Soprano Siobhan Stagg is one of the most outstanding young artists to emerge from Australia in recent years. Christa Ludwig has described Siobhan’s voice as “one of the most beautiful I’ve ever heard.” A graduate of the University of Melbourne, Siobhan began her career as a Young Artist at the Salzburg Festival (2013) and at the Deutsche Oper Berlin (2013 – 2015). As word of her talent spread, Siobhan was quickly engaged for important debuts at the Hamburg State Opera, Berliner Philharmoniker, Bayerische Staatsoper, Grand Théâtre de Genève, Dutch National Opera (Amsterdam), BBC Proms and London’s Royal Opera House Covent Garden, among others. Siobhan’s mainstage Covent Garden debut as Pamina in Die Zauberflöte at London’s Royal Opera House was highly praised: “Best of all was Siobhan Stagg”…”a glorious performance” … “The young Australian is the next big thing.” Earlier this year, Siobhan earned accolades for a “terrific U.S. debut” in the title role of Massenet’s Cendrillon (Cinderella) at the Lyric Opera of Chicago, critics praising her  “absolutely stunning and powerful voice, coupled with her undeniably magnetic stage presence.” The same season, Siobhan made a “triumphant” Australian operatic debut as Mélisande in Pelléas et Mélisande for Victorian Opera, winning her the 2019 Green Room Award for Best Female Lead in an Opera. “It’s not often a soprano comes along with the ability to sing with both thrilling frisson and total tranquility … Siobhan Stagg’s Mélisande was transcendent.” After six years as a principal soloist at the Deutsche Oper Berlin, Siobhan returns in 2019/20 as a guest, singing Tytania in the Berlin premiere of Ted Huffman’s A Midsummer Night’s Dream by Benjamin Britten. In 2019, Siobhan is Artist in Association with Asher Fisch and the West Australian Symphony Orchestra in Perth. Other highlights include Mélisande at the Opera de Dijon, Sophie in Der Rosenkavalier at Opernhaus Zürich with Fabio Luisi, a return to the Salzburg Festival for Mozart Matinees and a debut at Festival Aix-en-Provence in Romeo Castellucci’s euphoric staging of Mozart’s Requiem.