Emily Pogorelc
Rising American soprano Emily Pogorelc is considered one of her generation's most gifted singers, praised by critics and audiences alike for her soaring, unique voice and captivating stage presence. This season, she makes role debuts of Amina in La Sonnambula in a new production of La Sonnambula at Semperoper Dresden, Juliette in Roméo et Juliette at Florentine Opera. She returns to the ensemble of Bayerische Staatsoper to sing Pamina in Die Zauberflöte and other roles.
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Centre Stage Artist Management, Berlin, Germany

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Centre Stage Artist Management, Berlin, Germany
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Emily Pogorelc

Rising American soprano Emily Pogorelc is considered as one of the most gifted singers of her generation and is praised by critics and audience alike for her soaring, unique voice and her captivating stage presence. An alumni of Ryan Opera Center at Lyric Opera of Chicago, Emily Pogorelc is currently a member of the ensemble at Munich’s Bayerische Staatsoper as Adina in L’elisir d’amore, Musetta in La bohème, and as Lauretta in Gianni Schicchi, among other roles. In 2022, the soprano makes her Glyndebourne Festival debut as Cherubino in Le nozze di Figaro. In concert, she performs Brahms’ Ein deutsches Requiem with the Iceland Symphony Orchestra under the baton of Betrand de Billy, in a concert of Mozart arias with Rolando Villazón at Philharmonie Luxembourg, in recital with Nachtigall Artists in Prague and in a program of arias written and heard by Mozart in 1771 with Classical Opera in London. She also was a prize winner at the 2021 edition of Operalia. In the 2020-2021 season, the soprano, as part of her inaugural season as an Ensemble member with the Bayerische Staatsoper, sang Cherubino/Le nozze di Figaro, Sofia/Il signor Bruschino, Gretel/Hänsel und Gretel and as Ein Liebespaar/Suor Genovieffa/Lauretta in Il Trittico. Emily Pogorelc also appeared as Violetta Valéry in Marina Abramović’s 7 Deaths of Maria Callas and Zaunschlüpfer in Walter Braunfels’ Die Vögel. Elsewhere, she has been seen as Cunégonde/Candide (Washington National Opera), Romilda/Handel’s Xerxes, Johanna/Sweeney Todd, and Berenice/Rossini’s L’occasione fa il ladro, (Glimmerglass Festival) and Chan Parker/Yardbird (Opera Philadelphia). She has also participated in residencies at the Festival d’Aix-en-Provence and the Britten–Pears Young Artist Programme at Snape Maltings. Emily is a graduate of the Curtis Institute of Music and a proud native of Milwaukee, Wisconsin.

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