American soprano, Kimberly Monzón has been delighting audiences in regional opera houses and concert halls throughout the country with charismatic character and rich vocal color. She performed Susanna in Le nozze di Figaro, Magda in La rondine, the soprano soloist in Carmina Burana, and sang the title role in the world premiere of Ramala by Charles Wakefield Cadman, all with the Ohio State Lyric Opera Theater. She made her mainstage debut with Pensacola Opera as Frasquita in Carmen and covered the title role in Lucia di Lammermoor. Kimberly starred as Serafina in Il campanello di notte, and Zerbina in La serva padrona with Spokane Opera. Other roles to her credit include Tytania in A Midsummer Night’s Dream, Lucy in A Room with a View, Servilia in La clemenza di Tito, and Erste Frau in Die Zauberflöte.

As a crossover artist, she has appeared with Opera Idaho in Jacques Brel Is Alive and Well and Living in Paris, as Johanna in Sweeney Todd, Lady Larken in Once Upon A Mattress, and Queen Constantina in Cinderella. An enthusiastic recital artist, Kimberly has performed a wide variety of concert and recital repertoire including Mahler’s Rückert Lieder, Berg’s Sieben frühe Lieder, several of Canteloube’s Chants d’Auvergne, Haydn’s Paukenmesse and Theresienmesse, Vivaldi’s Gloria, Spanish song, opera and jazz repertoire for organizations such as Local Opera Local Artists (LOLA) in Austin, Opera Columbus, Orquesta Northwest in Seattle, Coeur d’Alene Symphony, and a variety of venues in New York City, Miami, and Columbus.

Kimberly is an avid voice researcher and is currently conducting exciting new voice research in collaboration with a Baylor University cross-disciplinary research team (Departments of Theatre, Communication Sciences and Disorders, and Nutritional Sciences) studying the effects of Omega-3 fatty acid supplementation on the singing voice, which has resulted in publication in the Journal of Speech, Language, and Hearing Research, as well as presentations at the Fall Voice Conference, the Pan American Vocology Association, and National Association of Teachers of Singing (NATS). She maintains ongoing research with The Ohio State University Voice and Swallowing Disorders Clinic exploring the effects of cyclical sex hormones on the female singing voice.

Over the course of her Doctor of Musical Arts in Voice with a specialization in Singing Health from The Ohio State University under renowned teachers Robin Rice and Scott McCoy, Kimberly observed thirty hours of voice surgeries at the OSU Wexner Medical Center, fifty clinic hours at the OSU Voice and Swallowing Disorders Clinic, and served as lab assistant in the Swank Voice Teaching and Research Lab. She holds a Master of Music in Voice Performance from University of Houston, and a Bachelor of Music in Voice Performance from the University of Missouri-Kansas City Conservatory of Music.

A passionate pedagogue and trained vocologist, Kimberly travels across the country giving vocal masterclasses, as well as lectures on general vocal wellbeing for the elite vocal athlete, the effects of cyclical female sex hormones on the singing voice, cross-disciplinary conversations to benefit the vocal performer, and vocal health for vocal music educators. At Baylor University, she originated the Female Voice Forum, a space dedicated to empowering female singers to hold guardianship over their own unique instruments as they navigate the field of vocal performance. Kimberly has been a guest instructor of vocal anatomy and physiology at Rice University, and taught voice and music theory at Miami Dade College. She currently teaches voice and German Lyric Diction at Baylor University in Waco, Texas, a Tier One Research Institution as designated by the Carnegie Classification of Institutions of Higher Education.

Kimberly’s voice students have been accepted into prestigious classical and music theater programs across the country, including Manhattan School of Music, Ball State University, Otterbein University, Binghamton University SUNY, and the University of Puget Sound. They are performing mainstage roles in professional theaters and companies throughout the nation. She frequently adjudicates voice competitions throughout Texas, and has maintained private voice studios in New York City, Miami, Houston, Kansas City, Columbus, and Spokane, and holds full membership in the National Association of Teachers of Singing and Texas Music Educators Association. Kimberly is also a proud member of the Seagle Festival Alumni Association Board of Directors, having served as chair of Membership, and currently serves as Vice President.