Soprano and recent Metropolitan Opera National Council Audition Encouragement Award winner, Katherine Jones has been described as vocally versatile and dynamic on the stage. Most recently, Jones entertained audiences in her role debut as Contessa Almaviva in Le Nozze di Figaro with the Moores Opera Center (2020). Jones currently a regular chorister with the Houston Grand Opera and maintains a vigorous performance and teaching roster.
Few operas have as much comedic energy as Mozart’s The Marriage of Figaro. Tony Award-winning director Michael Grandage’s production of the boisterous rom-com, first staged by HGO in 2016, re-sets the class-conscious comedy in late ‘60s Francoist Spain. Full of bright colors and costumes evoking the Moroccan influence on Muslim Spain, the vibrant production synthesizes transcendent music and lively performances into an unforgettable evening at the opera. Its large cast is led by bass Nahuel Di Pierro as the titular Figaro, a working-class man set to marry the beautiful Susanna despite the meddling of their employer, a married Count who would rather have the beauty for himself. The role of Susanna is performed by soprano Elena Villalón in her first return to the company after completing her training with the HGO Studio. Renowned bass-baritone Adam Plachetka portrays the Count, with beloved soprano Nicole Heaston, an HGO Studio alumna and company favorite, as his wife. Ian Rutherford directs the celebrated production’s revival, with HGO Artistic and Music Director Patrick Summers conducting.
Dame Ethel Smyth’s epic 1906 opera The Wreckers gets its first-ever full-scale production from a major American opera company. This must-see new production stars Grammy Award-winning mezzo-soprano Sasha Cooke as the resolute Thirza whose husband, the preacher Pascoe, declares to the coastal community that shipwrecks along their shore are meant to be pillaged—and meant to be premeditated by leaving the lighthouse dark. But Thirza’s heart and conscience are not with her husband or with his dangerous methods. Someone among them is secretly warning the ships of danger, and the villagers search for the traitor while Thirza embraces her convictions, no matter the cost. Acclaimed HGO Studio alumni Reginald Smith, Jr. and Norman Reinhardt sing the roles of Pascoe and Mark, the fisherman in love with the married Thirza. Radiant soprano and HGO Studio alumna Mané Galoyan performs the role of Mark’s unhappy ex, Avis. This exciting new HGO production is directed by Louisa Muller and conducted by HGO Artistic and Music Director Patrick Summers.
Soprano and recent Metropolitan Opera National Council Audition Encouragement Award winner, Katherine Jones has been described as vocally versatile and dynamic on the stage. Most recently, Jones entertained audiences in her role debut as Contessa Almaviva in Le Nozze di Figaro with the Moores Opera Center in 2020. Highlights with MOC include Millicent Jordan (Dinner At Eight), Diana (Orpheus in the Underworld), Gertrude (Hänsel und Gretel), and Sarah (Ballad of Baby Doe). Jones received her bachelor’s degree in Vocal Performance and Spanish from Indiana University (2018) and her Master of Music Degree in Vocal Performance and Pedagogy from The University of Houston (2020) under the tutelage of Professor Melanie Sonnenberg. In addition to her passion for operatic performance, Jones is an active music educator teaching piano and voice privately across Houston and regular Chorister with the Houston Grand Opera as well a staff musician at Chapelwood United Methodist Church. Despite setbacks due to the covid-19 pandemic, Jones is continuing to perform locally and participate in competitions nationwide.
Soprano and recent Metropolitan Opera National Council Audition Encouragement Award winner, Katherine Jones has been described as vocally versatile and dynamic on the stage. Most recently, Jones entertained audiences in her role debut as Contessa Almaviva in Le Nozze di Figaro with the Moores Opera Center (2020). Jones currently a regular chorister with the Houston Grand Opera and maintains a vigorous performance and teaching roster.
Few operas have as much comedic energy as Mozart’s The Marriage of Figaro. Tony Award-winning director Michael Grandage’s production of the boisterous rom-com, first staged by HGO in 2016, re-sets the class-conscious comedy in late ‘60s Francoist Spain. Full of bright colors and costumes evoking the Moroccan influence on Muslim Spain, the vibrant production synthesizes transcendent music and lively performances into an unforgettable evening at the opera. Its large cast is led by bass Nahuel Di Pierro as the titular Figaro, a working-class man set to marry the beautiful Susanna despite the meddling of their employer, a married Count who would rather have the beauty for himself. The role of Susanna is performed by soprano Elena Villalón in her first return to the company after completing her training with the HGO Studio. Renowned bass-baritone Adam Plachetka portrays the Count, with beloved soprano Nicole Heaston, an HGO Studio alumna and company favorite, as his wife. Ian Rutherford directs the celebrated production’s revival, with HGO Artistic and Music Director Patrick Summers conducting.
Dame Ethel Smyth’s epic 1906 opera The Wreckers gets its first-ever full-scale production from a major American opera company. This must-see new production stars Grammy Award-winning mezzo-soprano Sasha Cooke as the resolute Thirza whose husband, the preacher Pascoe, declares to the coastal community that shipwrecks along their shore are meant to be pillaged—and meant to be premeditated by leaving the lighthouse dark. But Thirza’s heart and conscience are not with her husband or with his dangerous methods. Someone among them is secretly warning the ships of danger, and the villagers search for the traitor while Thirza embraces her convictions, no matter the cost. Acclaimed HGO Studio alumni Reginald Smith, Jr. and Norman Reinhardt sing the roles of Pascoe and Mark, the fisherman in love with the married Thirza. Radiant soprano and HGO Studio alumna Mané Galoyan performs the role of Mark’s unhappy ex, Avis. This exciting new HGO production is directed by Louisa Muller and conducted by HGO Artistic and Music Director Patrick Summers.
Soprano and recent Metropolitan Opera National Council Audition Encouragement Award winner, Katherine Jones has been described as vocally versatile and dynamic on the stage. Most recently, Jones entertained audiences in her role debut as Contessa Almaviva in Le Nozze di Figaro with the Moores Opera Center in 2020. Highlights with MOC include Millicent Jordan (Dinner At Eight), Diana (Orpheus in the Underworld), Gertrude (Hänsel und Gretel), and Sarah (Ballad of Baby Doe). Jones received her bachelor’s degree in Vocal Performance and Spanish from Indiana University (2018) and her Master of Music Degree in Vocal Performance and Pedagogy from The University of Houston (2020) under the tutelage of Professor Melanie Sonnenberg. In addition to her passion for operatic performance, Jones is an active music educator teaching piano and voice privately across Houston and regular Chorister with the Houston Grand Opera as well a staff musician at Chapelwood United Methodist Church. Despite setbacks due to the covid-19 pandemic, Jones is continuing to perform locally and participate in competitions nationwide.