Brazilian conductor, pianist, and voice coach Jessé Martins has extensive experience working with all types of singers from children to seasoned professionals. Since joining Sarasota Opera in 2011, he conducted Mozart’s Die Zauberflöte, Purcell’s Dido and Aeneas, and Donizetti’s La Fille du Regiment; Chorus Master & Head of the Apprentice Program for the 2020 Winter Festival, Studio Artists Director for the 2022-2023 Season, and will be conducting Donizetti's Lucia di Lammermoor in 2024.
Deceit leads to murder and madness, in Donizetti's masterpiece, based on Sir Walter Scott's The Bride of Lammermoor. To save his family's fortunes, Enrico Ashton has promised his sister Lucia's hand to a Scottish nobleman, instead of Edgardo, the man she loves, and a member of a rival family. The ensuing drama is excitingly captured in Donizetti's beautifully romantic music, with many well-known operatic highlights including Lucia's famous mad scene.
2023 SPRING CLASSICAL CONCERT SERIES
(pianist)
SONGBIRD
SAINT-SAENS MAHLER CHARPENTIER DONIZETTI PUCCINI PREVIN LISZT VERDI FLOYD DVORAK PUCCINI LEONCAVALLO
Hanna Brammer, soprano
Elizabeth Novella, soprano
APRIL 5 at 4:30pm
VIRTUOSI
BACH DVORAK GRANADOS VIEUXTEMPS SARASATE
ZHAN-HAO/GANG BLOCH IGUADESMAN
George Maxman, violin
Sara Maxman, violin
APRIL 12 at 4:30pm
POTPOURRI
ARBOS VILLANI-CÔRTES MASSENET MASCAGNI
SARASOTA PIANO TRIO
Milene Moreira, violin
Nadine Trudel, cello
Jessé Martins, piano
APRIL 19 at 4:30pm
TALENTO
BACH MOZART MENDELSSOHN ENESCO VERHEY IBERT
Winners of the 2023 Edward and Ida Wilkof Young Artists Concerto Competition
Elijah Luzginov, violin
Cole Laudenslager, flute
APRIL 26 at 4:30pm
Aria Bootcamp is a young artist training program designed for young operatic artists of all ages. Our inaugural season in 2022 focused on the thorough preparation of two operatic arias from musical coaching, to technical work, to body work, and acting. This season, Aria Bootcamp will focus on the entire audition package of 5 pieces (arias and songs), for the fall 2023 audition season! We will help prepare singers selections musically and vocally, with coaching in language, musical style, acting, and vocal technique; as well as, strategize the upcoming audition season with mock auditions. We will close the program by recording two high definition videos for pre-screening submission. All levels are welcome – from graduate school auditionees, to young artist program applicants, to emerging professional artists preparing for management and main stage auditions - there is no age limit! Our exceptional faculty will have you leaving fully prepared to take on audition season!
Aria Bootcamp will run from August 7 through 18, 2023 at the Sarasota Opera House, in Sarasota, FL.
Sarasota Youth Opera will present a revival of our acclaimed production of Britten's charming opera—The Little Sweep. A group of children, with the help of a kind nursery maid, work to free a young chimney sweep apprentice from his cruel master. Last seen in 2018, this enchanting work, which was written to introduce young people to opera, will be sure to delight children and adults alike.
The operas of Giacomo Puccini are some of the most popular in the repertoire. Soloists from Sarasota Opera, partnering with the Sarasota Orchestra, conducted by Victor DeRenzi will present favorite selections from these great works in concert.
The program will consist of nine days of working on arias for the coming season and at the end of the session, participants will record those arias for the first auditions of the season. Every participant will have lessons with Ms. Rowley, coaching with faculty, acting classes, social media and branding seminars, body alignment and breathing work, masterclasses, an audition day for managers and regional opera houses, and hi-definition audition videos.
