It is the 1920s in Chicago, and The District of Lake Michigan is thriving. Led by Cap and Ma Streeter, the lakefront plot of land that houses The District is occupied by a ragtag group of Chicagoans living outside the law. They have been allowed to live there, pretty much undisturbed, for decades, but now they are in the way of millionaire Potter Palmer's master plan to expand his holdings onto Lake Shore Drive. Not one to do his own dirty work, Palmer sends his puppets (The Judge, Sargeant O'Malley, and N.A. Warpbank) to remove Streeter and his followers from the land once and for all in this DaDa adaptation of a Chicago legend. "Streeterville won't never have a chamber of commerce until it has a cabaret. This is a frontier town and its got to go through its red-blooded youth. A church and a WCTU branch never growed a town yet. Yuh gotta start with entertainment." -- Captain George Wellington Streeter
Playwright: Leah Roth Barsanti
Director: Kristin L. Schoenback
Design: Rachael Nuckles
Performers: Kylie Anderson, Kelsey Busboom, Vivian Delgadillo, Keenan Odenkirk, Ryan Tang
Leah Roth Barsanti is a Chicago-based writer with an MFA in Writing for the Screen and Stage from Northwestern University. Her work focuses on strong women and girls trying to make space for themselves in a world that doesn't ever make that easy. Her protagonists struggle against all sorts of things, but mostly against expectations: both their own and those of others. While the ultimate goal of Leah's work and life is to make the patriarchy squirm, her specific areas of interest are mental health, sports, forgotten moments from history, and spooky shit. She also randomly gets the urge to write really fucking heartwarming shit from the perspective of various animals every so often. She is currently a freelance writer for Houghton Mifflin Harcourt and an active roller derby player with Chicago's Windy City Rollers.
It is the 1920s in Chicago, and The District of Lake Michigan is thriving. Led by Cap and Ma Streeter, the lakefront plot of land that houses The District is occupied by a ragtag group of Chicagoans living outside the law. They have been allowed to live there, pretty much undisturbed, for decades, but now they are in the way of millionaire Potter Palmer's master plan to expand his holdings onto Lake Shore Drive. Not one to do his own dirty work, Palmer sends his puppets (The Judge, Sargeant O'Malley, and N.A. Warpbank) to remove Streeter and his followers from the land once and for all in this DaDa adaptation of a Chicago legend. "Streeterville won't never have a chamber of commerce until it has a cabaret. This is a frontier town and its got to go through its red-blooded youth. A church and a WCTU branch never growed a town yet. Yuh gotta start with entertainment." -- Captain George Wellington Streeter
Playwright: Leah Roth Barsanti
Director: Kristin L. Schoenback
Design: Rachael Nuckles
Performers: Kylie Anderson, Kelsey Busboom, Vivian Delgadillo, Keenan Odenkirk, Ryan Tang
Leah Roth Barsanti is a Chicago-based writer with an MFA in Writing for the Screen and Stage from Northwestern University. Her work focuses on strong women and girls trying to make space for themselves in a world that doesn't ever make that easy. Her protagonists struggle against all sorts of things, but mostly against expectations: both their own and those of others. While the ultimate goal of Leah's work and life is to make the patriarchy squirm, her specific areas of interest are mental health, sports, forgotten moments from history, and spooky shit. She also randomly gets the urge to write really fucking heartwarming shit from the perspective of various animals every so often. She is currently a freelance writer for Houghton Mifflin Harcourt and an active roller derby player with Chicago's Windy City Rollers.