Internationally acclaimed stage director James Marvel has been praised for his “brilliant stage direction” and his “unforgettable and visually stunning new productions.” James made his Lincoln Center debut in 2008 for the Juilliard Opera Center, directing a highly acclaimed new production. James made his Carnegie Hall debut in 2011 and directed the U.S. premier of Cavalli’s Eliogabalo for the Gotham Chamber Opera in NYC. Career highlights include groundbreaking new productions for the Kimmel Center in Philadelphia, Opera Boston, Opera Santa Barbara, Syracuse Opera, Austin Lyric Opera, San Antonio Opera, Kentucky Opera, Virginia Opera, North Carolina Opera, Toledo Opera, Sacramento Opera, Utah Festival Opera, Aspen Music Festival, Wolf Trap Opera, Santa Fe Opera, San Francisco Opera’s Merola Program, Indiana University, and the University of Southern California. International credits include a new production of Carmen for Opera Africa in Johannesburg, which was hailed as “stupendous” by the local press and a new production of Die Zauberflote for the Seoul International Opera in South Korea. European credits include productions of La Boheme, Suor Angelica, L’elisir d’amore, and Cosi fan tutte in Sulmona, Italy. James made his Paris debut with the The Man of La Mancha at the Theatre des Varietes and returned to Paris a year later to direct The Beggar’s Holiday at Espace Pierre Cardin. His new production of La Voix Humaine and The Telephone premiered at the Alliance Francaise in New York City before traveling to the Royal Conservatory of Music in Brussels, Belgium. Other international credits include work in Canada, Scotland, England, Poland, The Czech Republic, Slovakia, and Hungary. In 2011, James was named Director of Opera at the University of Tennessee at Knoxville and remains active directing in the United States and abroad.