad Newsome’s interdisciplinary work Assembly at the Park Avenue Armory and Will Todd’s opera Migrations at Welsh National Opera. In 2021, she won the Audience Choice Award at Houston Grand Opera’s Eleanor McCollum Competition and was a National Finalist in the Met’s Laffont Competition, where she received the Judith Raskin Award. She has since received the 2022 Membership Award from the Opera Index Vocal Competition, the Sara Tucker Study Grant from the Richard Tucker Foundation, placed fifth in the Giulio Gari International Vocal Competition, and was a semifinalist in the Tenor Viñas Competition. She is an alumna of the Cincinnati Opera Young Artist Program, Ravinia Steans Music Institute, and Wolf Trap Opera Studio and holds degrees from the Bob Cole Conservatory of Music at California State University, Long Beach, and the University of Cincinnati College-Conservatory of Music.

Press Quotes

"Certainly soprano Brittany Logan was the afternoon’s standout singer as Marguerite — her voice clear and rich, capable of burnished color and shocking lightness. She has this way of tightening her voice around a particularly aching word; you can hear the stone in her throat. It’s not that she’s superhuman; she’s extra-human, a quality that made her Marguerite magnetic. This was especially so in her lithe and lilting jewel aria (“Ah! je ris de me voir si belle”) and her anguished pleas (and chilling heights) in the final trio (“Anges purs anges radieux”)."

— The Washington Post

"Indisputably sitting atop this fine cast was the stellar soprano of Brittany Logan, whose Marguerite was indeed worthy of having her bow follow the title character’s at the curtain call. Hers is a voice with irresistible power and consummate control. Logan nailed every vocal aspect of this daunting role. Delicacy and high-flying acrobatics abounded in the Act III garden scene: melancholy legato in the “King of Thule” ballad, matched by vibrant trills and athletic articulation in the Jewel Song. Her strong acting and characterization mined the character’s fraught development, from shy innocence to sparkling coquetry to despairing madness. Even by the end of Act V, Logan’s voice remained indefatigable, rising step by step to radiant high Bs on the repeated line “Anges purs, anges radieux.”"

— Washington Classical Review

"The soprano Brittany Logan was a standout, as was the moment when the choir sang the theme song to the PBS educational television show “Reading Rainbow”"

— The New York Times

"During Bridget’s glorious Part 2 aria, she sat modestly on the stage and sang simply like only someone with exceptional technique and a heart of gold can do. It was reminiscent of Gershwin’s “Porgy and Bess,” as the music and Logan’s warm singing were rapturous yet not indulgent, self-restrained yet emotively candid."

— OperaWire

Brittany Olivia Logan

Brittany Olivia Logan

Schedule

Upcoming Engagements

Description

Brittany Olivia Logan

Dates

Brittany Olivia Logan

Dates

Brittany Olivia Logan

Dates

Recent Highlights

Brittany Olivia Logan

Dates

Jennifer Feinstein

Dates

Helena Dix

Dates

Description

Brittany Olivia Logan

Dates

Kyle White

Dates

Tags

Winona Martin

Dates

Tags

Maggie Kinabrew

Dates

Tags

Lee Anne Myslewski

Dates

Tags

Tessa McQueen

Dates

Tags

Brittany Olivia Logan

Dates

Brittany Olivia Logan

Dates

Eric Lindsey

Dates

Robert Garrison

Dates

Brittany Olivia Logan

Dates

Brittany Olivia Logan

Dates

Brittany Olivia Logan

Dates

Brittany Olivia Logan

Dates

Brittany Olivia Logan

Dates

Brittany Olivia Logan

Dates

Frederick Ballentine

Dates

Leah Hawkins

Dates

Markel Reed

Dates

Chauncey Packer

Dates

Brittany Olivia Logan

Dates

Brittany Olivia Logan

Dates

Brittany Olivia Logan

Dates

Avery Boettcher

Dates

Marlen Nahhas

Dates

Michelle Johnson

Dates

So Young Park (박소영)

Dates

Marieke de Koker

Dates

Brittany Olivia
Logan

Brittany Olivia
Logan

Brittany Olivia Logan

2023

WTO Company

This Stagetime member is part of the 2023 Wolf Trap Opera company.