Is this your profile? Verify your account now.
Claim account

Mané
Galoyan

Soprano
Mané Galoyan
Career Highlights/Education
In the 2022-2023 season, Mané will perform the title role in Luisa Miller with Oper Köln, Avis in The Wreckers with Houston Grand Opera, Donna Anna in Don Giovanni with the Atlanta Opera, Violetta in La Traviata with Deutsche Oper Berlin and Seattle Opera, and Pamina in Die Zauberflöte with the Deutsche Oper Berlin. 
Read More
You are viewing Mané Galoyan’s public profile. To message Mané, view contact information, professional endorsements, activity, and more, join Stagetime.
Join to Connect

Schedule

Recent Highlights

   

Biography

Mané Galoyan

In the 2022-2023 season, Mané will perform the title role in Luisa Miller with Oper Köln, Avis in The Wreckers with Houston Grand Opera, Donna Anna in Don Giovanni with the Atlanta Opera, Violetta in La Traviata with Deutsche Oper Berlin and Seattle Opera, and Pamina in Die Zauberflöte with the Deutsche Oper Berlin. She will also perform Rachmaninoff’s The Bells with Gustavo Dudamel and the Los Angeles Philharmonic, Bruckner’s Te Deum with the Netherlands Radio Orchestra, Taneyev’s cantata with the American Symphony Orchestra, to be later released as a recording, The Bells with Bard Festival, and present a recital with the Puerto Rico Symphony for CulturArte de Puerto Rico. As an Ensemble member with the Deutsche Oper Berlin in 2021-2022, Mané performed Pamina in Die Zauberflöte, Violetta in La Traviata, and Corinna in Il Viaggio a Reims, among other roles. As a guest, she made her debut with Dutch National Opera as Violetta, and performed the title role in Luisa Miller with the Glyndebourne Festival. In 2021, she also made her debut with Paris Opéra singing Adina in L’elisir d’amore, stepping in on short notice. She also sang Walter in La Wally with the Munich Radio Orchestra. In the 2020-2021 season, she debuted with Zürich Opernhaus as Adina in L’elisir d’amore and performed Garsenda in Francesca da Rimini with Deutsche Oper Berlin. In previous seasons, Mané made her Metropolitan Opera debut as Prilepa/Chlöe in Pique Dame, conducted by Vasily Petrenko. A former Studio member of Houston Grand Opera, Galoyan has performed Violetta, Gilda in Rigoletto, and Adina. She has performed Violetta with the Glyndebourne Festival on tour, and debuted with Hawaii Opera Theatre as the Countess in Le Nozze di Figaro. Symphonic engagements included Rachmaninoff’s The Bells with James Gaffigan and The Dallas Symphony, as well as with Andrés Orozco-Estrada and the Houston Symphony. Mané also performed select Russian song repertoire with the Chamber Music Society of Lincoln Center at Alice Tully Hall, Mahler’s Symphony No. 2 with the Aspen Music Festival, Mahler’s Symphony No. 4 in G with the San Antonio Symphony and gave recitals at Balliol College at Oxford University, the Opera America Emerging Artists Recital series in New York and the Museum of Fine Arts, Houston. Other concert performances have included Pergolesi’s Stabat Mater, Schubert’s Mass in G and Mass in C, Vivaldi’s Gloria, and Haydn’s Lord Nelson Mass, all with the Armenian National Chamber Orchestra, as well as the Fauré Requiem with the Armenian National Philharmonic Orchestra. Mané Galoyan is a winner of numerous international competitions, including First Prize in the 27th Eleanor McCollum Competition and Concert of Arias with Houston Grand Opera, Third Prize in the XV International Tchaikovsky Competition, Fourth Prize in the 6th International Vocal Competition China in Ningbo, Third Prize in the 2017 Dallas Opera Guild Vocal Competition, a 2014 prize in the Hans Gabor Belvedere Competition, and first prize in the Bibigul Tulegenova International Singing Competition in Kazakhstan. Galoyan holds two degrees from the Yerevan State Komitas Conservatory in Armenia, where she was named the 2013 winner of the President of the Republic of Armenia Youth Prize. She is married to conductor Roberto Kalb.

Press Quotes





Expertise

Instrument

Soprano