Baritone Jacob O’Shea is a rising young artist whose performances have been deemed, “visually and vocally [commanding]” (Boston Musical Intelligencer). Having spent the last two seasons singing with companies across the US, including Palm Beach Opera, Des Moines Metro Opera, Central City, and the Aspen Music Festival.
Opera in the Pines presents the Maine premiere of Robert Ward’s The Crucible in an immersive theater experience that summons the audience as the jury of the infamous Salem Witch Trials of 1692. When the women of Salem are accused of witchcraft, we witness the betrayal of an entire community; the ruthlessness of the prosecutors, the eagerness of neighbor to testify against neighbor, and the destructive power of socially sanctioned violence. This haunting reminder of witch hunts throughout history, that still exist in the present day, forces us to confront the fundamentals of human nature and question the systems by which power is sustained, challenged and lost.
The Crucible was commissioned in 1961 by the New York City Opera. With a libretto by Bernard Stambler, the opera is based directly on the Arthur Miller play and famously inspired by the McCarthyism of the 1950s. Miller implied that the Red Scare once again sacrificed innocent people to public hysteria. When he was called before the House Un-American Activities Committee in 1956, Miller refused to supply names of people he met years before at an alleged communist writers’ meeting. Ward’s operatic version went on to win the Pulitzer Prize and a New York Music Critics Circle Citation.
In this new adaptation where the roles of the classic play are reimagined, we will feature a cast entirely of Maine singers with professional ballet dancer, Grace Koury, of Portland Ballet. We are proud to include the professional debut of rising soprano and Standish native, Mia Love, in the role of Abigail Williams, and welcome back Abi Levis, a South Portland native, in the role of Elizabeth Proctor. Abi Levis has been recognized as one of the most exciting and versatile performers of her generation, performing with LA Opera, Utah Opera, Dallas Opera, Opera Philadelphia, and Deutsche Oper Berlin, among others.
Baritone Jacob O’Shea is a rising young artist whose performances have been deemed, “visually and vocally [commanding]” (Boston Musical Intelligencer). O’Shea has been seen as an emerging artist at some of the top programs in the country, including the Aspen Music Festival and School, Palm Beach Opera, Des Moines Metro Opera, Central City Opera, Boston University Opera Institute, and the Seagle Festival. He has also worked with Opera in the Pines, Boston Opera Collaborative, Cambridge Chamber Ensemble and Syracuse Opera .
In the 2024/2025 season, O’Shea was a winner of the Metropolitan Opera Laffont Competition’s Boston District and was granted a position as a Reneè Fleming Artist at the Aspen Music Festival. Throughout the festival he covered the roles of Marcello in La bohème and Guglielomo in Così fan Tutte, and served as the Wrestling Consultant for Fleming’s directorial debut production. He also made a company debut with Boston Opera Collaborative in the role of Vater in Humperdink’s Hänsel und Gretel.
In the 2023/2024 season, O’Shea performed the Jailer in Palm Beach Opera’s Tosca. As a second year Bailey Apprentice Artist with Palm Beach Opera, O’Shea covered the roles of Sacristan and Sciarrone in Tosca, and Luther and Crespel in Les contes d’Hoffmann. As an Apprentice artist at Des Moines Metro Opera, O’Shea covered the Colonel in The Falling and the Rising. At Opera in the Pines, he covered Thomas Putnam and Reverend Hale in The Crucible.
In the 2022/2023 season, O’Shea was a first year Bailey Apprentice Artist with Palm Beach Opera and covered various roles in Madama Butterfly, Così fan tutte, and Falstaff. At the Boston University Opera Institute, O’Shea performed as Guglielmo in Così fan tutte, Dr Gibbs in Our Town, and Paul in Jake Heggie’s If I Were You.
2021/2022 season highlights include The Sodbuster in Missy Mazzoli’s Proving Up with the Boston University Opera Institute, Colline in La bohème with the Seagle Festival, and Danieli in Wagner’s Das Liebesverbot with the Cambridge Chamber Ensemble.
Offstage, O’Shea finds solace in the art of embroidery, a creative outlet that complements his musical pursuits, allowing time to explore various unique forms of artistic expression. Hailing from Albany, New York, O’Shea completed his BM in Vocal Performance from Syracuse University and his MM in Vocal Performance from Boston University. He currently resides in Boston and studies under the tutelage of William McGraw
Baritone Jacob O’Shea is a rising young artist whose performances have been deemed, “visually and vocally [commanding]” (Boston Musical Intelligencer). Having spent the last two seasons singing with companies across the US, including Palm Beach Opera, Des Moines Metro Opera, Central City, and the Aspen Music Festival.
