Amy
Owens
As an educator, Amy is a sought-after vocal coach with an international roster. She has developed multiple music education programs and is the director of the Young Voices of Santa Fe Opera program.
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Recent Highlights
Amy Owens
Soprano Soloist
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Amy Owens
Johanna
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Amy Owens
Cunegonde
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Amy Owens
Soprano Soloist
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Yazid Gray
Baritone Soloist
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Amy Owens
Emily
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Paul Hill
Dr. Gibbs
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Melina Jaharis
Mrs. Soames
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Amy Owens
Phoebe D'Ysquith
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Amy Owens
Soprano Soloist
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Amy Owens
Tina
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Jonathan Bryan
Steward
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John Holiday
The Refugee
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Amy Owens
Granados
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Amy Owens
Mabel
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Fran Daniel Laucerica
Frederic
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Martin Bakari
Frederic
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Kyle White
Samuel
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Amy Owens
Performer
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Amy Owens
Performer
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Amy Owens
Sweet Potato
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Amy Owens
Johanna
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Stephanie Pfundt
Johanna
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Amy Owens
Soloist
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Amy Owens
Soprano Soloist
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Adelaide Boedecker
Soprano Soloist
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Fran Daniel Laucerica
Tenor Soloist
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Véronique Filloux
Performer
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Cree Carrico
Soloist
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Biography
Amy Owens kicked off the 2019-2020 season with her Kennedy Center Debut in Carmina Burana with the National Symphony Orchestra, where she was praised for “a perfect combination of purring, sensuous phrasing and pure-toned innocence” (Washington Classical Review). She then created the title role in Sweet Potato Kicks The Sun for Santa Fe Opera’s new initiative “Opera For All Voices” alongside legendary beat-boxer Nicole Paris, and made her house debut at Michigan Opera Theater as Johanna in Sweeney Todd. During the cancelled Spring season of 2020, she co-founded an immersive online education organization called The Collective Conservatory and served as production development manager for Access Opera. Her performing career has taken her to Carnegie Hall, Houston Grand Opera, Utah Symphony/Utah Opera, Omaha Symphony, Wolf Trap Opera, Dallas Opera, On Site Opera, Library of Congress, Lincoln Center, the Blues Tent at the 50th annual New Orleans Jazz Festival, and more. She released two collaborative albums in 2019: a debut album of original music, HAETHOR, which received acclaim in the electronica world, and “Songs of Leonard Bernstein,” including previously unrecorded vocal music. As a budding conductor, she was selected to participate in the Hart Institute for Women Conductors at Dallas Opera and the International Conducting Workshop Festival in Bulgaria. She has received awards from the Sullivan Foundation, the George London Foundation, and the Metropolitan Opera National Council, and is the artistic director for Bel Canto Productions.
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