Praised for her “…striking stage presence and pinpoint high coloratura.” (South Florida Classical Review), BroadwayWorld award-winning soprano Sara Lucille Law kicks off her 22/23 season by joining Opera Orlando as a Studio Artist, and later, debuting with the Ohio Light Opera as a Resident Young Artist. Additionally, Ms. Law has performed with Utah Festival Opera, Disney, the Orlando Philharmonic Orchestra, Quisisana Resort, the Charleston Symphony Orchestra, MSC Cruises, Victor Herbert Renaissance Project, /kor/ Productions, and City Lyric Opera.
Praised for her “…striking stage presence and pinpoint high coloratura.” (South Florida Classical Review), as well as her “…amazing voice and good acting instincts...” (Utah Theatre Bloggers), BroadwayWorld award winning soprano & singing actor Sara Lucille Law was last seen as Papagena in Opera Orlando's production of Mozart's Die Zauberflöte. In her 2022/2023 season, Ms. Law will be in residency with Opera Orlando as the soprano in their Studio Artist program, where she will debut as Lauretta (Gianni Schicchi) and Fanni (The Bill of Marriage), as well as cover The Queen of the Night (Die Zauberflöte) and Marie (The Daughter of the Regiment). Previous roles include Amalia Balash (She Loves Me) at both Utah Festival Opera and Quisisana Resort, Papagena at Utah Festival Opera, Frasquita (Carmen), Margaret Ayre in Victor Herbert's The Only Girl, Susanna (Le nozze di Figaro), Monica (The Medium), Tytania (A Midsummer Night's Dream), Zerlina and Donna Anna (Don Giovanni), April in Company (2019 BroadwayWorld Best Actress Nominee), Johanna in Sweeney Todd (2018 BroadwayWorld Best Actress Winner), La fée (Cendrillon), and Miss Wordsworth (Albert Herring).
Equally at home on the concert stage, Ms. Law made her debut with the Walt Disney World Resort and the Orlando Philharmonic Orchestra as the soprano soloist on their Young People's Concert Series show Game Overture. While in residency at Utah Festival Opera, Sara performed as the sole soprano soloist on the company's annual "Big Band" concert Sentimental Journey, which paid tribute to the music of Frank Sinatra and Henry Mancini. In the spring of 2022, Ms. Law made her company and cruise ship debut with MSC Cruises as one of two singers from the Miami Classical Music Festival Professional Alumni Institute. While aboard, Sara performed a variety of both operatic and musical theatre hits as a part of the evening entertainment. In 2021, she made yet another company debut with Peach State Opera as one of seven featured singers on their first virtual presentation of their annual Operatizers! tour, performing scenes as Susanna, Adele, and Gretel. At the end of 2019, Sara was seen as the soprano soloist in Handel's Messiah with the Eureka Ensemble, and in the holiday season of 2018, she made her debut with the Charleston Symphony Orchestra as the soprano soloist on their annual Holiday Pops! concert. She returned in the spring of 2019 to the CSO as the soprano I soloist for their presentation of Bach's Mass in B minor. Ms. Law has also performed with the Taylor Festival Choir, where she has sung the soprano solo in Mozart’s Laudate Dominum under the baton of Dr. Joseph Flummerfelt, as well as the soprano I solos in Monteverdi's motet, Beatus Vir, Vaughan William’s Serenade to Music, and Bach's Jesu, meine Freude.
No stranger to the competition circuit, Ms. Law most recently competed as a finalist in the Houston Gilbert and Sullivan Society's 2022 Career Grant Competition. In 2021, she was awarded the "Audience Favorite" prize in the Artist Division of the National Opera Association's prestigious Carolyn Bailey & Dominick Argento Vocal Competition, and was subsequently named a national finalist in both the Comic Opera Guild's 2021 Harold Haugh Light Opera Vocal Competition, and, the Professional division of the American Prize's 2021 Friedrich and Virginia Schorr Memorial Award in Voice: Opera & Operetta competition. Additionally, she was a national semi-finalist in the Young Artist division of the 2021 Orpheus Vocal Competition, as well as an international semi-finalist in the 2021 Lyra New York International Vocal Competition. Strongly finishing out her 2020 competition season, Ms. Law was the "Audience Favorite" award winner in Piccola Opera's 2020 New Hampshire Opera Idol Competition. Moreover, Sara was a 2020 international finalist in the Classical Singer Competition (Emerging Professional / Young Artist division) and Opera Ithaca's highly competitive Edward M. Murray International Competition of Voice. In 2019, Ms. Law quickly gained recognition after performing as a national semi-finalist in Artist Division of the first annual Camille Coloratura Awards.
Ms. Law has additionally been a Young Artist with The Janiec Opera Company at Brevard Music Center, Mannes Opera, and Hawaii Performing Arts Festival, as well as an Apprentice Artist with Miami Classical Music Festival. She holds a Bachelor’s of Music from the New England Conservatory of Music, and a Master’s of Music from the Mannes School of Music at The New School.
