Praised for her "clarion voice" which "soared to new heights" (Parterre Box), Indonesian-American soprano Amanda Densmoor has delighted audiences across the United States and Southeast Asia. Amanda was recently featured as a soprano soloist in Jakarta Simfonia Orchestra's US tour, The Symphonic Voyage from Indonesia, where she made her solo debut at major halls across the United States including Carnegie Hall, Walt Disney Concert Hall, Marian Anderson Hall at the Kimmel Center, and The Music Center at Strathmore. In the 2024/2025 season Amanda made her debut with Aula Simfonia Jakarta in Jakarta, Indonesia, as the Soprano II soloist in Mendelssohn’s Elijah and returned to Annapolis Opera as Girl/1st Trio Member in Bernstein’s Trouble in Tahiti. Recently, Amanda was seen as Papagena in Die Zauberflöte and as one of the bridesmaids in Le nozze di Figaro with Annapolis Opera, as the soprano soloist in Carmina Burana with the Manassas Ballet Theatre, and as Bella/Juliette in Bel Cantanti Opera’s Franz Lehár Operetta Gala.

With the Maryland Opera Studio, Amanda performed the roles of the Queen of the Night (Die Zauberflöte) and Valentina Scarcella (Later the Same Evening), and covered Dalinda (Ariodante) and Barbarina (Le nozze di Figaro). Other roles include Servilia (La clemenza di Tito), Nella (Gianni Schicchi), Suor Genovieffa (Suor Angelica), Patience (Patience), Counsel (Trial by Jury), Second Woman (Dido and Aeneas), and Kate (The Pirates of Penzance). As a concert soloist, Amanda has sung solos in Carissimi’s Jephte, Haydn’s Missa in Angustiis, Fauré’s Requiem, and Mozart’s Requiem. Amanda is passionate about new music, and has premiered the roles of Mother in Joseph C. Phillip Jr.’s Four Freedoms, and Meera in Omar Najmi’s This Is Not That Dawn.

Equally at home as a choral singer, Amanda has sung many large choral works with the National Symphony Orchestra and the Baltimore Symphony Orchestra. Amanda has also sung as a soprano chorister with the Washington National Cathedral, the Basilica of the National Shrine of the Immaculate Conception, The Thirteen, and Chantry. Highlights of her choral repertoire include Mozart's Requiem, Brahms' Requiem, Holst's The Planets, Rossini's Stabat Mater, Liszt's Dante Symphony, Bernstein's Chichester Psalms and Kaddish, Talbot's Path of Miracles, Gabriel Jackson's To the Field of Stars, David Lang's the little match girl passion, and the world premiere of Roxanna Panufnik's Across the Line of Dreams.

Amanda earned her Master of Music from the Maryland Opera Studio, and earned her Bachelor of Music in Vocal Performance, summa cumlaude, from the University of Maryland.