Peter Scott
Drackley

Peter Scott Drackley

Peter Scott Drackley is lauded by Opera Today as bringing “the performance to an awestruck standstill with his exquisite singing. He cuts a fine figure throughout the performance, with an intense stage presence.” He performed Riccardo (Un Ballo in Maschera), Rodolfo (La bohème), Pollione (Norma), Turiddu (Cavalleria Rusticana), and Cavaradossi (Tosca). He debuted Radames (Aïda) with Opera Carolina, Calaf (Turandot) with Opera Grand Rapids, and his UK debut as Rodolfo (La bohème) with Nevill Holt Opera

Media

Video

Rodolfo excerpts

Puccini’s La bohème

Video

Meco all’altar di Venere

Bellini’s Norma

Video

Gherman/Lisa Duet

Tchaikovsky’s Pikova Dama

Video

Peter Grimes Mad Scene

Britten’s Peter Grimes

(He/Him) Peter Scott Drackley is lauded by Opera Today as bringing “the performance to an awestruck standstill with his exquisite singing. He cuts a fine figure throughout the performance, with an intense stage presence.” He performed Riccardo (Un Ballo in Maschera), Rodolfo (La bohème), Pollione (Norma), Turiddu (Cavalleria Rusticana), and Cavaradossi (Tosca). He debuted Radames (Aïda) with Opera Carolina, Calaf (Turandot) with Opera Grand Rapids, and his UK debut as Rodolfo (La bohème) with Nevill Holt Opera

91 Connections | 91 Followers

To view Peter Scott Drackley's connections,

join Stagetime.

Career Highlights/Education

Helena Symphony

Tenor Soloist, Verdi Requiem, 2018

Opera Grand Rapids

Calaf , Turandot, 2022

Currently Performing

The Nose

Flirtatious Man/Honorable Colonel

Chicago Opera Theater

Management

Insignia Artists Management, New York, NY

Toggle the options to the right to accept inquiries.

Insignia Artists Management, New York, NY

Social

You are viewing Peter Scott Drackley’s public profile. To message Peter Scott, view contact information, professional endorsements, activity, and more, join Stagetime.

Join to Connect

Schedule

Recent Highlights

La Traviata

Alfredo

Anchorage Opera

Cavalleria rusticana

Turiddu / Canio

The Festival of the Atlantic

Aïda

Radames

Opera Grand Rapids

The Scorpion’s Sting

Hornsby/Set

Lyric Opera of Chicago

Die Zauberflöte

First Armored Guard

Ravinia Festival

The Nose

Flirtatious Man/Honorable Colonel

Chicago Opera Theater

Aïda

Radamès

Opera Carolina

Turandot

Calaf

Opera Grand Rapids

La bohème

Rodolfo

Nevill Holt Opera

Tosca

Mario Cavaradossi

English National Opera

The Queen of Spades

Gherman

Des Moines Metro Opera

Queen of Spades (Pique Dame)

Tchekalinsky

Des Moines Metro Opera

Sweeney Todd

Pirelli

Des Moines Metro Opera

Scalia/Ginsburg

Scalia

Opera Grand Rapids

Scalia/Ginsburg

Scalia

Opera Carolina

La bohème

Rodolfo

Opera Idaho

Norma

Pollione

Winter Opera St. Louis

Beethoven 9th Symphony

Tenor Soloist

Norwalk Symphony

La bohème

Rodolfo

Anchorage Opera

Candide

Governor

Des Moines Metro Opera

Wozzeck

Der Tambourmajor

Des Moines Metro Opera

Cavalleria rusticana

Turiddu

Boheme Opera New Jersey

Verdi Requiem

Tenor Soloist

Helena Symphony

Un ballo in maschera

Riccardo

Opera In The Heights

L’amore dei Tre Re

Avito

Sarasota Opera

Lucia di Lammermoor

Edgardo

The Santa Fe Opera

Die Fledermaus

Alfred

The Santa Fe Opera

Rigoletto

Duke of Mantua

Anchorage Opera

Macbeth

Macduff

Loft Opera

Beethoven Missa Solemnis

Tenor Soloist

Helena Symphony

Biography

Peter Scott Drackley has been lauded by Opera News as having “showed vocal confidence […] his luminous head voice blooming with expansive and penetrating phrases.” and by Opera Today as bringing “the performance to an awestruck standstill with his exquisite singing. He cuts a fine figure throughout the performance, with an intense stage presence.” He has performed such operatic roles as Riccardo (Un Ballo in Maschera), Rodolfo (La bohème), Pollione (Norma), Turiddu (Cavalleria Rusticana), and Cavaradossi (Tosca). As a frequent concert soloist, Mr. Drackley has sung Verdi’s Requiem, Mendelssohn’s Elijah, Beethoven’s Missa Solemnis and 9th Symphony, and many others. He also debuted the role of Antonin Scalia in Derrick Wang’s opera Scalia/Ginsburg at the Supreme Court, a concert that was featured on National Public Radio’s All Things Considered, a role he recently performed with Opera Carolina and Opera Grand Rapids. A mentee of Dramatic Soprano Alexandra LoBianco, Mr. Drackley has performed with Anchorage Opera, Baltimore Concert Opera, Opera Idaho, OperaDelaware, Opera Omaha, LoftOpera, the Strathmore Mansion, the National Cathedral, and as a soloist at Carnegie Hall. Mr. Drackley trained at Peabody Conservatory, as a Studio Artist with Sarasota Opera, and as an Apprentice Artist with Des Moines Metro Opera and Santa Fe Opera. Recently, Mr. Drackley joined Des Moines Metro Opera as an Ensemble Artist, singing Pirelli (Sweeney Todd), singing Chekalinsky and covering Gherman (Pique Dame). In the spring of 2022, Mr. Drackley will make role debuts as Radamés (Aïda) with Opera Carolina and Calaf (Turandot) with Opera Grand Rapids, and in the summer will make his UK debut with Nevill Holt Opera as Rodolfo (La bohème). For more information, visit www.peterscottdrackley.com.

Press Quotes

"“Tenor Peter Scott Drackley won massive ovations after his heart-rendering performance... He retained a reserved and gentle legato line throughout the opening of the aria, letting his voice build to the orchestral and vocal explosion that takes place halfway through. This allowed the audience to take the emotional journey with him from pain to anguish to eventually blood lust”"

— Opera Wire