Baritone, specializing in early music, oratorio, and choral ensembles.
Graduate of Yale University and University of Notre Dame
Baritone, specializing in early music, oratorio, and choral ensembles.
Baritone, specializing in early music, oratorio, and choral ensembles.
This artist is accepting inquiries via Stagetime message and Email.
The angel chorus roused the shepherds to announce the birth of the Christ child – an echo of prophecies of old, when Isaiah described the angels attending heaven’s throne with their three-fold cry, “Sanctus, sanctus, sanctus, Dominus Deus Sabbaoth!” Holy, Holy, Holy, is the Lord God of Hosts!”
The 2023 Charlotte Bach Festival brings the joy of Christmas to our annual June festival. And there’s no more joyful music than Bach at Christmas.
This year’s festival features all six parts of Bach’s magnificent Christmas Oratorio. After kicking off the festival with the popular Bach at the Brauhaus at The Olde Mecklenburg Brewery on Friday, June 9th, we perform Parts I and II of the Christmas Oratorio on Saturday, June 10 at Myers Park Presbyterian Church.
On Sunday, June 11 at St. Peter’s Episcopal Church, Clive Driskill-Smith, one of the leading organists of his generation, presents a concert on the magnificent Van Ness Hamrick Organ, C. B. Fisk Opus 13.
Parts III and IV of the Christmas Oratorio are the subject of The Bach Experience at Myers Park United Methodist Church’s Jubilee Hall on Monday and Tuesday afternoons. Monday night features a very special recital by our talented Vocal Fellows at Myers Park's intimate Francis Chapel. And we close out the festival with Parts V and VI of the Christmas Oratorio on Tuesday, June 13, back at Myers Park Presbyterian Church.
Spire Chamber Ensemble and UMKC Conservatory invite conductors to apply for admission to the 2023 Choral Conducting Institute with faculty, Jennaya Robison (Director of Choral Studies, University of Missouri-Kansas City Conservatory) and Ben A. Spalding (Spire Chamber Ensemble). Conductors will have the rare opportunity to conduct the Spire Chamber Ensemble, one of America’s renowned professional choral ensembles comprised of some of the finest musicians in the United States. Conductors will receive 90 minutes (three separate sessions of 30 minutes) of podium time with the ensemble, direct feedback from the clinicians and singers, and individual conducting lessons with the faculty. Designed for school, church, community, and graduate conductors, this institute will hone in on the crucial skills of specific gestural communication, efficient rehearsal techniques, and deeper musical understanding each score presents. The world-class singers of Spire will provide real-time responsiveness full of subtleties of expression that is invaluable to anyone aiming to grow on the podium, all while being surrounded by a supportive and like-minded community. Conductors and auditors will additionally engage one another in daily roundtable discussion and interest sessions.
The internationally renowned Oregon Bach Festival (OBF) and the University of Oregon School of Music and Dance are pleased to announce the 2023 lineup of concerts and artists. The upcoming season, which runs June 30 through July 16, continues the long-standing tradition of presenting the finest choral-orchestral works, extraordinary new music, illuminating lectures, and captivating community events. The Festival will be held in Eugene, with events at the Hult Center for the Performing Arts, historic Beall Concert Hall on the University of Oregon campus, and local churches.
The 2023 season finale celebrates the tradition of choral music in the Music Shed with Mendelssohn’s choral cantata Hymn of Praise — a highlight of the Music Shed’s first concert in 1906. Yale Professor of Choral Music Jeffrey Douma leads the Litchfield County Choral Union, members of Yale choral ensembles, and regional singers accompanied by the Norfolk Festival Chamber Orchestra.
With his Voiceless Mass, Raven Chacon became the first Native American winner of the Pulitzer Prize in Music. Chacon, from Fort Defiance, Navajo Nation (Arizona), has had performances in prestigious halls all over the world including Washington DC, Berlin, San Francisco, Sydney, Los Angeles and New York. He has written for and/or collaborated with The Kronos Quartet and Yo-Yo Ma amongst others. Since 2004, he has mentored over 300 high school Native composers in the writing of new string quartets for the Native American Composer Apprenticeship Project. A concentrated and powerful musical expression leaving a haunting, visceral impact, Voiceless Mass for pipe organ and instrumental ensemble evokes the weight of history in a church setting. This work considers the spaces in which we gather, the history of access to these spaces and the land upon which these buildings sit.
Songs of America, a signature repertoire for True Concord, includes African-American Spirituals arranged by Moses Hogan and William Grant Still, folk songs by Stephen Foster, including Beautiful Dreamer and Jeanie with the Light Brown Hair and music of the Sonoran Desert. New this season, True Concord selected poetry through a nation-wide competition with assistance from the UA Poetry Center. The inaugural winning poet is Janet Ruth, whose poem will be set to music by Nicholas Ryan Kelly, the latest winner of the Stephen Paulus Emerging Composers Competition.
Standing with the holiday traditions of A Christmas Carol, Nutcracker, Messiah, the lights of Winterhaven and Tucson Botanical Gardens.
