Praised for his "iridescent countertenor" (The New York Times) and "intense stage presence" (Classical Voice North America), Chuanyuan Liu is a rising force among the new generation of countertenors.
Recent highlights include debuts with Kansas City Symphony, Hudson Hall, American Modern Opera Company, Opera Saratoga, and Chautauqua Opera Company.
A 2024 Sullivan Award winner and two-time National Semifinalist in the Metropolitan Opera Laffont Competition, Chuanyuan holds graduate degrees from the University of Cincinnati and Bard College.
Recent highlights include debuts with Kansas City Symphony, Hudson Hall, American Modern Opera Company, Opera Saratoga, and Chautauqua Opera Company.
A 2024 Sullivan Award winner and two-time National Semifinalist in the Metropolitan Opera Laffont Competition, Chuanyuan holds graduate degrees from the University of Cincinnati and Bard College.
Praised for his "iridescent countertenor" (The New York Times) and "intense stage presence" (Classical Voice North America), Chuanyuan Liu is a rising force among the new generation of countertenors.
Recent highlights include debuts with Kansas City Symphony, Hudson Hall, American Modern Opera Company, Opera Saratoga, and Chautauqua Opera Company.
A 2024 Sullivan Award winner and two-time National Semifinalist in the Metropolitan Opera Laffont Competition, Chuanyuan holds graduate degrees from the University of Cincinnati and Bard College.
Recent highlights include debuts with Kansas City Symphony, Hudson Hall, American Modern Opera Company, Opera Saratoga, and Chautauqua Opera Company.
A 2024 Sullivan Award winner and two-time National Semifinalist in the Metropolitan Opera Laffont Competition, Chuanyuan holds graduate degrees from the University of Cincinnati and Bard College.
Visionary opera director and Hudson resident R.B. Schlather reunites with early music band Ruckus in April 2025 for six performances of Handel’s baroque blockbuster GIULIO CESARE. Repeating the successful alchemy of RODELINDA (2023), Schlather brings together area residents, rising young stars, and some of the finest baroque interpreters today to share his passion for Handel in the intimacy of New York State’s oldest surviving theater.
Chuanyuan sings the role of Tolomeo.
AMOC presents the New York premiere of Rome is Falling, conceived and composed by AMOC bassist Doug Balliett.
Chuanyuan sings various roles in this zany lesson on the absurdity of what can happen when influential people lose power.
The New York Choral Society presents The Unicorn, a theatrical production of choral music featuring Choruses from The Lark by Leonard Bernstein and The Unicorn, The Gorgon, and The Manticore by Gian Carlo Menotti.
Chuanyuan performs as the countertenor soloist in Bernstein's rarely performed choral work, The Lark.
Machinations, mind games and unabashed ambitions are rampant in the court of Claudius, Emperor of Rome. No one is more adept at manipulating the political lackeys than his clever wife, Agrippina, sister of the emperor Claudius overthrew. Power-hungry and keen on revenge, Agrippina will stab just about anyone in the back to get what she wants — her son Nero seated on the throne. When Claudius names his favorite general as his successor, Agrippina will have to play her cards just right. Considered Handel’s earliest masterpiece, sex, intrigue and sharp humor fuel this biting political satire.
Orpheus & Erica: a Deaf opera featuring Gluck’s Orfeo ed Euridice & a new play in ASL by Miriam Gordon-Stewart with Willy Conley & poetry by Gregory Orr
Co-directed by Alek Lev & Miriam Gordon-Stewart, conducted by Christine Brandes, with the UVA Chamber Singers led by Chorusmaster Michael Slon
Based on Ann Patchett’s award-winning novel, Jimmy López Bellido’s opera Bel Canto depicts how something truly beautiful can spring from chaos and terror. With a principal role loosely inspired by noted soprano Renée Fleming who championed the work, the opera tells the story of what happens when a gathering of international dignitaries at Peru’s vice-presidential mansion turns into a hostage situation. Music becomes the universal language of this riveting story of humanity and redemption, inspired by real-life events. The Chicago Sun-Times has called Bellido "one of the most interesting young composers anywhere today."
A silent, expectant grove. A violent encounter between a man, a woman, and a notorious brigand.
Seven testimonies, each proposing a different perspective on the crime. Akutagawa’s classic short story “In a Grove,” which inspired the plot of Kurosawa’s renowned film Rashomon, offers a searing investigation into the impossibility and elusiveness of truth.
Music by Christopher Cerrone, libretto by Stephanie Fleischmann, based on the short story by Ryūnosuke Akutagawa. Antony Walker conducts; Mary Birnbaum directs.
Countertenor Anthony Roth Costanzo guides two singers in an hour-long master class, followed by a 30-minute conversation with OPERA NEWS Editor-in-Chief F. Paul Driscoll. The master class will be pre-recorded, and presented with a LIVE conversation as a webinar on Thursday, April 22 at 7:00-8:30PM Eastern Time.
Explore the rarely encountered chamber masterworks and discover the creative genius of composer Clara Schumann. Musicians from the Graduate Program at Bard College Conservatory perform vocal and instrumental chamber works in recital at the Troy Savings Bank Music Hall.
A celebration and love memorial of opera with music from Mozart, Strauss, Bizet, Copland, and Puccini.
The family and friends of Mozart, Puccini, Copland, Strauss, and Bizet request the honor of your presence at a special performance to celebrate the life of opera. At this one of a kind ceremony, they will take the opportunity to share their fondest memories, explore some of their deep-seated issues, and live out their secret dreams.
Praised for his "iridescent countertenor" (The New York Times) and "intense stage presence" (Classical Voice North America), Chinese countertenor Chuanyuan Liu is a leading presence amidst the new generation of countertenors. His 2024-25 season features several major debuts, including as the alto soloist in Messiah with the Kansas City Symphony, Tolomeo in Giulio Cesare at Hudson Hall, Elise Traynor in Lincoln in the Bardo at Chautauqua Opera Company, The Priest/The Medium in In a Grove at the Prototype Festival and Opera Saratoga, and Rome is Falling at American Modern Opera Company. Upcoming engagements include Raven in the world premiere of White Raven, Black Dove at White Snake Projects and Prince Orlofsky in Die Fledermaus at Cedar Rapids Opera.
Chuanyuan’s other professional highlights include Polinesso in Ariodante and The Priest/The Medium in In a Grove at Pittsburgh Opera, Man Under the Arch/Hotel Clerk in The Hours at The Philadelphia Orchestra, Song Liling (cover) in M. Butterfly at Santa Fe Opera, title role in Monkey at White Snake Projects, and César in Bel Canto at Aspen Opera Theater.
Chuanyuan is a 2024 winner of the Sullivan Foundation Award, a two-time National Semifinalist in the Metropolitan Opera Laffont Competition, and has won awards from Opera Index, Pasadena Vocal Competition, the Gerda Lissner Foundation, amongst others. Chuanyuan is a member of the Victory Hall Opera Troupe.
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