This past January Edith dazzled audiences as the Stewardess in Kristine McIntyre’s production of Flight with Utah Opera. After having made her debut with Utah Opera in 2020 as Elle in a modern English translation of Poulenc’s La Voix Humaine, she’s gone on to be featured prominently in both the Utah Opera and Utah Symphony’s seasons. In spring of 2021, she was a featured soloist with Utah Symphony in Light on the Horizon, Stravinsky’s Pulcinella, and Pergolesi’s Stabat Mater. Previously, in the fall she covered Rosina in Utah Opera's Il Barbiere di Siviglia and was the alto soloist in Handel’s Messiah with Utah Symphony. Edith will perform as Edith in The Pirates of Penzance (Utah Opera) this spring and will make her Rosina role debut in Il Barbiere di Siviglia with Kenosha Opera Festival this summer. Having gotten her start in musical theatre, Edith has a particular love of English, modern, and contemporary opera. She created the role of Rachel in Jake Heggie and Gene Scheer’s If I Were You with Merola Opera Company and workshopped Ricky Ian Gordon and Lynn Nottage’s Intimate Apparel with Lincoln Center Theater. But her ability to move effortlessly between eras of music is remarkable with performances of roles and scenes from La Cenerentola (Tisbe), Falstaff (Meg), La belle Hélène (Hélène), Giulio Cesare in Egitto (Sesto), and La Voix Humaine (Elle). With an expertise in the annals of classical musical theatre, her roles have ranged from Eliza Doolittle to Julie Jordan. Edith is equally adept at contemporary material, including Cats (Grizabella) and most recently, Ordinary Days (Claire).