Opera in the Pines presents the Maine premiere of Robert Ward’s The Crucible in an immersive theater experience that summons the audience as the jury of the infamous Salem Witch Trials of 1692. When the women of Salem are accused of witchcraft, we witness the betrayal of an entire community; the ruthlessness of the prosecutors, the eagerness of neighbor to testify against neighbor, and the destructive power of socially sanctioned violence. This haunting reminder of witch hunts throughout history, that still exist in the present day, forces us to confront the fundamentals of human nature and question the systems by which power is sustained, challenged and lost.
The Crucible was commissioned in 1961 by the New York City Opera. With a libretto by Bernard Stambler, the opera is based directly on the Arthur Miller play and famously inspired by the McCarthyism of the 1950s. Miller implied that the Red Scare once again sacrificed innocent people to public hysteria. When he was called before the House Un-American Activities Committee in 1956, Miller refused to supply names of people he met years before at an alleged communist writers’ meeting. Ward’s operatic version went on to win the Pulitzer Prize and a New York Music Critics Circle Citation.
In this new adaptation where the roles of the classic play are reimagined, we will feature a cast entirely of Maine singers with professional ballet dancer, Grace Koury, of Portland Ballet. We are proud to include the professional debut of rising soprano and Standish native, Mia Love, in the role of Abigail Williams, and welcome back Abi Levis, a South Portland native, in the role of Elizabeth Proctor. Abi Levis has been recognized as one of the most exciting and versatile performers of her generation, performing with LA Opera, Utah Opera, Dallas Opera, Opera Philadelphia, and Deutsche Oper Berlin, among others.
Baritone Jacob O’Shea is a rising young artist whose performances have been deemed, “visually and vocally [commanding]” (Boston Musical Intelligencer). O’Shea has been seen as an emerging artist at some of the top programs in the country, including the Aspen Music Festival and School, Palm Beach Opera, Des Moines Metro Opera, Central City Opera, Boston University Opera Institute, and the Seagle Festival. He has also worked with Opera in the Pines, Boston Opera Collaborative, Cambridge Chamber Ensemble and Syracuse Opera .
In the 2024/2025 season, O’Shea was a winner of the Metropolitan Opera Laffont Competition’s Boston District and was granted a position as a Reneè Fleming Artist at the Aspen Music Festival. Throughout the festival he covered the roles of Marcello in La bohème and Guglielomo in Così fan Tutte, and served as the Wrestling Consultant for Fleming’s directorial debut production. He also made a company debut with Boston Opera Collaborative in the role of Vater in Humperdink’s Hänsel und Gretel.
In the 2023/2024 season, O’Shea performed the Jailer in Palm Beach Opera’s Tosca. As a second year Bailey Apprentice Artist with Palm Beach Opera, O’Shea covered the roles of Sacristan and Sciarrone in Tosca, and Luther and Crespel in Les contes d’Hoffmann. As an Apprentice artist at Des Moines Metro Opera, O’Shea covered the Colonel in The Falling and the Rising. At Opera in the Pines, he covered Thomas Putnam and Reverend Hale in The Crucible.
In the 2022/2023 season, O’Shea was a first year Bailey Apprentice Artist with Palm Beach Opera and covered various roles in Madama Butterfly, Così fan tutte, and Falstaff. At the Boston University Opera Institute, O’Shea performed as Guglielmo in Così fan tutte, Dr Gibbs in Our Town, and Paul in Jake Heggie’s If I Were You.
2021/2022 season highlights include The Sodbuster in Missy Mazzoli’s Proving Up with the Boston University Opera Institute, Colline in La bohème with the Seagle Festival, and Danieli in Wagner’s Das Liebesverbot with the Cambridge Chamber Ensemble.
Offstage, O’Shea finds solace in the art of embroidery, a creative outlet that complements his musical pursuits, allowing time to explore various unique forms of artistic expression. Hailing from Albany, New York, O’Shea completed his BM in Vocal Performance from Syracuse University and his MM in Vocal Performance from Boston University. He currently resides in Boston and studies under the tutelage of William McGraw
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