This season, the renowned faculty will include Jesse Martins of Sarasota Opera, Ksenia Leletkina of Palm Beach Opera, Teresa Ancaya of St. Pete’s Opera, Daniel Welch, Scott Skiba of Hawaii Performing Arts Festival and Cleveland Opera Theater Baldwin Wallace Conservatory, The Musical Athlete, Hannah Bullock and Drew Bullock of Simply Sing Studio, and LM Ritch of New Amsterdam.
ensemble new srq
(pianist)
OCTOBER 10 at 7:30pm
FIRST VOICES
Jerod Impichchaachaaha’ TateTalowa’ Hiloha (Thunder Song) (1994) for solo timpani
Inti Figgis-VizuetaImago (2021) for string quartet
Elizabeth OgonekLightenings (2016) for violin, piano, clarinet, percussion
Michael BegayCloak of Autumn (2018) for string quartetGabriela
OrtizPico-Bite-Beat (2018) for percussion, string quartet and electronics
First Congregational Church - 1031 S Euclid Ave, Sarasota
Sarasota Youth Opera will perform the operatic adaptation of the well-known children’s book by Canadian icon Pierre Berton. Discover the classic story of a group of siblings who venture into the dark subterranean world of the Ogs to rescue their baby brother and cat. This story has been a favorite with Canadian children since its publication in the 1960s.
ensemble new srq + Sarasota contemporary dance
(pianist)
DECEMBER 1, 2 and 3 at 7pm & DECEMBER 4 at 3pm
ENsrq + scd
Iannis XenakisRebonds B (1989) for solo percussion
Mario CarroAbout Escher (2015) for violin and marimba
Reena EsmailDarshan- Bihag (2021) for solo violin
Bright ShengHot Pepper (2010) for violin and marimba
Lou HarrisonVaried Trio (1987) piano, violin, percussion
ASOLO THEATER - 5401 Bay Shore Rd, Sarasota
NOVEMBER 22 at 6pm
AMERICANA
Ewazen - Stephenson - Clarke - Bolcom
Aaron Romm, trumpet
Sun-Young Shin, violin
NOVEMBER 29 at 6pm
HER JOURNEY
Le Beau / Strohl / Boulanger
Chamber music by women composers
Natalie Helm, cello
DECEMBER 6 at 6pm
LOS TRABAS
Donizetti / Hüe / Tansman / Piazzolla
Betsy Hudson Traba, flute
Fernando Traba, bassoon
Presented by W.H.J.J. Venice Library - 300 Nokomis Ave. S. Venice, FL
A brother and sister, Little Joe and Annette, need to buy milk for their sick mother but have no money. They see the organ-grinder, Brundibár, playing his hurdy-gurdy on the street corner and collecting money from the townspeople. The children decide that they too will sing and collect money, but they are laughed at and chased away by Brundibár.
As night approaches, a group of animals encourage the children to stand up to the organ-grinder. The next morning, with the help of the neighborhood children, they sing a charming lullaby which earns them money from the townspeople. Brundibár tires to steal their money, but after a brief chase he is caught and the children sing a song of victory.
Raise Up Your Voice
by Martha Collins (stage director) and Jesse Martins (Youth Opera Music Director)
When we first learned about Brundibár, we were profoundly moved by the history surrounding the work - that of it having been performed by children in the Terezín camp-ghetto. As we delved more into the lives and writings of these children, most of whom were murdered under the Nazi regime, we became deeply inspired and humbled by these young people who strove to stay artistically alive under such prohibitive conditions. It became important to us that the companion piece we created to go with Brundibár should not use words and stories created by us, but rather the actual words of young people. The search led us to the diaries and letters of children throughout the world written while they were living through the challenges of intolerance in its many forms.
In 1948, Winston Churchill said "Those who fail to learn from history are condemned to repeat it". It is important that we remember the stories of these children. We found wisdom in the words of these inspiring young people who were questioning the world that adults had created; these children who were able to see the world through a lens of what life could be when not limited by politics, hatred or indoctrination.
