During the 2020-21 season, Taylor Raven was scheduled to debut at the Minnesota Opera as Angelina in La Cenerentola, make a role/house debut as Carmen at Opera San Jose and a house debut at Finger Lakes Opera as Rosina in Il barbiere di Siviglia. In the 2019-20 season, Taylor was scheduled to debut at the Lyric Opera of Chicago as Grimgerde in Die Walküre and the Mother in Blue. She was seen as Rosina in Il barbiere di Siviglia and Concepción in L'heure espagnole as a Filene Artist at Wolf Trap Opera. She made her Alice Tully Hall debut, appearing with the American Symphony Orchestra for a concert of Bach arias. She is a recent alum of the Domingo-Colburn-Stein Young Artist Program at the Los Angeles Opera, where she was most recently seen as Zweite Dame in the Kosky production of Die Zauberflöte, Annio in La clemenza di Tito, Tebaldo in Don Carlo, and the Sandman in Hansel and Gretel. In 2018-2019 Taylor made her Los Angeles Philharmonic debut as a soloist in the Hollywood Bowl performance of Beethoven’s Choral Fantasy. She appeared with the New West Symphony in Prokofiev’s Alexander Nevsky and made her Cincinnati Symphony Orchestra debut as a soloist in Mahler’s Das Klagende Lied as a part of their May Festival. In 2017-18 Taylor performed with Wolf Trap Opera and the National Orchestral Institute Philharmonic, making a Naxos Classical recording of Bernstein’s Songfest. She won 1st prize in the 2018 Loren L. Zachary competition and is a recipient of a 2017 Sara Tucker Study Grant from the Richard Tucker Music Foundation.