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Latvian mezzo-soprano Zanda Švēde is beginning her fifth season with the ensemble at Oper Frankfurt. Her roles this season include Clairon in Capriccio, Nenila in Tchaikovsky's The Enchantress, and the title role of Orlando, Forester's wife and Owl in The Cunning Little Vixen.
Her other roles in Frankfurt include Herodias in Salome, the title role of Barrie Kosky's Carmen in two revivals, Maddalena in Rigoletto, Hippolyta in A Midsummer Night's Dream, Suzuki in Madama Butterfly, Zenobia in Radamisto, Sonyetka in Lady Macbeth of Mtsensk, Dryade in Ariadne auf Naxos and the title role of Serse.
Zanda has sung Carmen, her signature role, with Lyric Opera of Kansas City, Seattle Opera, her native Latvian National Opera and most recently with Pittsburgh Opera, earning stellar reviews.
Zanda's concert repertoire include Mahler Symphonies and Das Lied von der Erde, Brahms Alto Rhapsodie, Wagner's Wesendonck Lieder and many others.
Press Quotes
"With movie-star looks... and a luscious, chocolatey mezzo-soprano, Zanda sort of threw you off balance every time she opened her mouth. It is probably not idle to predict she could become one of the Carmens over the next few years: She has the voice, the musical verve and a winning, controlled approach to movement that augur great things."
— The Independent
"That voice—that bottomless voice! It’s a heavy mezzo with luxurious layers and some surprising color up top. It somehow resonates alternately in the depths of her chest, then her head—and still manages to project. Her first two arias also proved a wide range, and that she was embedding sensuality to spare into her Carmen."
— KCMetropolis.org
"...the exceptional mezzo Zanda Švēde embracing the fatal kiss of the viper with a superb vocal and dramatic performance. Švēde also sang Marfa’s aria from Modest Mussorgsky’s Khovanshchina, and again was a tower of vocal and dramatic strength."
Latvian mezzo-soprano Zanda Švēde is beginning her fifth season with the ensemble at Oper Frankfurt. Her roles this season include Clairon in Capriccio, Nenila in Tchaikovsky's The Enchantress, and the title role of Orlando, Forester's wife and Owl in The Cunning Little Vixen.
Her other roles in Frankfurt include Herodias in Salome, the title role of Barrie Kosky's Carmen in two revivals, Maddalena in Rigoletto, Hippolyta in A Midsummer Night's Dream, Suzuki in Madama Butterfly, Zenobia in Radamisto, Sonyetka in Lady Macbeth of Mtsensk, Dryade in Ariadne auf Naxos and the title role of Serse.
Zanda has sung Carmen, her signature role, with Lyric Opera of Kansas City, Seattle Opera, her native Latvian National Opera and most recently with Pittsburgh Opera, earning stellar reviews.
Zanda's concert repertoire include Mahler Symphonies and Das Lied von der Erde, Brahms Alto Rhapsodie, Wagner's Wesendonck Lieder and many others.
Press Quotes
"With movie-star looks... and a luscious, chocolatey mezzo-soprano, Zanda sort of threw you off balance every time she opened her mouth. It is probably not idle to predict she could become one of the Carmens over the next few years: She has the voice, the musical verve and a winning, controlled approach to movement that augur great things."
— The Independent
"That voice—that bottomless voice! It’s a heavy mezzo with luxurious layers and some surprising color up top. It somehow resonates alternately in the depths of her chest, then her head—and still manages to project. Her first two arias also proved a wide range, and that she was embedding sensuality to spare into her Carmen."
— KCMetropolis.org
"...the exceptional mezzo Zanda Švēde embracing the fatal kiss of the viper with a superb vocal and dramatic performance. Švēde also sang Marfa’s aria from Modest Mussorgsky’s Khovanshchina, and again was a tower of vocal and dramatic strength."
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