In the 2021/22 season, Ms. Redpath has her role and house debut as Sophie in Barrie Kosky’s production of Der Rosenkavalier at the Bayerische Staatsoper with Maestro Vladimir Jurowski, returns to Deutsche Oper Berlin to make her debut in the title role of Lucia di Lammermoor, and joins Philharmonia Baroque with Richard Egarr as Zenobia in Radamisto. She also returns to the Met covering Aucoin’s Eurydice, conducted by Yannick Nézet-Séuin with staging by Mary Zimmerman. Ms. Redpath’s concert performances include a Verbier Festival debut in Beethoven’s 9th Symphony with the chamber orchestra under the baton of Gábor Takács-Nagy; Lisette in La rondine at Tchaikovsky Concert Hall with the Moscow Philharmonic; joining the Met Orchestra Chamber Ensemble and Maestro Nézet-Séguin for new arrangements from Aucoin’s Eurydice in Weill Recital Hall at Carnegie Hall, as well as an all Schubert chamber program with Orchestra of St. Luke’s in the same space; and finally, a chamber music gala concert for the LA Phil honoring concertmaster Martin Chalifour. Liv Redpath is one of the most promising young soprano leggero on the opera and concert stage today. During the 2020-21 season, Ms. Redpath will sing a program of the Saint-Saëns Oratorio de Noël and Schubert Mass in G under Vasily Petrenko in her debut with the Radio Filharmonisch Orkest as well as perform a holiday concert with the Minnesota Opera. Later in the season she will make her debut with the Bregenzer Festspiele as Woglinde in a concert version of Wagner’s Das Rheingold with the Wiener Symphoniker led by Andrés Orozco-Estrada. Ms. Redpath was scheduled to open the Los Angeles Philharmonic season at Disney Hall, sharing a program with Lang Lang under the direction of Gustavo Dudamel before traveling to New York to open the Carnegie Hall season with the same program; join Alan Gilbert to make her debut with the Boston Symphony Orchestra singing Nielsen’s Symphony #3; sing Poulenc’s Gloria and a world-premiere new composition by Peter-Jan Wagemans conducted by Karina Canellakis with the Radio Filharmonisch Orkest; perform Handel’s Messiah with the New York Philharmonic and National Symphony, both conducted by Fabio Biondi; return to the Metropolitan Opera to cover Rosina in Rossini’s Il Barbiere di Siviglia under Roderick Cox and sing the role of the fifteen-year old girl in Berg’s Lulu led by Sebastian Weigle; take on the title role of Haydn’s Armida with the Bregenzer Festspiele, and make her debut with La Monnaie singing Madame Herz in Mozart’s Der Schauspieldirektor conducted by Alain Altinoglu in performances at the Palais des Beaux-Arts. Last season, Ms. Redpath made her role and house debut at Deutsche Oper Berlin singing Marguerite de Valois in David Alden’s production of Meyerbeer’s Les Huguenots under the baton of Alexander Vedernikov and covered the role of Sophie in Robert Carsen’s production of Der Rosenkavalier by Richard Strauss at the Metropolitan Opera conducted by Sir Simon Rattle. Concert appearances included singing the role of Crobyle in Massenet’s Thaïs with Toronto Symphony Orchestra conducted by Sir Andrew Davis that was recorded for release on the Chandos label; Mahler’s Symphony No. 4 with conductor Yaniv Dinur and the New Bedford Symphony; and an evening with the Bakken Trio in her native Minnesota to sing Boulanger’s Clairières dans le ciel, Fauré’s La Bonne Chanson, and André Previn’s Four Songs. She was scheduled to sing a role debut as Salome in Stradella’s San Giovanni Battista directed by Christopher Alden and conducted by Stephen Stubbs at Opera Omaha; perform Mozart’s Requiem with the Saint Paul Chamber Orchestra and Richard Egarr; a debut with Göteborgs Symfoniker singing Abrahamsen’s Let Me Tell You with conductor Joana Carneiro; debut at the Verbier Festival singing Schubert’s Mirjam’s Siegesgesang and Beethoven’s Choral Fantasy conducted by Gábor Takács-Nagy; make her Russian debut singing Belinda in Purcell’s Dido and Aeneas at Zaryadye Hall with conductor Philippe Chizhevsky; cover the role of Bess in Missy Mazzoli’s Breaking the Waves at Brooklyn Academy of Music with the Metropolitan Opera Orchestra conducted by Yannick Nézet-Séguin.