Sarah
Vautour

Soprano
Sarah Vautour
Management
L2 Artists, New York, NY
Jeffrey Larson

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L2 Artists, New York, NY
Jeffrey Larson
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Sarah Vautour

American soprano, Sarah Vautour, recently made her European debut in the 2021-22 season at Oper Bonn, appearing as both Tebaldo and Voce dal cielo in Verdi’s Don Carlo. She also appeared as the soprano soloist in Beethoven’s Symphony No. 9 with Arizona MusicFest led by Mo. Robert Moody. In the upcoming 2022/23 season, Ms. Vautour will sing with Landestheater Neustrelitz in a series of waltz-themed concerts with orchestra, led by Mo. Daniel Klein throughout the months of December and January. Following this, Ms. Vautour will make her Berlin recital debut with the bespoke recital series Vioro featuring music by and about women. In March 2023, Ms. Vautour returns to the United States as the soprano soloist in Carmina Burana with the Amarillo Symphony with Mo. George Jackson. Prior to moving to Germany, she finished her tenure as a member of the Domingo-Colburn-Stein Young Artist at Los Angeles Opera in the shortened 2019-20 season. She made her company debut as the Dew Fairy in Humperdinck’s Hänsel and Gretel under the baton of Maestro James Conlon, was heard as Papagena in Die Zauberflöte, and was scheduled to perform as Barbarina in Le nozze di Figaro. Additional performances in the season included her Opera Santa Barbara debut as Beatrice in Daniel Catán’s Il postino. In the recent 20/21 season, Ms. Vautour made her debut in Queen of the Night in Die Zauberflöte with Mo. Patrick Summers at the Aspen Opera Center as a founding member of the Fleming Artist Class. Prior to the pandemic and 2020 season, Ms. Vautour joined Teatro Nuovo for their summer season as a Resident Artist where she was heard in Rossini’s Stabat Mater and covered the title role in Bellini’s La straniera. Additionally, she made her Cincinnati Symphony Orchestra debut as the soprano soloist in Mahler’s Das klagende Lied with the Cincinnati May Festival Chorus and Maestro James Conlon. Ms. Vautour’s assignments during the 2018-19 season included covering both the Celestial Voice in Verdi's Don Carlos and Gretel in Hänsel and Gretel, and appearing as Zipporah/ Voice of God in the world premiere of Henry Mollicone’s Moses. She joined LA Opera following a summer as an Apprentice Artist at Des Moines Metro Opera, where she covered Adele in Johann Strauss Jr.’s Die Fledermaus. Ms. Vautour earned her Master of Music from Rice University and a Bachelor of Music from University of Cincinnati’s College-Conservatory of Music. Notable performances include the title role in Donizetti’s Maria Stuarda and Morgana in Handel’s Alcina with CCM Opera d’arte, as well as Rose Maurrant in Street Scene with Harrower Summer Opera Workshop. Ms. Vautour made her Aspen Music Festival debut in the role of Mozart and Donna Anna in Stephen Stucky’s The Classical Style, under the baton of Maestro Robert Spano.

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Soprano