Last season she made her Kennedy Center debut as the Fünfte Magd in Elektra followed by Musetta In La bohème. Additional debuts included Alice Ford in Falstaff with Maryland Lyric Opera, Anna in Nabucco with Washington Concert Opera, and in the summer 2023, she returned to The Glimmerglass Festival to make her mainstage debut as Mimì in La bohème.
Soprano Teresa Perrotta is a 2023 Grand Finals Winner of The Metropolitan Opera Laffont Competition and a second-year Cafritz Young Artist at Washington National Opera. In 23/24 her mainstage roles at WNO include the world premiere of Jeanine Tesori’s Grounded as Also Jess and Guadalena in Songbird. Additionally, she returns to The Santa Fe Opera as Donna Anna in Don Giovanni.
Last season she made her Kennedy Center debut as the Fünfte Magd in Elektra followed by Musetta In La bohème. Additional debuts included Alice Ford in Falstaff with Maryland Lyric Opera, Anna in Nabucco with Washington Concert Opera, and in the summer 2023, she returned to The Glimmerglass Festival to make her mainstage debut as Mimì in La bohème.
Last season she made her Kennedy Center debut as the Fünfte Magd in Elektra followed by Musetta In La bohème. Additional debuts included Alice Ford in Falstaff with Maryland Lyric Opera, Anna in Nabucco with Washington Concert Opera, and in the summer 2023, she returned to The Glimmerglass Festival to make her mainstage debut as Mimì in La bohème.
WORLD PREMIERE
Mother. Soldier. What if both are at war?
Fighter-pilot Jess grapples with her own battle: the moral implications and psychological effects of virtual warfare. This world premiere by Jeanine Tesori is based on the award-winning play by George Brant and co-produced with the Metropolitan Opera.
Oct. 28 - Nov. 13, 2023
Soprano Teresa Perrotta is a 2023 Grand Finals Winner of The Metropolitan Opera Eric and Dominique Laffont Competition and a second-year Cafritz Young Artist at Washington National Opera. In 23/24 her mainstage roles at WNO include the world premiere of Jeanine Tesori’s Grounded as Also Jess and Guadalena in Songbird. Additionally, she returns to The Santa Fe Opera as Donna Anna in Don Giovanni. On the concert stage, Teresa will make debuts with the Erie Philharmonic in Carmina Burana and The Santa Fe Symphony in Beethoven’s Symphony No. 9.
Last season she made her Kennedy Center debut as the Fünfte Magd in Elektra followed by Musetta In La bohème. Additional debuts included Alice Ford in Falstaff with Maryland Lyric Opera, Anna in Nabucco with Washington Concert Opera, and in the summer of 2023, she returned to The Glimmerglass Festival to make her mainstage debut as Mimì in La bohème.
Ms. Perrotta spent the past two summers with The Santa Fe Opera, where she performed in Falstaff (Alice Ford) and A Midsummer Night’s Dream (Helena). She made her international debut in The Ghosts of Versailles (Marie Antoinette) at L’Opéra royal de Versailles in 2019.
An advocate of contemporary opera, Teresa has workshopped many important new operas including Gregory Spears’ The Righteous (Sheila), Kevin Puts’ The Hours (Clarissa Vaughan), and Tobias Picker’s Awakenings (Rose).
Ms. Perrotta has placed in numerous competitions including the Gerda Lissner Foundation International Competition, The Metropolitan Opera Laffont Competition, the Lotte Lenya Competition, Butler Opera International Voice Competition, and the Corbett Opera Competition.
Teresa received her undergraduate degree from the Eastman School of Music and her master’s degree and artist diploma from the University of Cincinnati College-Conservatory of Music (CCM). She has been a Young Artist with The Santa Fe Opera, The Glimmerglass Festival, the Chautauqua Opera, and the Ohio Light Opera.
Soprano Teresa Perrotta is a 2023 Grand Finals Winner of The Metropolitan Opera Laffont Competition and a second-year Cafritz Young Artist at Washington National Opera. In 23/24 her mainstage roles at WNO include the world premiere of Jeanine Tesori’s Grounded as Also Jess and Guadalena in Songbird. Additionally, she returns to The Santa Fe Opera as Donna Anna in Don Giovanni.
Last season she made her Kennedy Center debut as the Fünfte Magd in Elektra followed by Musetta In La bohème. Additional debuts included Alice Ford in Falstaff with Maryland Lyric Opera, Anna in Nabucco with Washington Concert Opera, and in the summer 2023, she returned to The Glimmerglass Festival to make her mainstage debut as Mimì in La bohème.
Last season she made her Kennedy Center debut as the Fünfte Magd in Elektra followed by Musetta In La bohème. Additional debuts included Alice Ford in Falstaff with Maryland Lyric Opera, Anna in Nabucco with Washington Concert Opera, and in the summer 2023, she returned to The Glimmerglass Festival to make her mainstage debut as Mimì in La bohème.
WORLD PREMIERE
Mother. Soldier. What if both are at war?
Fighter-pilot Jess grapples with her own battle: the moral implications and psychological effects of virtual warfare. This world premiere by Jeanine Tesori is based on the award-winning play by George Brant and co-produced with the Metropolitan Opera.
Oct. 28 - Nov. 13, 2023
Soprano Teresa Perrotta is a 2023 Grand Finals Winner of The Metropolitan Opera Eric and Dominique Laffont Competition and a second-year Cafritz Young Artist at Washington National Opera. In 23/24 her mainstage roles at WNO include the world premiere of Jeanine Tesori’s Grounded as Also Jess and Guadalena in Songbird. Additionally, she returns to The Santa Fe Opera as Donna Anna in Don Giovanni. On the concert stage, Teresa will make debuts with the Erie Philharmonic in Carmina Burana and The Santa Fe Symphony in Beethoven’s Symphony No. 9.
Last season she made her Kennedy Center debut as the Fünfte Magd in Elektra followed by Musetta In La bohème. Additional debuts included Alice Ford in Falstaff with Maryland Lyric Opera, Anna in Nabucco with Washington Concert Opera, and in the summer of 2023, she returned to The Glimmerglass Festival to make her mainstage debut as Mimì in La bohème.
Ms. Perrotta spent the past two summers with The Santa Fe Opera, where she performed in Falstaff (Alice Ford) and A Midsummer Night’s Dream (Helena). She made her international debut in The Ghosts of Versailles (Marie Antoinette) at L’Opéra royal de Versailles in 2019.
An advocate of contemporary opera, Teresa has workshopped many important new operas including Gregory Spears’ The Righteous (Sheila), Kevin Puts’ The Hours (Clarissa Vaughan), and Tobias Picker’s Awakenings (Rose).
Ms. Perrotta has placed in numerous competitions including the Gerda Lissner Foundation International Competition, The Metropolitan Opera Laffont Competition, the Lotte Lenya Competition, Butler Opera International Voice Competition, and the Corbett Opera Competition.
Teresa received her undergraduate degree from the Eastman School of Music and her master’s degree and artist diploma from the University of Cincinnati College-Conservatory of Music (CCM). She has been a Young Artist with The Santa Fe Opera, The Glimmerglass Festival, the Chautauqua Opera, and the Ohio Light Opera.
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