Since 1995, the Chesapeake Orchestra, under the direction of Jeffrey Silberschlag, has provided world-class professional music to over 400,000 appreciative people in Southern Maryland. In 1999, the Chesapeake Orchestra took up residency at St. Mary’s College of Maryland at the River Concert Series. Over the past 13 years, the River Concert Series has become the cultural and tourist destination for Southern Maryland, winning the Governor’s Tourism Impact Award. It was noted in a recent article that concerts performed by the Chesapeake Orchestra have brought this community together, as about 5,000 people come every Friday evening from mid-June to the end of July to enjoy orchestral concerts that offer programs whose musical themes are designed to reach the broadest possible audience. The repertoire ranges from serious classical composition, to light classics, to jazz and genres such as bluegrass and blues are fused with orchestral instrumentation to develop new audiences. Some featured popular guest artists have included the Ahn Trio, country star, Suzy Boggus, Broadway star Kate Baldwin, jazz vocalist Hilary Kole, or jazz musician Terence Blanchard.
Building on the success of the River Concert Series, the Chesapeake Orchestra will partner with other venues in Southern Maryland to develop residency projects that will provide communities with high-quality professional programs that will enhance their culture, quality of life, and economic development. These programs can include everything from a music festival, to a small concert series, to individual a concerts, to providing schools with music master classes, workshops, or chamber music, offering an orchestral residency in a community. Such sites in Southern Maryland may include the National Harbor, Leonardtown, Maryland, Sotterley Plantation, Bowie State University, Blue Crab Stadium, College of Southern Maryland (CSM) Campuses in La Plata, Prince Frederick, and Leonardtown. Other sites along the Potomac River in Virginia could include Mount Vernon, and Dahlgren in King George, County. The concept would be a turnkey cultural destination that would also enhance tourism and make the community a cultural hotspot.
The Chesapeake Orchestra in Residence would expand the current season by developing other residencies and help other communities to become a destination for culture and tourism. The Chesapeake Orchestra in Residence would engage in contracts with various communities to provide the type of program that suits their location.
In Judaism, sacred documents cannot be destroyed. Some were buried in cemeteries - and others were put into sacred storage areas built into synagogues. These storage areas were called Genizas.
In Cairo, there was a very large one, but people assumed its contents were worthless for centuries. Until the late 1800s when two intrepid Scottish sisters came along.
Agnes Smith Lewis and Margaret Dunlop Gibson were orphaned by age 23 but afforded an incredible fortune and education by their single father. They learned multiple languages and were intrepid travelers. After their husbands both passed away, they decided to explore the Middle East and put their languages to use.
They traveled via camel purchased some documents from the Cairo Geniza and brought them home to Cambridge.
They called upon Rabbi Solomon Schechter, a Jewish scholar based at Cambridge University to review one of the documents. It turned out to be one leaf of an early manuscript of Ecclesiasticus (also known as Ben Sira), which had been thought lost to history.
From there, the race began to discover more of what the Cairo Geniza held.
To this date, not all of the 190,000 + manuscripts have been sifted through and identified but amongst them were more leaves of the lost Ben Sira and documentation of the lives of Cairo Jews - often forgotten about when discussing the sects/groups of Judaism, normally divided only into two groups (Ashkenazic and Sephardic).
In the third act of Arnold Saltzman’s opera we dive into the story of Leah and Rachel - two sisters who decide to switch places during their arranged marriage. This was another story found amongst the fragments and the costumes depicted in the last photo above show the ornate colors of such a wedding.
The opera in its entirety is the story of three women, Agnes, Margaret, and Solomon’s scholarly and feminist wife Mathilde, who work alongside Solomon to obtain, photograph, translate, and share this otherwise unknown side of Egyptian Jewish life to the world.