American mezzo-soprano, represented by Sempre Artists
The New York Times calls mezzo-soprano Hannah Ludwig “best in show” and further exclaims “Her tone chocolaty and large, yet with focus and agility, she captured the integral aspect of bel canto…expression emerging from a long, intelligently shaped musical line.” In the 2023-24 season, she makes her debut with the New York Philharmonic singing Handel’s Messiah and she joins the Des Moines Symphony for Beethoven’s Symphony No. 9. She also rejoins Teatro Nuovo singing excerpts of Arsace in Semiramide and Calbo in Maometto II in concert as well as returns to more Rossini and the role of Rosina in Il barbiere di Siviglia with Opera Louisiane and sings the Page in Salome in her debut with the Houston Symphony. Her future engagements include her Metropolitan Opera debut. Last season she returned to the Colorado Symphony for Elgar’s Sea Pictures and made her debut with the National Symphony Orchestra singing Handel’s Messiah. She returned to the roles of Isabella in L’italiana in Algeri with Eroica Berlin and Maddalena in Rigoletto with Utah Opera as well as to Dallas Opera as Floßhilde in Das Rheingold.
American mezzo-soprano, represented by Sempre Artists
The New York Times calls mezzo-soprano Hannah Ludwig “best in show” and further exclaims “Her tone chocolaty and large, yet with focus and agility, she captured the integral aspect of bel canto…expression emerging from a long, intelligently shaped musical line.” In the 2023-24 season, she makes her debut with the New York Philharmonic singing Handel’s Messiah and she joins the Des Moines Symphony for Beethoven’s Symphony No. 9. She also rejoins Teatro Nuovo singing excerpts of Arsace in Semiramide and Calbo in Maometto II in concert as well as returns to more Rossini and the role of Rosina in Il barbiere di Siviglia with Opera Louisiane and sings the Page in Salome in her debut with the Houston Symphony. Her future engagements include her Metropolitan Opera debut. Last season she returned to the Colorado Symphony for Elgar’s Sea Pictures and made her debut with the National Symphony Orchestra singing Handel’s Messiah. She returned to the roles of Isabella in L’italiana in Algeri with Eroica Berlin and Maddalena in Rigoletto with Utah Opera as well as to Dallas Opera as Floßhilde in Das Rheingold.
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