Rachelle Moss

Current Position
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Currently Performing
Vashon Opera


(She/They) Contralto Rachelle Moss’s rich and luscious voice leaves a lasting impression on both audiences and critics. In the 2019-2020 season Ms. Moss made her debut as Bianca in The Rape of Lucretia with Tacoma Opera, Orsini in Lucrezia Borgia with Puget Sound Concert Opera, the Mistress of Novices in Suor Angelica with St. Petersburg Opera, and La Zia Prinicipessa in Suor Angelica at Lyric Opera Northwest.
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Recent Highlights


Rachelle Moss

Rachelle Moss leaves a lasting impression with her luscious and “powerful voice, and is at home in the dramatic repertoire. Definitely a contralto to watch”! (Contralto Corner). A Career Grantee from the Seattle Opera Guild, she is known for her detailed interpretation and dozens of roles spanning a diverse repertoire. Her recent roles include: Amneris (Aida), Ulrica (Un ballo in maschera), Ortrud (Lohengrin), Dritte Dame (Die Zauberflöte), and a feature in the world premiere of The Lost Genital Department in Seattle Opera’s Creation Lab.

Rachelle has performed with companies throughout the United States such as: Seattle Opera, Sarasota Opera, St. Pete Opera, Tacoma Opera, Vashon Opera, and many more. She is also an active concert soloist and recitalist, who has performed as the Alto soloist in Handel’s Messiah and Beethoven’s Ninth Symphony with Federal Way Symphony, and presented curated recitals with Saltwater Music Series and Puget Sound Concert Opera.

Moss was a 2019 emerging artist with St. Pete Opera, and a 2016-2017 apprentice artist at Sarasota Opera. She has received numerous awards including: an Encouragement Award from the Metropolitan Opera National Council, the Mary Cook Memorial Award for Outstanding Apprentice Artist from Sarasota Opera Guild, and the Stuart R. Silver Scholarship from Sarasota Opera. She holds a Bachelor's in Music History and Master's in Vocal Performance from the University of North Texas.

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