Praised for her clear and expansive voice as well as her fire onstage, Caroline is involved in new opera and bringing music and opera to new audiences. She has extensive experience in operetta and theater which makes her an incredibly exciting performer.
New immerive opera that takes place in a speakeasy during prohibition. Caroline played the principle character-Lipstick, based on a real person who wrote about nightlife for The New Yorker. The opera is a genre bending look at a slice of life in NYC, mixing the classical vocie and big band jazz.
I will be performing in the production show Bravo featuring "Sempre Libera," as well as my solo shows Judy, Julie and Me and Divas. Judy, Julie and Me is a cabaret style show featuring the musics of Judy Garland and Julie Andrews as well as many others and Divas features music made popular by divas of all genres, from opera to jazz to pop.
Caroline Miller is a “warm soprano [with] emotional bite,” praised as a compelling singer-actor with vocal flexibility and dramatic intensity, who is “especially adept at comedy.” Committed to the interpretation of new operatic works and collaboration with composers, Caroline has premiered the role of Verlena Sue in A Wake or A Wedding by Richard Pearson Thomas with Encompass New Opera (NYC) and the role of GH in The Passion According to GH by Lacy Rose, as part of Madou Mines Residency (NYC). Highlights of her operatic work also include: Juliana in Argento's The Aspern Papers, Echo in Strauss's Ariadne auf Naxos and Blanche in Poulenc's Dialogues des Carmélites. In the 2019-2020 season, Caroline is a Resident Artist with Toledo Opera, appearing as Gretel in Hansel and Gretel vs the Witch, the Plaintiff in Gilbert and Sullivan's Trial by Jury and Lady-In-Waiting and First Witch in Monk Tarrots' new production of Verdi's Macbeth. In the 2020-2021 season, Caroline returns to Toledo Opera as Valencienne in Franz Lehár’s The Merry Widow.
Praised for her clear and expansive voice as well as her fire onstage, Caroline is involved in new opera and bringing music and opera to new audiences. She has extensive experience in operetta and theater which makes her an incredibly exciting performer.
New immerive opera that takes place in a speakeasy during prohibition. Caroline played the principle character-Lipstick, based on a real person who wrote about nightlife for The New Yorker. The opera is a genre bending look at a slice of life in NYC, mixing the classical vocie and big band jazz.
I will be performing in the production show Bravo featuring "Sempre Libera," as well as my solo shows Judy, Julie and Me and Divas. Judy, Julie and Me is a cabaret style show featuring the musics of Judy Garland and Julie Andrews as well as many others and Divas features music made popular by divas of all genres, from opera to jazz to pop.
Caroline Miller is a “warm soprano [with] emotional bite,” praised as a compelling singer-actor with vocal flexibility and dramatic intensity, who is “especially adept at comedy.” Committed to the interpretation of new operatic works and collaboration with composers, Caroline has premiered the role of Verlena Sue in A Wake or A Wedding by Richard Pearson Thomas with Encompass New Opera (NYC) and the role of GH in The Passion According to GH by Lacy Rose, as part of Madou Mines Residency (NYC). Highlights of her operatic work also include: Juliana in Argento's The Aspern Papers, Echo in Strauss's Ariadne auf Naxos and Blanche in Poulenc's Dialogues des Carmélites. In the 2019-2020 season, Caroline is a Resident Artist with Toledo Opera, appearing as Gretel in Hansel and Gretel vs the Witch, the Plaintiff in Gilbert and Sullivan's Trial by Jury and Lady-In-Waiting and First Witch in Monk Tarrots' new production of Verdi's Macbeth. In the 2020-2021 season, Caroline returns to Toledo Opera as Valencienne in Franz Lehár’s The Merry Widow.
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