Old favorites and a world premiere by True Concord’s new Co-Composer-in-Residence, Timothy C. Takach in the area’s most beautiful churches.
Founding Music Director Eric Holtan and Assitant Director Phillip Moody are putting together a brand-new program complementary to True Concord’s Annual Lessons & Carols –no works duplicated, so you can enjoy both!
Seats for this debut show are limited, the 4PM start time allows for bringing the kids with plenty of time for a relaxed supper afterward–truly family-friendly, and the Crown Room views are unparalleled.
Acclaimed for his “fine baritone” (Stuttgarter Nachrichten) and voice “perfectly suited to baroque music” (KCMetropolis), Jared Swope sings as a soloist and chorister in genres spanning early music, oratorio, newly commissioned works and more. From Gregorian Chant to freshly-composed oratorios and song cycles, Jared can be seen in a vast array of performance venues.
Selected solo engagements for 2022–2023 include Bach’s Mass in B Minor (JSB Ensemble), Christmas Oratorio (Yale Schola Cantorum), and Wo soll ich fliehen hin (Monadnock Chorus), Vaughan Williams’ Dona nobis pacem (Monadnock Chorus), Caldara’s Maddalena ai piedi di Cristo (Yale Voxtet), and the world premiere of Aaron Jay Kernis’ Edensongs (Yale Schola Cantorum).
As an ensemble singer, Jared regularly sings with True Concord Voices & Orchestra, Oregon Bach Festival, Spire Chamber Ensemble, CORO Vocal Artists, Chorosynthesis Singers and more. Published album recordings include Fauré Requiem & Other Masterworks with the St. Paul's Choir of Boys & Men (Fall 2022), Michael John Trotta's Seven Last Words with the Kansas City Repertory Singers, Chorosynthesis Singers' album Empowering Silenced Voices, and numerous publisher recording sessions from Walton Music, GIA Music, Choristers Guild, and Morningstar Publications.
He has worked with world-renowned conductors both domestically and internationally, such as Helmuth Rilling (International Bach Ensemble), Peter Phillips (Carnegie Hall Chamber Chorus), Hans-Christoph Rademann and Jos Van Veldhoven (JSB Ensemble), David Hill and Masaaki Suzuki (Yale Schola Cantorum), and more.
Jared is a recent graduate of Yale University, earning a Master of Music concentrated in Early Music, Art Song and Chamber Ensembles. He also holds a Master of Sacred Music in Vocal Performance from the University of Notre Dame, and bachelors degrees from Missouri State University in Vocal Performance and Music Education.
Graduate of Yale University and University of Notre Dame
Baritone, specializing in early music, oratorio, and choral ensembles.
This artist is accepting inquiries via Stagetime message and Email.
Baritone, specializing in early music, oratorio, and choral ensembles.
The angel chorus roused the shepherds to announce the birth of the Christ child – an echo of prophecies of old, when Isaiah described the angels attending heaven’s throne with their three-fold cry, “Sanctus, sanctus, sanctus, Dominus Deus Sabbaoth!” Holy, Holy, Holy, is the Lord God of Hosts!”
The 2023 Charlotte Bach Festival brings the joy of Christmas to our annual June festival. And there’s no more joyful music than Bach at Christmas.
This year’s festival features all six parts of Bach’s magnificent Christmas Oratorio. After kicking off the festival with the popular Bach at the Brauhaus at The Olde Mecklenburg Brewery on Friday, June 9th, we perform Parts I and II of the Christmas Oratorio on Saturday, June 10 at Myers Park Presbyterian Church.
On Sunday, June 11 at St. Peter’s Episcopal Church, Clive Driskill-Smith, one of the leading organists of his generation, presents a concert on the magnificent Van Ness Hamrick Organ, C. B. Fisk Opus 13.
Parts III and IV of the Christmas Oratorio are the subject of The Bach Experience at Myers Park United Methodist Church’s Jubilee Hall on Monday and Tuesday afternoons. Monday night features a very special recital by our talented Vocal Fellows at Myers Park's intimate Francis Chapel. And we close out the festival with Parts V and VI of the Christmas Oratorio on Tuesday, June 13, back at Myers Park Presbyterian Church.
Spire Chamber Ensemble and UMKC Conservatory invite conductors to apply for admission to the 2023 Choral Conducting Institute with faculty, Jennaya Robison (Director of Choral Studies, University of Missouri-Kansas City Conservatory) and Ben A. Spalding (Spire Chamber Ensemble). Conductors will have the rare opportunity to conduct the Spire Chamber Ensemble, one of America’s renowned professional choral ensembles comprised of some of the finest musicians in the United States. Conductors will receive 90 minutes (three separate sessions of 30 minutes) of podium time with the ensemble, direct feedback from the clinicians and singers, and individual conducting lessons with the faculty. Designed for school, church, community, and graduate conductors, this institute will hone in on the crucial skills of specific gestural communication, efficient rehearsal techniques, and deeper musical understanding each score presents. The world-class singers of Spire will provide real-time responsiveness full of subtleties of expression that is invaluable to anyone aiming to grow on the podium, all while being surrounded by a supportive and like-minded community. Conductors and auditors will additionally engage one another in daily roundtable discussion and interest sessions.