Jessé Martins is a conductor, pianist, and voice coach who has extensive experience working with all types of singers from children to seasoned professionals.
For Sarasota Opera’s 2022-2023 Season, Maestro Martins is the Director of the Studio Artists Program, conductor for the Youth Opera production of Dean Burry’s The Secret World of Og, and understudy conductor for Cimarosa’s Il Matrimonio Segreto, Mozart’s Don Giovanni, and Massenet’s Thérèse. Since joining the music staff of Sarasota Opera in 2011, he has been integrally involved in all aspects of the company’s musicmaking. He conducted Mozart’s Die Zauberflöte (2019), Purcell’s Dido and Aeneas (2021), and Donizetti’s La fille du régiment (2022). Maestro Martins was the Chorus Master & Head of the Apprentice Program during the 2020 Winter Festival and has performed as pianist in many concerts for the company and throughout the area.
As Youth Opera Music Director for Sarasota Opera since 2011, Maestro Martins has conducted the world premiere of Rachel J. Peters’ Rootabga Country, the U.S. premiere of Dean Burry’s The Secret World of OG, Britten’s The Little Sweep, Dean Burry’s The Hobbit, Krása’s Brundibár and was the associate conductor for the world premiere of Daron Hagen’s Little Nemo in Slumberland.
In collaboration with Martha Collins he co-wrote and conducted 2 works for the Sarasota Youth Opera Raise Up Your Voice – Intolerance Through The Voices of Children, and Let’s Put on an Opera. As part of the music staff Martins was the cover conductor for Rossini’s Il barbiere di Siviglia, and L’italiana in Algeri, Mozart’s Le nozze di Figaro, Eugene D’Albert’s Tiefland, Catalani’s La Wally, Pergolesi’s La Serva Padrona, and Cimarosa’s Il matrimonio segreto.
He has worked extensively as a coach in his native Brazil, New Zealand, and now the Sarasota opera and area. He is also a member of the Sarasota Piano Trio.
Martins has dedicated much of his professional career working as a pianist in his home country Brazil, New Zealand, England, and the United States. He holds a Master of Arts in Collaborative Piano from Mansfield University (PA), and a Bachelor of Music in Piano Performance from the Universidade Federal do Rio Grande do Sul (Porto Alegre, Brazil).
While a Graduate Assistant at Mansfield University, Mr. Martins was involved in many projects such as Mozart’s The Marriage of Figaro, Richard Strauss’ Melodramas for piano and narrator, George Crumb’s 11 Echoes of Autumn, George Flynn’s Chicago Mood, and the Recital Winds & Strings Sweep into the 20th Century as part of the Finger Lakes Chamber Music Festival (NY). He also traveled with the University's Concert Choir to the UK, and the Eisteddfod competition in Wales.
Since relocating to Sarasota, Mr. Martins has kept a presence outside the opera house by collaborating with other artists in recitals throughout the community, including multiple concerts with ensemblenewSRQ.
Prior to his graduate studies Mr. Martins was the Assistant Music Director and Program Manager for the Opera Factory Theater (Auckland, New Zealand) – a training center for young singers where he performed the roles of Assistant Coach on David Griffiths’ The Three Franks, Phillip Norman’s A Factory Opera and Pleasure Garden, Rod Biss’ Marriage a la mode, Menotti’s The Consul, Vaughan Williams’ Riders to the Sea, Bizet’s Doctor Miracle; and Music Director on Krasa’s Brundibar, Britten’s Albert Herring, Arthur Benjamin’s Prima Donna, Menotti’s The boy who grew too fast and The Telephone, Offenbach’s Orpheus in the Underworld, Arne’s Thomas and Sally, and Mozart’s The Impresario. While in New Zealand Mr. Martins had the chance to work with world renowned soprano Dame Kiri Te Kanawa, British Maestro Sir Andrew Davis, and chorus repetiteur for NBR NZ Opera’s Jenůfa by Leoš Janáček.
