Gráinne
Gillis

Gráinne Gillis
(She/Her) Gráinne Gillis is an Irish-American Wagnerian contralto, described by Contralto Corner as having a voice 'with a three octave range, dark and cavernous in the lower register, vibrant and bright at the top'.Her acting background as an alumnus of the world-famous Bristol Old Vic Theatre School means that she is a formidable presence in any role she inhabits. Gráinne also produces, writes and directs her own shows and is an award-nominated voice actor in the UK.
Read More
Management
Wieland Artists Management Berlin

Toggle the options to the right to accept inquiries.

Wieland Artists Management Berlin
You are viewing Gráinne Gillis’s public profile. To message Gráinne , view contact information, professional endorsements, activity, and more, join Stagetime.
Join to Connect

Schedule

Recent Highlights

 

Biography

Gráinne Gillis

Praised by the Observer as having a voice with 'rich, dramatic potential' and for her clarity of diction as well as her ‘vibrant and bright tones’ by Opera Now, Gráinne Gillis is an Irish-American contralto. She read Music at UCC and graduated from the Bristol Old Vic Theatre School.

Career highlights have included singing Madame Flora in Menotti’s The Medium, the Mother in Hansel and Gretel, and Pierrot Lunaire, all at Grimeborn, working with Sir Peter Hall on a sold-out US tour of As You Like It, and three seasons with Pavilion Opera on Die Zauberflöte, Macbeth and La Traviata respectively.

In 2018/19 she sang Flora in the Olivier award-winning King’s Head Theatre’s production of La Traviata and opened the London Song Festival.  This season also included her one-woman show Mezzo Sings The Bard (which she will reprise at WAF 2022) Hélène in Faust et Hélène, the Old Woman in Candide and La Zia Principessa in Suor Angelica at the Llangollen International Eisteddfod. That summer she also studied with Dolora Zajick and organised a 100-strong chorus for the Women’s March London as part of their ‘Bring The Noise’ event.

In 2019/20 she made her Irish debut as Ruth in The Pirates of Penzance at Cork Opera House, and Vampyrmeister/Suse in Der Vampyr for Gothic Opera (Offie-nominated).

COVID cancellations in 2020 included a national tour of Ireland with Sea Trilogy as well as 1st Magd/cover Klytemnestra in Elektra. During the pandemic, Gráinne has been involved in a number of online projects including No Room No Room No Room for Opera Harmony, aired on Operavision,  Last Party on Earth on film and at Tête-à-Tête 2020, Bread and Circuses (Tête-à-Tête 2020), Random Opera’s Gianni Schicchi (Zita) and La Femme Lunatique’s Elizabeth Bishop project.

Roles in 2022 included working on a new opera called Morrigan at the Cork Opera House, as well as singing the She-Ancient for Regent’s Opera in Tippett’s The Midsummer Marriage in April 2022. She also narrated, co-composed and sang on a soundscape project, Utterances I, commemorating the women who founded the Irish Free State.

In 2023 Gráinne will sing the role of Schwertleite in Regent’s Opera Ring Cycle in 2023/24 and direct Siegfried (and sing Erda) for the Berlin Wagner Gruppe. She has worked with soprano Laure Meloy of Femme Lunatique and Sarah Wilkinson on a concert project called Disturbing the Peace this year, which was performed at the 1901 Arts Club in London. Future roles include Erste Norn and Marcellina in Le Nozze di Figaro. In addition to her opera work, Gráinne is also a voiceover artist and activist.

Gallery

Press

Production



Experience

Experience

Die Zauberflöte

2015 - 2015
Dritte Dame

Expertise

Special Skill

Operetta

Industry

Opera

Classical Music

Classical Music