Teatro Real de Madrid

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In December 2007, coinciding with the beginning of the economic crisis, at the initiative of the Ministry of Culture, the Royal Theater was given the autonomy of the main cultural institutions of the State , with the appointment of the first independent president, Gregorio Marañón,- which remains to date-, elected, at the proposal of the Minister of Culture, among the independent members of the Board of Trustees for terms of five years. This date marked a milestone and the beginning of the constitution of the current model, since it guarantees the autonomy of the institution and distances it from the political fluctuations to which it had been subjected, which has allowed the consolidation of a professionalized and stable management. Along with this regulatory reform, the stage is marked by the strong economic crisis and the considerable decrease in public contributions made by the Ministry of Culture, the Community of Madrid, and the Madrid City Council. Consolidation of a reference model Faced with this situation, the Teatro Real promoted an institutional, artistic and management model, which has positioned it today as a national and international benchmark, articulated around three axes: strengthening the Teatro Real as a national benchmark opera, betting on artistic excellence and technological innovation, with a broad and plural program and with great international projection; establish an own and autonomous management model, the efficiency of resources, and the promotion of the Teatro Real Brand; and, as a decisive element, promote the participation of civil society in your project. In recent years, the Teatro Real has become the national reference opera house in Spain, the first institution of the performing and musical arts, and has recovered the international prestige it historically had, being recognized in 2021 as the BEST INTERNATIONAL OPERA THEATER by the prestigious International Opera Awards.

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