Brazilian conductor, pianist, and voice coach Jessé Martins has extensive experience working with all types of singers from children to seasoned professionals. Since joining Sarasota Opera in 2011, he conducted Mozart’s Die Zauberflöte, Purcell’s Dido and Aeneas, and Donizetti’s La Fille du Regiment; Chorus Master & Head of the Apprentice Program for the 2020 Winter Festival, Studio Artists Director for the 2022-2023 Season, and will be conducting Donizetti's Lucia di Lammermoor in 2024.
Deceit leads to murder and madness, in Donizetti's masterpiece, based on Sir Walter Scott's The Bride of Lammermoor. To save his family's fortunes, Enrico Ashton has promised his sister Lucia's hand to a Scottish nobleman, instead of Edgardo, the man she loves, and a member of a rival family. The ensuing drama is excitingly captured in Donizetti's beautifully romantic music, with many well-known operatic highlights including Lucia's famous mad scene.
2023 SPRING CLASSICAL CONCERT SERIES
(pianist)
SONGBIRD
SAINT-SAENS MAHLER CHARPENTIER DONIZETTI PUCCINI PREVIN LISZT VERDI FLOYD DVORAK PUCCINI LEONCAVALLO
Hanna Brammer, soprano
Elizabeth Novella, soprano
APRIL 5 at 4:30pm
VIRTUOSI
BACH DVORAK GRANADOS VIEUXTEMPS SARASATE
ZHAN-HAO/GANG BLOCH IGUADESMAN
George Maxman, violin
Sara Maxman, violin
APRIL 12 at 4:30pm
POTPOURRI
ARBOS VILLANI-CÔRTES MASSENET MASCAGNI
SARASOTA PIANO TRIO
Milene Moreira, violin
Nadine Trudel, cello
Jessé Martins, piano
APRIL 19 at 4:30pm
TALENTO
BACH MOZART MENDELSSOHN ENESCO VERHEY IBERT
Winners of the 2023 Edward and Ida Wilkof Young Artists Concerto Competition
Elijah Luzginov, violin
Cole Laudenslager, flute
APRIL 26 at 4:30pm
Aria Bootcamp is a young artist training program designed for young operatic artists of all ages. Our inaugural season in 2022 focused on the thorough preparation of two operatic arias from musical coaching, to technical work, to body work, and acting. This season, Aria Bootcamp will focus on the entire audition package of 5 pieces (arias and songs), for the fall 2023 audition season! We will help prepare singers selections musically and vocally, with coaching in language, musical style, acting, and vocal technique; as well as, strategize the upcoming audition season with mock auditions. We will close the program by recording two high definition videos for pre-screening submission. All levels are welcome – from graduate school auditionees, to young artist program applicants, to emerging professional artists preparing for management and main stage auditions - there is no age limit! Our exceptional faculty will have you leaving fully prepared to take on audition season!
Aria Bootcamp will run from August 7 through 18, 2023 at the Sarasota Opera House, in Sarasota, FL.
Sarasota Youth Opera will present a revival of our acclaimed production of Britten's charming opera—The Little Sweep. A group of children, with the help of a kind nursery maid, work to free a young chimney sweep apprentice from his cruel master. Last seen in 2018, this enchanting work, which was written to introduce young people to opera, will be sure to delight children and adults alike.
The operas of Giacomo Puccini are some of the most popular in the repertoire. Soloists from Sarasota Opera, partnering with the Sarasota Orchestra, conducted by Victor DeRenzi will present favorite selections from these great works in concert.
The program will consist of nine days of working on arias for the coming season and at the end of the session, participants will record those arias for the first auditions of the season. Every participant will have lessons with Ms. Rowley, coaching with faculty, acting classes, social media and branding seminars, body alignment and breathing work, masterclasses, an audition day for managers and regional opera houses, and hi-definition audition videos.
