Camille
Sherman
October 23, 2022
Camille
Sherman
She/Her
Mezzo-soprano Camille Sherman hails from the California North Bay Area. In 2022, Ms. Sherman makes role and house debuts as Rosina in Il Barbiere di Siviglia with Pensacola Opera and Opera Idaho, and Angelina in La Cenerentola with Tri-Cities Opera and Syracuse Opera Company. Camille has completed residencies with Portland Opera, Pensacola Opera, and Des Moines Metro Opera. In 2019, she was a National Semi-Finalist in the Metropolitan Opera National Council Auditions.
October 23, 2022
Schedule
Recent Highlights
March 13, 2022
March 13, 2022
October 23, 2022
October 23, 2022
Biography
Camille Sherman
Mezzo-soprano Camille Sherman hails from the California North Bay Area. In 2022, Ms. Sherman established herself as an up and coming Rossini singer with her debuts as Rosina in Il Barbiere di Siviglia with Pensacola Opera and Opera Idaho, and as Angelina in La Cenerentola with Tri-Cities Opera and Syracuse Opera Company. In 2023, Camille will debut as Jess in the American premiere of Missing with Anchorage Opera, and will return to Portland Opera as Second Wood Sprite in Rusalka. Last summer, Ms. Sherman joined Des Moines Metro Opera’s Apprentice Artist Program, performing in Platée, Queen of Spades, and Sweeney Todd. In 2019-2020, Ms. Sherman completed her second season in the Portland Opera Resident Artist Program, where she was seen on their main stage as Kate Pinkerton as well as covering Suzuki in Madama Butterfly, Sally in A Hand of Bridge, Announcer in Gallantry, and Asteria in the American professional premiere of Vivaldi's Bajazet. Previous credits with Portland Opera include Flora Bervoix in La Traviata and Ramiro in La Finta Giardiniera, as well as covering roles Hannah After in As One and Rosina in Il Barbiere di Siviglia. Ms. Sherman also returned to Pensacola Opera in 2019 to make her role debut as Stéphano in Roméo et Juliette. During the 2017-18 season, Ms. Sherman joined Pensacola Opera as an Artist in Residence, performing the role of María in María de Buenos Aires and the Housekeeper in Man of La Mancha, in addition to covering roles Aldonza in Man of La Mancha and Suzuki in Madama Butterfly. Ms. Sherman’s recent seasons include role debuts as the Komponist in Ariadne auf Naxos (Berlin Opera Academy, 2017) and Hermia in A Midsummer Night’s Dream (Janiec Opera Company, 2016). In addition to her stage career, Ms. Sherman has also appeared in concert with Nashville Opera and the Pensacola Symphony Orchestra, and debuted with Naples Philharmonic as a soloist in Handel’s Messiah. Over the last few years, Ms. Sherman has garnered acclaim in several competitions, including the Metropolitan Opera National Council Auditions where she was named a National Semi-Finalist in 2019 after having won the Northwest Region, and where she won an Encouragement Award in the competition’s Middle/East Tennessee District the previous year. She was a finalist in the Tier 1 of the James Toland Vocal Arts Competition (2019) and the Brava! Opera Theater Competition (2016). She is a two-time winner of the Kalvelage Memorial Award in the Henry and Maria Holt Competition (2016-17) and secured the Jorge Estebanez Scholarship from The San Francisco Conservatory of Music (2016). During her vocal training, Ms. Sherman was in residence at the Janiec Opera Company and at OperaWorks. Ms. Sherman holds degrees in vocal performance from some of the nation’s most prestigious institutions, including a master’s degree from The San Francisco Conservatory of Music, where she studied with Catherine Cook, and a bachelor’s degree from The Boston Conservatory. In addition to her work as a singer, Ms. Sherman is an experienced pianist, flautist, and musical arranger.
Gallery
Press
Production
Camille Sherman
She/Her
Mezzo-soprano Camille Sherman hails from the California North Bay Area. In 2022, Ms. Sherman makes role and house debuts as Rosina in Il Barbiere di Siviglia with Pensacola Opera and Opera Idaho, and Angelina in La Cenerentola with Tri-Cities Opera and Syracuse Opera Company. Camille has completed residencies with Portland Opera, Pensacola Opera, and Des Moines Metro Opera. In 2019, she was a National Semi-Finalist in the Metropolitan Opera National Council Auditions.
October 23, 2022
Biography
Projects and Media
Schedule
Recent Highlights
March 13, 2022
March 13, 2022
October 23, 2022
October 23, 2022
Biography
Camille Sherman
Mezzo-soprano Camille Sherman hails from the California North Bay Area. In 2022, Ms. Sherman established herself as an up and coming Rossini singer with her debuts as Rosina in Il Barbiere di Siviglia with Pensacola Opera and Opera Idaho, and as Angelina in La Cenerentola with Tri-Cities Opera and Syracuse Opera Company. In 2023, Camille will debut as Jess in the American premiere of Missing with Anchorage Opera, and will return to Portland Opera as Second Wood Sprite in Rusalka. Last summer, Ms. Sherman joined Des Moines Metro Opera’s Apprentice Artist Program, performing in Platée, Queen of Spades, and Sweeney Todd. In 2019-2020, Ms. Sherman completed her second season in the Portland Opera Resident Artist Program, where she was seen on their main stage as Kate Pinkerton as well as covering Suzuki in Madama Butterfly, Sally in A Hand of Bridge, Announcer in Gallantry, and Asteria in the American professional premiere of Vivaldi's Bajazet. Previous credits with Portland Opera include Flora Bervoix in La Traviata and Ramiro in La Finta Giardiniera, as well as covering roles Hannah After in As One and Rosina in Il Barbiere di Siviglia. Ms. Sherman also returned to Pensacola Opera in 2019 to make her role debut as Stéphano in Roméo et Juliette. During the 2017-18 season, Ms. Sherman joined Pensacola Opera as an Artist in Residence, performing the role of María in María de Buenos Aires and the Housekeeper in Man of La Mancha, in addition to covering roles Aldonza in Man of La Mancha and Suzuki in Madama Butterfly. Ms. Sherman’s recent seasons include role debuts as the Komponist in Ariadne auf Naxos (Berlin Opera Academy, 2017) and Hermia in A Midsummer Night’s Dream (Janiec Opera Company, 2016). In addition to her stage career, Ms. Sherman has also appeared in concert with Nashville Opera and the Pensacola Symphony Orchestra, and debuted with Naples Philharmonic as a soloist in Handel’s Messiah. Over the last few years, Ms. Sherman has garnered acclaim in several competitions, including the Metropolitan Opera National Council Auditions where she was named a National Semi-Finalist in 2019 after having won the Northwest Region, and where she won an Encouragement Award in the competition’s Middle/East Tennessee District the previous year. She was a finalist in the Tier 1 of the James Toland Vocal Arts Competition (2019) and the Brava! Opera Theater Competition (2016). She is a two-time winner of the Kalvelage Memorial Award in the Henry and Maria Holt Competition (2016-17) and secured the Jorge Estebanez Scholarship from The San Francisco Conservatory of Music (2016). During her vocal training, Ms. Sherman was in residence at the Janiec Opera Company and at OperaWorks. Ms. Sherman holds degrees in vocal performance from some of the nation’s most prestigious institutions, including a master’s degree from The San Francisco Conservatory of Music, where she studied with Catherine Cook, and a bachelor’s degree from The Boston Conservatory. In addition to her work as a singer, Ms. Sherman is an experienced pianist, flautist, and musical arranger.
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