Lebanese-American mezzo-soprano Melanie Ashkar is known for the "rich texture" of her voice and her "delightfully expressive" stage presence.
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Lebanese-American mezzo-soprano Melanie Ashkar is known for the “rich texture” of her voice and her “delightfully expressive” stage presence. This season, she makes a role and company debut with IN Series as Moll in The Cradle will Rock and returns to a favorite role, The Fox in The Little Prince, in her debut with Opera In The Heights. She returns to L'Opera Comique de Washington after her acclaimed debut last season, this time in the title role of La Grande Duchesse de Gérolstein. Melanie will appear in concert with OperaDelaware, In Series, LOpéra Comique, and The Friday Morning Music Club. Last season, she made debuts with Opera Western Reserve as Mercédès in Carmen, with Winter Opera Saint Louis as Adah in Naughty Marietta, with L'Opera Comique de Washington as Metella in La Vie Parisienne, with the Arlington Chorale as the mezzo-soprano soloist in The Stranger, and with the Canton Symphony Orchestra in a program of Gustav and Alma Mahler songs. She also returned to New York City Opera as Gertrude in Roméo et Juliette, to Washington Concert Opera as Suzy in La Rondine, and to the Friday Morning Music Club in a recital of art song. Recent highlights include Catherine in Le Loup-garou with Opera Southwest, Alto Soloist in Rossini's Petite Messe Solennelle with the Oratorio Society of Virginia, Mother in Amahl and the Night Visitors with Bel Cantanti Opera, and Flora in La Traviata with OperaDelaware, Baltimore Concert Opera, and Virginia Opera. Prior to the pandemic, Melanie spent two years as a Resident Artist at Utah Opera, where she appeared as Clotilde (Norma), Second Lady (The Magic Flute), The Fox (The Little Prince), La Ciesca (Gianni Schicchi), and Ida (Die Fledermaus). She was also featured with the Utah Symphony as a soloist in Handel's Messiah and Bernstein's Candide. Melanie spent two summers as a Bonfils-Stanton Apprentice Artist at Central City Opera, where she performed the roles of Dritte Dame (Die Zauberflöte) and La Madre (Madama Butterfly). Melanie has been recognized by the Metropolitan Opera National Council Auditions, Opera Piccola, the Schuyler Foundation for Career Bridges Grant Awards, and the Gerda Lissner Foundation. A Washington, DC native, she holds degrees from the University of Virginia, Georgetown University, and Mannes College, The New School. She is a member of Phi Beta Kappa.
Lebanese-American mezzo-soprano Melanie Ashkar is known for the "rich texture" of her voice and her "delightfully expressive" stage presence.
Toggle the options to the right to accept inquiries.
Lebanese-American mezzo-soprano Melanie Ashkar is known for the “rich texture” of her voice and her “delightfully expressive” stage presence. This season, she makes a role and company debut with IN Series as Moll in The Cradle will Rock and returns to a favorite role, The Fox in The Little Prince, in her debut with Opera In The Heights. She returns to L'Opera Comique de Washington after her acclaimed debut last season, this time in the title role of La Grande Duchesse de Gérolstein. Melanie will appear in concert with OperaDelaware, In Series, LOpéra Comique, and The Friday Morning Music Club. Last season, she made debuts with Opera Western Reserve as Mercédès in Carmen, with Winter Opera Saint Louis as Adah in Naughty Marietta, with L'Opera Comique de Washington as Metella in La Vie Parisienne, with the Arlington Chorale as the mezzo-soprano soloist in The Stranger, and with the Canton Symphony Orchestra in a program of Gustav and Alma Mahler songs. She also returned to New York City Opera as Gertrude in Roméo et Juliette, to Washington Concert Opera as Suzy in La Rondine, and to the Friday Morning Music Club in a recital of art song. Recent highlights include Catherine in Le Loup-garou with Opera Southwest, Alto Soloist in Rossini's Petite Messe Solennelle with the Oratorio Society of Virginia, Mother in Amahl and the Night Visitors with Bel Cantanti Opera, and Flora in La Traviata with OperaDelaware, Baltimore Concert Opera, and Virginia Opera. Prior to the pandemic, Melanie spent two years as a Resident Artist at Utah Opera, where she appeared as Clotilde (Norma), Second Lady (The Magic Flute), The Fox (The Little Prince), La Ciesca (Gianni Schicchi), and Ida (Die Fledermaus). She was also featured with the Utah Symphony as a soloist in Handel's Messiah and Bernstein's Candide. Melanie spent two summers as a Bonfils-Stanton Apprentice Artist at Central City Opera, where she performed the roles of Dritte Dame (Die Zauberflöte) and La Madre (Madama Butterfly). Melanie has been recognized by the Metropolitan Opera National Council Auditions, Opera Piccola, the Schuyler Foundation for Career Bridges Grant Awards, and the Gerda Lissner Foundation. A Washington, DC native, she holds degrees from the University of Virginia, Georgetown University, and Mannes College, The New School. She is a member of Phi Beta Kappa.
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