This season, the renowned faculty will include Jesse Martins of Sarasota Opera, Ksenia Leletkina of Palm Beach Opera, Teresa Ancaya of St. Pete’s Opera, Daniel Welch, Scott Skiba of Hawaii Performing Arts Festival and Cleveland Opera Theater Baldwin Wallace Conservatory, The Musical Athlete, Hannah Bullock and Drew Bullock of Simply Sing Studio, and LM Ritch of New Amsterdam.
ensemble new srq
(pianist)
OCTOBER 10 at 7:30pm
FIRST VOICES
Jerod Impichchaachaaha’ TateTalowa’ Hiloha (Thunder Song) (1994) for solo timpani
Inti Figgis-VizuetaImago (2021) for string quartet
Elizabeth OgonekLightenings (2016) for violin, piano, clarinet, percussion
Michael BegayCloak of Autumn (2018) for string quartetGabriela
OrtizPico-Bite-Beat (2018) for percussion, string quartet and electronics
First Congregational Church - 1031 S Euclid Ave, Sarasota
Sarasota Youth Opera will perform the operatic adaptation of the well-known children’s book by Canadian icon Pierre Berton. Discover the classic story of a group of siblings who venture into the dark subterranean world of the Ogs to rescue their baby brother and cat. This story has been a favorite with Canadian children since its publication in the 1960s.
ensemble new srq + Sarasota contemporary dance
(pianist)
DECEMBER 1, 2 and 3 at 7pm & DECEMBER 4 at 3pm
ENsrq + scd
Iannis XenakisRebonds B (1989) for solo percussion
Mario CarroAbout Escher (2015) for violin and marimba
Reena EsmailDarshan- Bihag (2021) for solo violin
Bright ShengHot Pepper (2010) for violin and marimba
Lou HarrisonVaried Trio (1987) piano, violin, percussion
ASOLO THEATER - 5401 Bay Shore Rd, Sarasota
NOVEMBER 22 at 6pm
AMERICANA
Ewazen - Stephenson - Clarke - Bolcom
Aaron Romm, trumpet
Sun-Young Shin, violin
NOVEMBER 29 at 6pm
HER JOURNEY
Le Beau / Strohl / Boulanger
Chamber music by women composers
Natalie Helm, cello
DECEMBER 6 at 6pm
LOS TRABAS
Donizetti / Hüe / Tansman / Piazzolla
Betsy Hudson Traba, flute
Fernando Traba, bassoon
Presented by W.H.J.J. Venice Library - 300 Nokomis Ave. S. Venice, FL
A brother and sister, Little Joe and Annette, need to buy milk for their sick mother but have no money. They see the organ-grinder, Brundibár, playing his hurdy-gurdy on the street corner and collecting money from the townspeople. The children decide that they too will sing and collect money, but they are laughed at and chased away by Brundibár.
As night approaches, a group of animals encourage the children to stand up to the organ-grinder. The next morning, with the help of the neighborhood children, they sing a charming lullaby which earns them money from the townspeople. Brundibár tires to steal their money, but after a brief chase he is caught and the children sing a song of victory.
Raise Up Your Voice
by Martha Collins (stage director) and Jesse Martins (Youth Opera Music Director)
When we first learned about Brundibár, we were profoundly moved by the history surrounding the work - that of it having been performed by children in the Terezín camp-ghetto. As we delved more into the lives and writings of these children, most of whom were murdered under the Nazi regime, we became deeply inspired and humbled by these young people who strove to stay artistically alive under such prohibitive conditions. It became important to us that the companion piece we created to go with Brundibár should not use words and stories created by us, but rather the actual words of young people. The search led us to the diaries and letters of children throughout the world written while they were living through the challenges of intolerance in its many forms.
In 1948, Winston Churchill said "Those who fail to learn from history are condemned to repeat it". It is important that we remember the stories of these children. We found wisdom in the words of these inspiring young people who were questioning the world that adults had created; these children who were able to see the world through a lens of what life could be when not limited by politics, hatred or indoctrination.
