Praised for her "full, gleaming sound" (Chicago Tribune), Canadian soprano Tracy Cantin "has it all - agility, power and dazzling coloratura" (Chicago Sun-Times). Recent triumphs include her debut with the BBC Scottish Symphony under Thomas Dausgaard in Bernstein’s Songfest, the title role in Anna Bolena for the Canadian Opera Company, and Brünnhilde's epic Immolation Scene from Götterdämmerung for both the Vancouver Symphony Orchestra and the National Symphony of Costa Rica.
Beethoven’s Missa solemnis, described by the composer as his greatest work, delivers a powerful experience of his genius. Conductor Jean-Sébastien Vallée, leading the Toronto Mendelssohn Choir as well as top instrumentalists and soloists, makes this epic choral piece a fitting end to the choir’s 130th season. This performance also honours the choir’s long history, returning to a piece they premiered to Canadian audiences nearly a century ago.
As companies around the globe celebrate the centennial of Giacomo Puccini’s death in 2024, COT presents a unique concert that highlights how Puccini’s work impacted the evolution of opera and musical theater. This special event will feature beloved arias and ensembles from Puccini’s operas alongside a variety of scenes from operas and musicals by composers who were influenced by the great Italian composer, including Franz Lehár, Leoš Janacek, Erich Wolfgang Korngold, Gian Carlo Menotti, Daniel Catán, Richard Rodgers, Stephen Sondheim, Andrew Lloyd Webber, and Jonathan Larson. Featured guest artists will be announced this summer.
Praised for her "full, gleaming sound" (Chicago Tribune), Canadian soprano Tracy Cantin "has it all - agility, power and dazzling coloratura" (Chicago Sun-Times). Recent triumphs include her debut with the BBC Scottish Symphony under Thomas Dausgaard in Bernstein’s Songfest, the title role in Anna Bolena for both the Canadian Opera Company and Lyric Opera of Chicago, and Verdi’s Requiem with the Okanagan Symphony. Recent role debuts include Micaëla (Carmen) with Calgary Opera, Donna Elvira (Don Giovanni) with Pacific Opera Victoria, and Chrysothemis (Elektra) with Edmonton Opera. The Ryan Opera Center alum will once again join the roster of the Canadian Opera Company for their highly anticipated Spring production of Verdi's Macbeth, followed by Bernstein’s Songfest with the Seattle Symphony, conducted by Marin Alsop. Engagements that have been postponed due to Covid-19 include Beethoven’s Symphony No. 9 with the Denver Symphony at the famed Red Rocks Amphiteater, the title role in Anna Bolena for the Edmonton Opera, Musetta (La bohème) with Fort Worth Opera, and Leonore (Fidelio) with the Calgary Opera. An avid conert performer, Cantin recently debuted the iconic Immolation Scene of Wagner's Götterdämmerung with both the Vancouver Symphony and the National Symphony of Costa Rica. Concert engagements extend to Australia where she performed Beethoven’s Symphony No. 9 with the Melbourne Symphony alongside Bryn Terfel, under the baton of Sir Andrew Davis.
The recipient of many honors, Cantin was named a National Semi-Finalist of the 2016 Metropolitan Opera National Council Auditions, was an apprentice artist at Lyric Opera of Chicago and Santa Fe Opera, and a Voice Fellow of the Steans Music Institute at Ravinia. She has received top awards from the Sullivan Foundation, Licia Albanese Puccini Foundation, Luminarts Foundation, and the Sylver Gelber Foundation, and holds degrees from McGill University, Western University, and the University of Alberta.
Praised for her "full, gleaming sound" (Chicago Tribune), Canadian soprano Tracy Cantin "has it all - agility, power and dazzling coloratura" (Chicago Sun-Times). Recent triumphs include her debut with the BBC Scottish Symphony under Thomas Dausgaard in Bernstein’s Songfest, the title role in Anna Bolena for the Canadian Opera Company, and Brünnhilde's epic Immolation Scene from Götterdämmerung for both the Vancouver Symphony Orchestra and the National Symphony of Costa Rica.
Beethoven’s Missa solemnis, described by the composer as his greatest work, delivers a powerful experience of his genius. Conductor Jean-Sébastien Vallée, leading the Toronto Mendelssohn Choir as well as top instrumentalists and soloists, makes this epic choral piece a fitting end to the choir’s 130th season. This performance also honours the choir’s long history, returning to a piece they premiered to Canadian audiences nearly a century ago.
As companies around the globe celebrate the centennial of Giacomo Puccini’s death in 2024, COT presents a unique concert that highlights how Puccini’s work impacted the evolution of opera and musical theater. This special event will feature beloved arias and ensembles from Puccini’s operas alongside a variety of scenes from operas and musicals by composers who were influenced by the great Italian composer, including Franz Lehár, Leoš Janacek, Erich Wolfgang Korngold, Gian Carlo Menotti, Daniel Catán, Richard Rodgers, Stephen Sondheim, Andrew Lloyd Webber, and Jonathan Larson. Featured guest artists will be announced this summer.
Praised for her "full, gleaming sound" (Chicago Tribune), Canadian soprano Tracy Cantin "has it all - agility, power and dazzling coloratura" (Chicago Sun-Times). Recent triumphs include her debut with the BBC Scottish Symphony under Thomas Dausgaard in Bernstein’s Songfest, the title role in Anna Bolena for both the Canadian Opera Company and Lyric Opera of Chicago, and Verdi’s Requiem with the Okanagan Symphony. Recent role debuts include Micaëla (Carmen) with Calgary Opera, Donna Elvira (Don Giovanni) with Pacific Opera Victoria, and Chrysothemis (Elektra) with Edmonton Opera. The Ryan Opera Center alum will once again join the roster of the Canadian Opera Company for their highly anticipated Spring production of Verdi's Macbeth, followed by Bernstein’s Songfest with the Seattle Symphony, conducted by Marin Alsop. Engagements that have been postponed due to Covid-19 include Beethoven’s Symphony No. 9 with the Denver Symphony at the famed Red Rocks Amphiteater, the title role in Anna Bolena for the Edmonton Opera, Musetta (La bohème) with Fort Worth Opera, and Leonore (Fidelio) with the Calgary Opera. An avid conert performer, Cantin recently debuted the iconic Immolation Scene of Wagner's Götterdämmerung with both the Vancouver Symphony and the National Symphony of Costa Rica. Concert engagements extend to Australia where she performed Beethoven’s Symphony No. 9 with the Melbourne Symphony alongside Bryn Terfel, under the baton of Sir Andrew Davis.
The recipient of many honors, Cantin was named a National Semi-Finalist of the 2016 Metropolitan Opera National Council Auditions, was an apprentice artist at Lyric Opera of Chicago and Santa Fe Opera, and a Voice Fellow of the Steans Music Institute at Ravinia. She has received top awards from the Sullivan Foundation, Licia Albanese Puccini Foundation, Luminarts Foundation, and the Sylver Gelber Foundation, and holds degrees from McGill University, Western University, and the University of Alberta.
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