She/Her
Praised for her “richly colored mezzo”, “distinctive lower voice” and “explosively elegant” stage presence, French-American artist Stephanie Doche has rapidly created an important place for herself among today’s rising mezzos. A singing actress of outstanding technical and interpretive skill, Ms. Doche has starred in leading roles nationwide, distinguishing herself in diverse styles and repertoire.
Praised for her “richly colored mezzo”, “distinctive lower voice” and “explosively elegant” stage presence, French-American artist Stephanie Doche has rapidly created an important place for herself among today’s rising mezzos. A singing actress of outstanding technical and interpretive skill, Ms. Doche has starred in leading roles nationwide, distinguishing herself in diverse styles and repertoire. Recent performances have included the title roles of Ariodante, Carmen, La Cenerentola and Serse, as well as Nicklausse/Muse/Mother in Les Contes d’Hoffmann and Justice Ruth Bader Ginsburg in Derrick Wang’s Scalia/Ginsburg with Opera Neo, Opéra Louisiane, Opera Memphis, Mobile Opera, and Pacific Opera Project. Upcoming performances include Edka in Jake Heggie’s Out of Darkness with Quad City Symphony Orchestra, Rosina in Il barbiere di Siviglia with Florida Grand Opera and Gulfshore Opera, as well as Isabella in L’Italiana in Algeri with St. Petersburg Opera. A recent graduate of the Florida Grand Opera Studio, Ms. Doche appeared with that company as Maddalena in Rigoletto, Narciso in Agrippina, Eunice Hubbell in A Streetcar Named Desire and Dinah in Trouble in Tahiti. Additionally, she was featured as Pamela/Mama in Daron Hagen’s New York Stories and Rosine in Thomas Pasatieri’s Signor Deluso. Performances as Dorabella in Cosi fan Tutte, Siébel in Faust and Flora Bervoix in La Traviata were unfortunately canceled due to COVID-19. Ms. Doche anticipates her orchestral debut with the Palm Beach Symphony as Alto soloist in Handel’s Messiah. Stephanie has also sung with the Memphis Symphony and the Riverdale Choral Arts Society. She is a proud recipient of awards from the Metropolitan Opera National Council and the Beethoven Club of Memphis.
She/Her
Praised for her “richly colored mezzo”, “distinctive lower voice” and “explosively elegant” stage presence, French-American artist Stephanie Doche has rapidly created an important place for herself among today’s rising mezzos. A singing actress of outstanding technical and interpretive skill, Ms. Doche has starred in leading roles nationwide, distinguishing herself in diverse styles and repertoire.
Praised for her “richly colored mezzo”, “distinctive lower voice” and “explosively elegant” stage presence, French-American artist Stephanie Doche has rapidly created an important place for herself among today’s rising mezzos. A singing actress of outstanding technical and interpretive skill, Ms. Doche has starred in leading roles nationwide, distinguishing herself in diverse styles and repertoire. Recent performances have included the title roles of Ariodante, Carmen, La Cenerentola and Serse, as well as Nicklausse/Muse/Mother in Les Contes d’Hoffmann and Justice Ruth Bader Ginsburg in Derrick Wang’s Scalia/Ginsburg with Opera Neo, Opéra Louisiane, Opera Memphis, Mobile Opera, and Pacific Opera Project. Upcoming performances include Edka in Jake Heggie’s Out of Darkness with Quad City Symphony Orchestra, Rosina in Il barbiere di Siviglia with Florida Grand Opera and Gulfshore Opera, as well as Isabella in L’Italiana in Algeri with St. Petersburg Opera. A recent graduate of the Florida Grand Opera Studio, Ms. Doche appeared with that company as Maddalena in Rigoletto, Narciso in Agrippina, Eunice Hubbell in A Streetcar Named Desire and Dinah in Trouble in Tahiti. Additionally, she was featured as Pamela/Mama in Daron Hagen’s New York Stories and Rosine in Thomas Pasatieri’s Signor Deluso. Performances as Dorabella in Cosi fan Tutte, Siébel in Faust and Flora Bervoix in La Traviata were unfortunately canceled due to COVID-19. Ms. Doche anticipates her orchestral debut with the Palm Beach Symphony as Alto soloist in Handel’s Messiah. Stephanie has also sung with the Memphis Symphony and the Riverdale Choral Arts Society. She is a proud recipient of awards from the Metropolitan Opera National Council and the Beethoven Club of Memphis.
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