Thomas Massey is an American Tenor who began his studies in St. Petersburg, Florida under the guidance of his grandparents soprano Rosalia Maresca and tenor Mario Laurenti. He moved to New York City and completed his Bachelors in Vocal Performance in 2016 at Mannes College of Music where he studied with Arthur Levy and performed with the Mannes Opera under the direction of  Maestro Joseph Colaneri. Thomas has been a young artist at Opera Company of Middleburry, Sarasota Opera (Studio Artist), St. Petersburg Opera, Greek Opera Studio of Syros, and New York City Opera. His Professional Debut was in 2016 in Florida Lyric Opera’s production of Viva La Mamma in the role of Guglielmo. Other career highlights include his New York City Opera Debut as “Il Giovanetto” in the 2018 production of L’Amore Dei Tre Re, singing the lead role of the Prince in the world premiere of Anton Coppola’s Lady Swanwhite at Opera Tampa in 2019, and Il Principe in Respighi's  La Bella Dormente Nel Bosco in Teatro Grattacielo's Verismo Trilogy at John J College. He also made his Carnegie Hall Debut in 2019 singing the tenor soloist in Mozart’s Spazzenmesse and sang in the 2019 and 2020 world premieres of Harry Bialor's opera Warsaw Uprising in the role of Mordecai Agnelevich, the leader of the Warsaw rebellion. He has sung most of the lyric tenor repertoire including Alfredo from Verdi’s La Traviata, Rodolfo from Puccini’s La Boheme, Tamino from Mozart’s Magic Flute, and Rinuccio from Puccini’s Gianni Schicchi. Thomas performed virtually as Faust in Teatro Grattacielo’s 2020 productions of Boito's Mefistofele and as the Tenor Soloist in Handel’s The Messiah. His most recent performances in July and November of 2021 involved singing the title role in Mozart’s Idomeneo at the Cultural Center of Heraklion in Crete with the Teatro Grattacielo opera company. Upcoming productions include Tamino in Mozart’s Magic Flute and Martin in Copeland’s The Tenderland in the Utah Opera and Musical Theater Festival this Summer 2022.