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D’Arcy Blunston is a sought after artist and collaborator who is able to adapt to a variety of genres and perform roles both on and off the stage.
Among her performance credits, D’Arcy was the featured soloist in Emily Doolittle’s A Short, Slow Life (Symphony 21) and Benjamin Britten’s Les Illuminations Op. 18 (UBC Symphony Orchestra). D’Arcy’s opera credits include Erste Dame (Die Zauberflöte), La Ciesca (Gianni Schicchi), and Micaëla (Carmen). She is also a member of the Vancouver Opera chorus.
Other stage work includes theatre and musical theatre in the roles of Psyche/Aphrodite/Hermes in Mary Zimmerman’s Metamorphoses (Motyer-Fancy Theatre), Reno Sweeney (Anything Goes) and Babette (Disney’s Beauty and the Beast). Behind the scenes, D’Arcy has worked as a production manager, stage manager, vocal coach and chorus master, sound operator, and production assistant.
D’Arcy Blunston is a sought after artist and collaborator who is able to adapt to a variety of genres and perform roles both on and off the stage.
Among her performance credits, D’Arcy was the featured soloist in Emily Doolittle’s A Short, Slow Life (Symphony 21) and Benjamin Britten’s Les Illuminations Op. 18 (UBC Symphony Orchestra). D’Arcy’s opera credits include Erste Dame (Die Zauberflöte), La Ciesca (Gianni Schicchi), and Micaëla (Carmen). She is also a member of the Vancouver Opera chorus.
Other stage work includes theatre and musical theatre in the roles of Psyche/Aphrodite/Hermes in Mary Zimmerman’s Metamorphoses (Motyer-Fancy Theatre), Reno Sweeney (Anything Goes) and Babette (Disney’s Beauty and the Beast). Behind the scenes, D’Arcy has worked as a production manager, stage manager, vocal coach and chorus master, sound operator, and production assistant.
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