The internationally renowned Oregon Bach Festival (OBF) and the University of Oregon School of Music and Dance are pleased to announce the 2023 lineup of concerts and artists. The upcoming season, which runs June 30 through July 16, continues the long-standing tradition of presenting the finest choral-orchestral works, extraordinary new music, illuminating lectures, and captivating community events. The Festival will be held in Eugene, with events at the Hult Center for the Performing Arts, historic Beall Concert Hall on the University of Oregon campus, and local churches.
The 2023 season finale celebrates the tradition of choral music in the Music Shed with Mendelssohn’s choral cantata Hymn of Praise — a highlight of the Music Shed’s first concert in 1906. Yale Professor of Choral Music Jeffrey Douma leads the Litchfield County Choral Union, members of Yale choral ensembles, and regional singers accompanied by the Norfolk Festival Chamber Orchestra.
With his Voiceless Mass, Raven Chacon became the first Native American winner of the Pulitzer Prize in Music. Chacon, from Fort Defiance, Navajo Nation (Arizona), has had performances in prestigious halls all over the world including Washington DC, Berlin, San Francisco, Sydney, Los Angeles and New York. He has written for and/or collaborated with The Kronos Quartet and Yo-Yo Ma amongst others. Since 2004, he has mentored over 300 high school Native composers in the writing of new string quartets for the Native American Composer Apprenticeship Project. A concentrated and powerful musical expression leaving a haunting, visceral impact, Voiceless Mass for pipe organ and instrumental ensemble evokes the weight of history in a church setting. This work considers the spaces in which we gather, the history of access to these spaces and the land upon which these buildings sit.
Songs of America, a signature repertoire for True Concord, includes African-American Spirituals arranged by Moses Hogan and William Grant Still, folk songs by Stephen Foster, including Beautiful Dreamer and Jeanie with the Light Brown Hair and music of the Sonoran Desert. New this season, True Concord selected poetry through a nation-wide competition with assistance from the UA Poetry Center. The inaugural winning poet is Janet Ruth, whose poem will be set to music by Nicholas Ryan Kelly, the latest winner of the Stephen Paulus Emerging Composers Competition.
Standing with the holiday traditions of A Christmas Carol, Nutcracker, Messiah, the lights of Winterhaven and Tucson Botanical Gardens.
Old favorites and a world premiere by True Concord’s new Co-Composer-in-Residence, Timothy C. Takach in the area’s most beautiful churches.
Founding Music Director Eric Holtan and Assitant Director Phillip Moody are putting together a brand-new program complementary to True Concord’s Annual Lessons & Carols –no works duplicated, so you can enjoy both!
Seats for this debut show are limited, the 4PM start time allows for bringing the kids with plenty of time for a relaxed supper afterward–truly family-friendly, and the Crown Room views are unparalleled.
Acclaimed for his “fine baritone” (Stuttgarter Nachrichten) and voice “perfectly suited to baroque music” (KCMetropolis), Jared Swope sings as a soloist and chorister in genres spanning early music, oratorio, newly commissioned works and more. From Gregorian Chant to freshly-composed oratorios and song cycles, Jared can be seen in a vast array of performance venues.
Selected solo engagements for 2022–2023 include Bach’s Mass in B Minor (JSB Ensemble), Christmas Oratorio (Yale Schola Cantorum), and Wo soll ich fliehen hin (Monadnock Chorus), Vaughan Williams’ Dona nobis pacem (Monadnock Chorus), Caldara’s Maddalena ai piedi di Cristo (Yale Voxtet), and the world premiere of Aaron Jay Kernis’ Edensongs (Yale Schola Cantorum).
As an ensemble singer, Jared regularly sings with True Concord Voices & Orchestra, Oregon Bach Festival, Spire Chamber Ensemble, CORO Vocal Artists, Chorosynthesis Singers and more. Published album recordings include Fauré Requiem & Other Masterworks with the St. Paul's Choir of Boys & Men (Fall 2022), Michael John Trotta's Seven Last Words with the Kansas City Repertory Singers, Chorosynthesis Singers' album Empowering Silenced Voices, and numerous publisher recording sessions from Walton Music, GIA Music, Choristers Guild, and Morningstar Publications.
He has worked with world-renowned conductors both domestically and internationally, such as Helmuth Rilling (International Bach Ensemble), Peter Phillips (Carnegie Hall Chamber Chorus), Hans-Christoph Rademann and Jos Van Veldhoven (JSB Ensemble), David Hill and Masaaki Suzuki (Yale Schola Cantorum), and more.
Jared is a recent graduate of Yale University, earning a Master of Music concentrated in Early Music, Art Song and Chamber Ensembles. He also holds a Master of Sacred Music in Vocal Performance from the University of Notre Dame, and bachelors degrees from Missouri State University in Vocal Performance and Music Education.