Praised for her “…striking stage presence and pinpoint high coloratura.” (South Florida Classical Review), BroadwayWorld award-winning soprano Sara Lucille Law kicks off her 22/23 season by joining Opera Orlando as a Studio Artist, and later, debuting with the Ohio Light Opera as a Resident Young Artist. Additionally, Ms. Law has performed with Utah Festival Opera, Disney, the Orlando Philharmonic Orchestra, Quisisana Resort, the Charleston Symphony Orchestra, MSC Cruises, Victor Herbert Renaissance Project, /kor/ Productions, and City Lyric Opera.
Praised for her “…striking stage presence and pinpoint high coloratura.” (South Florida Classical Review), as well as her “…amazing voice and good acting instincts...” (Utah Theatre Bloggers), BroadwayWorld award winning soprano & singing actor Sara Lucille Law was last seen as Papagena in Opera Orlando's production of Mozart's Die Zauberflöte. In her 2022/2023 season, Ms. Law will be in residency with Opera Orlando as the soprano in their Studio Artist program, where she will debut as Lauretta (Gianni Schicchi) and Fanni (The Bill of Marriage), as well as cover The Queen of the Night (Die Zauberflöte) and Marie (The Daughter of the Regiment). Previous roles include Amalia Balash (She Loves Me) at both Utah Festival Opera and Quisisana Resort, Papagena at Utah Festival Opera, Frasquita (Carmen), Margaret Ayre in Victor Herbert's The Only Girl, Susanna (Le nozze di Figaro), Monica (The Medium), Tytania (A Midsummer Night's Dream), Zerlina and Donna Anna (Don Giovanni), April in Company (2019 BroadwayWorld Best Actress Nominee), Johanna in Sweeney Todd (2018 BroadwayWorld Best Actress Winner), La fée (Cendrillon), and Miss Wordsworth (Albert Herring).
Equally at home on the concert stage, Ms. Law made her debut with the Walt Disney World Resort and the Orlando Philharmonic Orchestra as the soprano soloist on their Young People's Concert Series show Game Overture. While in residency at Utah Festival Opera, Sara performed as the sole soprano soloist on the company's annual "Big Band" concert Sentimental Journey, which paid tribute to the music of Frank Sinatra and Henry Mancini. In the spring of 2022, Ms. Law made her company and cruise ship debut with MSC Cruises as one of two singers from the Miami Classical Music Festival Professional Alumni Institute. While aboard, Sara performed a variety of both operatic and musical theatre hits as a part of the evening entertainment. In 2021, she made yet another company debut with Peach State Opera as one of seven featured singers on their first virtual presentation of their annual Operatizers! tour, performing scenes as Susanna, Adele, and Gretel. At the end of 2019, Sara was seen as the soprano soloist in Handel's Messiah with the Eureka Ensemble, and in the holiday season of 2018, she made her debut with the Charleston Symphony Orchestra as the soprano soloist on their annual Holiday Pops! concert. She returned in the spring of 2019 to the CSO as the soprano I soloist for their presentation of Bach's Mass in B minor. Ms. Law has also performed with the Taylor Festival Choir, where she has sung the soprano solo in Mozart’s Laudate Dominum under the baton of Dr. Joseph Flummerfelt, as well as the soprano I solos in Monteverdi's motet, Beatus Vir, Vaughan William’s Serenade to Music, and Bach's Jesu, meine Freude.
No stranger to the competition circuit, Ms. Law most recently competed as a finalist in the Houston Gilbert and Sullivan Society's 2022 Career Grant Competition. In 2021, she was awarded the "Audience Favorite" prize in the Artist Division of the National Opera Association's prestigious Carolyn Bailey & Dominick Argento Vocal Competition, and was subsequently named a national finalist in both the Comic Opera Guild's 2021 Harold Haugh Light Opera Vocal Competition, and, the Professional division of the American Prize's 2021 Friedrich and Virginia Schorr Memorial Award in Voice: Opera & Operetta competition. Additionally, she was a national semi-finalist in the Young Artist division of the 2021 Orpheus Vocal Competition, as well as an international semi-finalist in the 2021 Lyra New York International Vocal Competition. Strongly finishing out her 2020 competition season, Ms. Law was the "Audience Favorite" award winner in Piccola Opera's 2020 New Hampshire Opera Idol Competition. Moreover, Sara was a 2020 international finalist in the Classical Singer Competition (Emerging Professional / Young Artist division) and Opera Ithaca's highly competitive Edward M. Murray International Competition of Voice. In 2019, Ms. Law quickly gained recognition after performing as a national semi-finalist in Artist Division of the first annual Camille Coloratura Awards.
Ms. Law has additionally been a Young Artist with The Janiec Opera Company at Brevard Music Center, Mannes Opera, and Hawaii Performing Arts Festival, as well as an Apprentice Artist with Miami Classical Music Festival. She holds a Bachelor’s of Music from the New England Conservatory of Music, and a Master’s of Music from the Mannes School of Music at The New School.
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