Killer Queen Opera is a female-led arts organization committed to our artist and audiences. Based out of New York City, KQO is dedicated to featuring female artists, artists of diverse backgrounds, and the LGBTQ+ community through artistic experiences that bring awareness to issues that our communities face today.
In the throes of the Roaring 20’s, it was neither the bootleggers, Broadway producers, nor Wall Street bankers who held the secrets the decade. It was Polly Adler, a Madam of notoriety who ran a house that entertained the likes of New York’s most powerful players of the 1920’s. From her beginnings as a Belarusian-Jewish immigrant, Polly Adler ushered in the modern-era of sex work, becoming a successful and influential figure in her own right. Written by exciting libretto and music duo, Felix Jarrar and Bea Goodwin, Madam tells the story of a young woman’s journey to find home, and the lessons she learns along the way.
La Voix Humaine (1958) is a one-act, one-woman opera composed by Francis Poulenc. Based on the play written by Jean Cocteau, La Voix Humaine taps into an intimate conversation between separated lovers. Our adaptation glances into the life of a retired Hollywood actress in 1950s Paris amid this painful separation, battling the consequences of her career and her relationships.
In the throes of the Roaring 20’s, it was neither the bootleggers, Broadway producers, nor Wall Street bankers who held the secrets the decade. It was Polly Adler, a Madam of notoriety who ran a house that entertained the likes of New York’s most powerful players of the 1920’s. From her beginnings as a Belarusian-Jewish immigrant, Polly Adler ushered in the modern-era of sex work, becoming a successful and influential figure in her own right. Written by exciting libretto and music duo, Felix Jarrar and Bea Goodwin, Madam tells the story of a young woman’s journey to find home, and the lessons she learns along the way.