John Kun Park

John Kun
Park

John Kun Park
A Korean-American Tenor from Los Angeles, California, described as “a promising, rich dramatic voice,” and “a tenor voice that floats its high notes with ease and emotional fervor.”
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Management
Randsman Artist Management, New York, New York

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Randsman Artist Management, New York, New York
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John Kun
Park

John Kun Park
A Korean-American Tenor from Los Angeles, California, described as “a promising, rich dramatic voice,” and “a tenor voice that floats its high notes with ease and emotional fervor.”
Read More
Management
Randsman Artist Management, New York, New York

Toggle the options to the right to accept inquiries.

Randsman Artist Management, New York, New York
You are viewing John Kun Park’s public profile. To message John Kun, view contact information, professional endorsements, activity, and more, join Stagetime.
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Biography

John Kun Park

Korean American Tenor John Kun Park has been described as “a clarion tenor,” “that floats his high notes with ease and emotional fervor.

John will be starting off his 23/24 season with Opera Grand Rapids, reviving Ricky Ian Gordon's composition "The Tibetan Book of the Dead," as the Tenor 1 soloist, then will be making his company and role debut with Opera Modesto as the iconic Mario Cavaradossi in Puccini's "Tosca."

After his successful debut as Erik in Wagner's "Der Fliegende Holländer," with West Bay Opera, John traveled to Berlin and debuted as Bacchus in Strauss' Ariadne auf Naxos with Berlin Opera Academy. He had also debuted as Rick in John Adams’ “I was looking at the ceiling and then I saw the sky,” with InSeries Opera right before, covering the title role Canio, I Pagliacci, with Opera Tampa in March 2023. 

John began 2022 with the Los Angeles Philharmonic covering the role of Florestan in Beethoven’s Fidelio for their collaboration with Deaf West Theatre. Then John joined the Chautauqua Opera’s summer season where he covered the role of Mario Cavaradossi in Puccini’s Tosca, and sang the role of John Adams in Gertrude Stein & Virgil Thompson’s The Mother of us All.

The 2021 season began digitally for John, with being placed as a semi-finalist for the Cardiff Singer of the World Competition. He also participated in the Annapolis Opera Vocal Competition, where he was placed as a finalist and received an Encouragement Award. John's postponed contract with Des Moines Metro Opera was fulfilled and spent the summer performing in their summer season where he covered both Adolfo Pirelli and Beadle Bamford in Sondheim's Sweeney Todd.  In October, John joined the Los Angeles Philharmonic to workshop Beethoven's Fidelio in collaboration with Deaf West Theater, and will be returning to workshop the role of Florestan in March 2022.

John has performed with various companies and various prestigious young artist programs, debuting roles such as Don Jose Carmen, Faust Faust, Ismaele
Nabucco, Siegmund Die Walküre, and performing as a feature soloist with companies such as the LA Philharmonic, Des Moines Metro Opera, Chautauqua Opera, Sarasota Opera, Central City Opera, Pittsburgh Festival Opera, and West Bay Opera.

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