Jessé Martins is a conductor, pianist, and voice coach who has extensive experience working with all types of singers from children to seasoned professionals.
For Sarasota Opera’s 2022-2023 Season, Maestro Martins is the Director of the Studio Artists Program, conductor for the Youth Opera production of Dean Burry’s The Secret World of Og, and understudy conductor for Cimarosa’s Il Matrimonio Segreto, Mozart’s Don Giovanni, and Massenet’s Thérèse. Since joining the music staff of Sarasota Opera in 2011, he has been integrally involved in all aspects of the company’s musicmaking. He conducted Mozart’s Die Zauberflöte (2019), Purcell’s Dido and Aeneas (2021), and Donizetti’s La fille du régiment (2022). Maestro Martins was the Chorus Master & Head of the Apprentice Program during the 2020 Winter Festival and has performed as pianist in many concerts for the company and throughout the area.
As Youth Opera Music Director for Sarasota Opera since 2011, Maestro Martins has conducted the world premiere of Rachel J. Peters’ Rootabga Country, the U.S. premiere of Dean Burry’s The Secret World of OG, Britten’s The Little Sweep, Dean Burry’s The Hobbit, Krása’s Brundibár and was the associate conductor for the world premiere of Daron Hagen’s Little Nemo in Slumberland.
In collaboration with Martha Collins he co-wrote and conducted 2 works for the Sarasota Youth Opera Raise Up Your Voice – Intolerance Through The Voices of Children, and Let’s Put on an Opera. As part of the music staff Martins was the cover conductor for Rossini’s Il barbiere di Siviglia, and L’italiana in Algeri, Mozart’s Le nozze di Figaro, Eugene D’Albert’s Tiefland, Catalani’s La Wally, Pergolesi’s La Serva Padrona, and Cimarosa’s Il matrimonio segreto.
He has worked extensively as a coach in his native Brazil, New Zealand, and now the Sarasota opera and area. He is also a member of the Sarasota Piano Trio.
Martins has dedicated much of his professional career working as a pianist in his home country Brazil, New Zealand, England, and the United States. He holds a Master of Arts in Collaborative Piano from Mansfield University (PA), and a Bachelor of Music in Piano Performance from the Universidade Federal do Rio Grande do Sul (Porto Alegre, Brazil).
While a Graduate Assistant at Mansfield University, Mr. Martins was involved in many projects such as Mozart’s The Marriage of Figaro, Richard Strauss’ Melodramas for piano and narrator, George Crumb’s 11 Echoes of Autumn, George Flynn’s Chicago Mood, and the Recital Winds & Strings Sweep into the 20th Century as part of the Finger Lakes Chamber Music Festival (NY). He also traveled with the University's Concert Choir to the UK, and the Eisteddfod competition in Wales.
Since relocating to Sarasota, Mr. Martins has kept a presence outside the opera house by collaborating with other artists in recitals throughout the community, including multiple concerts with ensemblenewSRQ.
Prior to his graduate studies Mr. Martins was the Assistant Music Director and Program Manager for the Opera Factory Theater (Auckland, New Zealand) – a training center for young singers where he performed the roles of Assistant Coach on David Griffiths’ The Three Franks, Phillip Norman’s A Factory Opera and Pleasure Garden, Rod Biss’ Marriage a la mode, Menotti’s The Consul, Vaughan Williams’ Riders to the Sea, Bizet’s Doctor Miracle; and Music Director on Krasa’s Brundibar, Britten’s Albert Herring, Arthur Benjamin’s Prima Donna, Menotti’s The boy who grew too fast and The Telephone, Offenbach’s Orpheus in the Underworld, Arne’s Thomas and Sally, and Mozart’s The Impresario. While in New Zealand Mr. Martins had the chance to work with world renowned soprano Dame Kiri Te Kanawa, British Maestro Sir Andrew Davis, and chorus repetiteur for NBR NZ Opera’s Jenůfa by Leoš Janáček.
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