Noted for her “particularly soulful” interpretations (L.A. Times) and a "captivating combination of skilled singing and magnetic acting" (Pioneer Press), soprano Tess Altiveros is equally at home in a wide range of repertoire from the 17th century to the 21st. Recent roles include Angela in In Real Life (Opera Memphis), Susanna in Le Nozze di Figaro (Kentucky Opera), and Female Soldier in The Falling and the Rising (Seattle Opera), a portrayal described as “a triumph” by Classical Voice North America and “enthralling” by the Seattle Times. Other recent credits include E in Seattle Opera’s O + E, L'enfant in L'Enfant et les Sortilèges (Pacific Symphony), Clorinda in Seattle Opera's acclaimed production of The Combat, Fiordiligi in Così fan Tutte (Skylark Opera Theatre), Hannah in The Merry Widow (Inland Northwest Opera), Pamina in Die Zauberflöte (Pacific Symphony), Maria in West Side Story (Central City Opera/Boulder Philharmonic), Musetta in La Bohème with Mo. Andrew Litton (Colorado Symphony), Miss Jessel in Turn of the Screw (Eugene Opera), and Elle in La Voix Humaine (Vespertine Opera). On the concert stage, her voice has been hailed as “darker, creamy, sensuous…sprezzatura personified” (Opera Today) and “pure gold” (Opera Magazine). Engagements have ranged from the American Prize-winning world premiere of Muehleisen’s Borders at Carnegie Hall to the critically acclaimed West Coast tour of Monteverdi’s L’Orfeo with Grammy winning conductor Stephen Stubbs. Ms. Altiveros has been featured with the Colorado Symphony, Pacific Symphony, the Boulder Philharmonic, Portland Baroque, Early Music Vancouver, Shreveport Symphony, San Francisco Early Music Society and the Vancouver Bach Festival, to name a few. During these unprecedented times, Ms. Altiveros has had the pleasure of singing for a number of virtual performances, including an at-home recital for Seattle Opera’s Songs of Summer series, an appearance on Long Beach Opera’s Artist Afternoons, Navidad with Pacific MusicWorks, and Rodas Recordada (Music of Remembrance), as well as virtual concerts with the Whidbey Island Music Festival and Opera on the James. Full digital productions include Giannetta in L’Elisir d’Amore (Seattle Opera), and the role of Rockstar in Resonance Works & Decameron Opera Coalition’s Tales from a Safe Distance, a project described by The Wall Street Journal as “ingenious” and ranked fifth on Operawire's "Best of 2020: Top 11 Industry-Defining Moments of the Year”. Upcoming engagements include Le Nozze di Figaro (Intermountain Opera), the world premiere of Romeo (Orpheus Project), and appearances with Evansville Philharmonic, Opera on the Lake, Harmonia Orchestra, Symphony Tacoma, the Great Bend Center for Music and a recital of new compositions with The Aria Institute in Paris. A native Seattleite, Ms. Altiveros has been a regular anthem singer for the Seattle Mariners for over a decade, and was proud to be among the first to sing the national anthem for Seattle’s Kraken in their inaugural NHL season this November.