Erik Earl

Erik Earl Larson
(He/Him) Erik Earl Larson is a fresh voiced baritone currently based in Dallas, TX. In spring of 2022, Erik made his debut with Virginia Opera as the title role in Mozart's Le nozze di Figaro. This fall: Erik debuts with The Dallas Opera as Marullo in Rigoletto, and Memphis Symphony Orchestra as the bass soloist in Messiah. Unfortunate cancellations due to the COVID-19 pandemic included: Marcello in La bohème with Fort Worth Opera, and Carmina Burana with the Memphis Symphony Orchestra.
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Currently Performing
The Diving Bell and the Butterfly
Jean-Dominique Bauby
The Dallas Opera
Piper Artists Management, New York, New York
Mitchell Piper

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Piper Artists Management, New York, New York
Mitchell Piper
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Erik Earl Larson

Erik Earl Larson joined the Dallas Opera for their 2020 – 2021 season covering leading roles including the Count in Le Nozze di Figaro, Rodrigo in Don Carlo, and Jean-Dominque Bauby in The Diving Bell and the Butterfly. Additionally, he appeared as Sciarrone in Tosca, and was featured in concert with the Hart Institute for Women Conductors.  He recently joined the Atlanta Opera for Escamillo (cover) in Carmen and Tiger Brown in Three Penny Opera, performed the role of Moncada in Zorro with Ft. Worth Opera, sang Figaro in Le Nozze di Figaro with Virginia Opera,  and made his Carnegie Hall debut performing Mark Hayes’ Gloria.  Engagements for 2022-2023 include the role of Marullo in Rigoletto with the Dallas Opera, and Handel’s Messiah with the Memphis Symphony Orchestra.

During the 2019-2020 season, Erik made debuts with Austin Opera as Count Ceprano in Rigoletto, the Memphis Symphony Orchestra in Orff’s explosive Carmina Burana, and Fort Worth Opera  as Marcello in La Boheme, and Peter in Hänsel and Gretel.  He was further featured in the company’s pioneering new music initiative – Frontiers – where he sang selections from newly composed operas by Steven Aldridge (The Hatfield-McCoy Triptychs), Paul Fowler (Behold the Man), and Brian Rosen (Death of a Playboy).

Recent engagements have included Le Dancaïre in Carmen under the baton on John DeMain with Madison Opera, Escamillo for Parkway Concert Orchestra, Ford in Verdi’s Falstaff for TCU Opera, as well as Figaro Le nozze di Figaro, Sid in Britten’s Albert Herring, Maguire in Tobias Picker’s Emmeline, and Golaud in Debussy’s Pelléas et Mélisande, all for Boston University’s Opera Institute.

Erik has been in the young artist programs at Des Moines Metro Opera, Sarasota Opera, and Music Academy of the West.  He has received recognition in competitions including the Metropolitan Opera National Council Auditions, the Gerda Lissner Foundation, and the Giulio Gari Foundation.