Drawing from her diverse experience as a violinist, conductor, and coach, San Francisco-native Emily Senturia approaches operatic repertoire with a sympathetic affinity for both singers and instrumentalists. In 2022, Senturia returns to Hawaii Opera Theatre to conduct The Tragedy of Carmen, makes debuts at Opera Santa Barbara (Semele), Florida Grand Opera (Fellow Travelers), Opera Saratoga (Sky on Swings), New Orleans Opera (Il barbiere di Siviglia) and Minnesota Opera (Rinaldo), and continues coaching students at the San Francisco Conservatory of Music.
Drawing from her diverse experience as a violinist, conductor, and coach, San Francisco Bay Area native Emily Senturia approaches operatic repertoire with a sympathetic affinity for both singers and instrumentalists. In 2022, Ms. Senturia returns to Hawaii Opera Theatre to conduct The Tragedy of Carmen, makes debuts at Opera Santa Barbara (Semele), Florida Grand Opera (Fellow Travelers), Opera Saratoga (Sky on Swings), New Orleans Opera (Il barbiere di Siviglia) and Minnesota Opera (Rinaldo), and continues coaching students at the San Francisco Conservatory of Music. Ms. Senturia made mainstage conducting debuts with Houston Grand Opera and Washington National Opera in 2018, both with Il barbiere di Siviglia. Recently she has conducted La clemenza di Tito with Opera Steamboat, La traviata with Hawaii Opera Theatre, Ariadne auf Naxos with Wolf Trap Opera, and Fellow Travelers with Boston Lyric Opera. She music directed the world premiere of Denis & Katya at Opera Philadelphia's O19 Festival, and has been on the music staff at Houston Grand Opera (Nixon in China, Tosca, Faust, Aida), the San Francisco Conservatory of Music (Le nozze di Figaro), The Atlanta Opera (Sweeney Todd, Carmen), Wolf Trap Opera (The Ghosts of Versailles, Giulio Cesare, La bohème), and Opera Philadelphia (Sky on Swings, Elizabeth Cree, War Stories). Ms. Senturia is an alum of the Houston Grand Opera Studio, Wolf Trap, the Aspen Music Festival, and the Royal Academy of Music. She studied orchestral conducting at Boston University and violin at Rice University.
Drawing from her diverse experience as a violinist, conductor, and coach, San Francisco-native Emily Senturia approaches operatic repertoire with a sympathetic affinity for both singers and instrumentalists. In 2022, Senturia returns to Hawaii Opera Theatre to conduct The Tragedy of Carmen, makes debuts at Opera Santa Barbara (Semele), Florida Grand Opera (Fellow Travelers), Opera Saratoga (Sky on Swings), New Orleans Opera (Il barbiere di Siviglia) and Minnesota Opera (Rinaldo), and continues coaching students at the San Francisco Conservatory of Music.
Drawing from her diverse experience as a violinist, conductor, and coach, San Francisco Bay Area native Emily Senturia approaches operatic repertoire with a sympathetic affinity for both singers and instrumentalists. In 2022, Ms. Senturia returns to Hawaii Opera Theatre to conduct The Tragedy of Carmen, makes debuts at Opera Santa Barbara (Semele), Florida Grand Opera (Fellow Travelers), Opera Saratoga (Sky on Swings), New Orleans Opera (Il barbiere di Siviglia) and Minnesota Opera (Rinaldo), and continues coaching students at the San Francisco Conservatory of Music. Ms. Senturia made mainstage conducting debuts with Houston Grand Opera and Washington National Opera in 2018, both with Il barbiere di Siviglia. Recently she has conducted La clemenza di Tito with Opera Steamboat, La traviata with Hawaii Opera Theatre, Ariadne auf Naxos with Wolf Trap Opera, and Fellow Travelers with Boston Lyric Opera. She music directed the world premiere of Denis & Katya at Opera Philadelphia's O19 Festival, and has been on the music staff at Houston Grand Opera (Nixon in China, Tosca, Faust, Aida), the San Francisco Conservatory of Music (Le nozze di Figaro), The Atlanta Opera (Sweeney Todd, Carmen), Wolf Trap Opera (The Ghosts of Versailles, Giulio Cesare, La bohème), and Opera Philadelphia (Sky on Swings, Elizabeth Cree, War Stories). Ms. Senturia is an alum of the Houston Grand Opera Studio, Wolf Trap, the Aspen Music Festival, and the Royal Academy of Music. She studied orchestral conducting at Boston University and violin at Rice University.