Nadia Marshall’s shimmering soprano voice and vibrant stage presence make her a dazzling choice for lyric coloratura roles.
Nadia is scheduled to appear as Giannetta in The Elixir of Love with Gulfshore Opera in February 2024 and Supreme Lady 1 in A Magic Flute Experience: The Temple with Opera Columbus in April 2024. She has delighted audiences as Mrs. Lovett in Sweeney Todd with Curtain Players, Baroness Elsa Schraeder in The Sound of Music with Butterfly Guild of Nationwide Children’s Hospital, Lily in The Secret Garden with Gallery Players, Adele in Die Fledermaus (The Bat’s Revenge) with Gulfshore Opera, The Ghost of Christmas Past with BARN Opera for the American premiere of Andrew Ager’s A Christmas Carol, Lauretta (cover) in Gianni Schicchi with IVAI, Suor Genovieffa (cover) in Suor Angelica with Vienna Summer Music Festival, Zerlina in Don Giovanni in Vienna Summer Music Festival, La Princesse and La Rossignol in L’enfant et les sortilèges with Hawaii Performing Arts Festival, Laetitia in The Old Maid and the Thief with Chicago Summer Opera, Paquette in Candide with Ohio State University’s Opera & Lyric Theatre, and Valetto in L’incoranazione di Poppea with Florida State University Opera.
On the concert stage, Nadia has been the soprano soloist in Mozart’s Laudate Dominum (cancelled due to Covid-19), Haydn’s Lord Nelson Mass, Haydn’s Harmoniemesse, Handel’s The Messiah with Trinity Seminary at Capital University, and as The Angel in Lauda per la Natività with Gulfshore Opera. She performed Villa-Lobos’ Bachianas Brasilieras no. 5 aria for the 50th anniversary concert for The Music Federation of Greater Naples in 2020 and is currently recording works by composer Andrew Seligson.
Nadia Marshall’s shimmering soprano voice and vibrant stage presence make her a dazzling choice for lyric coloratura roles.
Nadia is scheduled to appear as Giannetta in The Elixir of Love with Gulfshore Opera in February 2024 and Supreme Lady 1 in A Magic Flute Experience: The Temple with Opera Columbus in April 2024. She has delighted audiences as Mrs. Lovett in Sweeney Todd with Curtain Players, Baroness Elsa Schraeder in The Sound of Music with Butterfly Guild of Nationwide Children’s Hospital, Lily in The Secret Garden with Gallery Players, Adele in Die Fledermaus (The Bat’s Revenge) with Gulfshore Opera, The Ghost of Christmas Past with BARN Opera for the American premiere of Andrew Ager’s A Christmas Carol, Lauretta (cover) in Gianni Schicchi with IVAI, Suor Genovieffa (cover) in Suor Angelica with Vienna Summer Music Festival, Zerlina in Don Giovanni in Vienna Summer Music Festival, La Princesse and La Rossignol in L’enfant et les sortilèges with Hawaii Performing Arts Festival, Laetitia in The Old Maid and the Thief with Chicago Summer Opera, Paquette in Candide with Ohio State University’s Opera & Lyric Theatre, and Valetto in L’incoranazione di Poppea with Florida State University Opera.
On the concert stage, Nadia has been the soprano soloist in Mozart’s Laudate Dominum (cancelled due to Covid-19), Haydn’s Lord Nelson Mass, Haydn’s Harmoniemesse, Handel’s The Messiah with Trinity Seminary at Capital University, and as The Angel in Lauda per la Natività with Gulfshore Opera. She performed Villa-Lobos’ Bachianas Brasilieras no. 5 aria for the 50th anniversary concert for The Music Federation of Greater Naples in 2020 and is currently recording works by composer Andrew Seligson.